7:25am PT by Jeff Miller
Coachella: Outkast Turns It Around in Second Weekend
Rumors of Outkast’s demise have been greatly exaggerated.
The beloved hip-hop duo, whose 20th-anniversary reunion tour launched at Coachella last week with a debut set that garnered almost universally negative reviews, clearly paid attention and responded with an immensely tweaked, far superior set to end the first day of the festival’s second weekend.
Though the twosome emerged in the same way as weekend one — in a giant, opaque cube that served as the set’s centerpiece, launching into their frenetic hit “Bombs Over Baghdad (B.O.B.)” — the similarities immediately stopped. During weekend one, rappers Andre 3000 and Big Boi spent the better part of the first quarter of their set in the cube, essentially separating themselves from the audience not just with added distance but with an actual screen in between. Tonight they only stayed in that box for a moment before coming out stage-front, strutting with an emboldened confidence light-years from the standoffish attitude that came through the first weekend.
Andre 3000, especially, seemed like a man renewed: Clad in a one-piece jumpsuit with a gigantic tag that read “For Sale” on one side and “Sold Out” on the other, he smiled gleefully through hits like “So Fresh, So Clean,” “Roses” and “Hey Ya,” even as he sang it — to the audience, rather than facing away — with a bit of raw sarcasm seeping through.
And about those hits: The setlist was completely reinvented, with a mid-set solo segment from each rapper reduced by half and a complete swap out of some songs and reorganization of the order of others. That meant that there was no extended guest spot from the rapper Future, no dead-last “Hey Ya” to feel like an afterthought (instead, it was played mid-set — and reinvigorated the audience) and no violation of curfew, as there had been the week before. Instead, the set actually ran short — a much smarter move that made the whole thing feel tight, taught and ready for action.
This article first appeared at Billboard.com.