Film Review: Maradona by Kusturica
Bottom Line: Idolatrous view of the soccer legend with too much politics and not enough football.
May 20, 2008
Maradona by Kusturica
Cannes, Out of Competition
CANNES -- Sarajevo filmmaker Emir Kusturica gives Argentine football legend Diego Maradona a big wet kiss in his new documentary "Maradona by Kusturica." In thrall to the iconic soccer wizard, the director makes the film as much about his simplistic politics and idolizing fans as about his playing career.
Kusturica gets Maradona talking about his rags-to-riches rise to fame and the cocaine addiction that he says prevented him from being an even greater player, and shows him in the cocoon of a loving family. But the director puts himself in the film quite a bit and it leaves the impression that, as many men would, he just wanted to hang out with one of his sporting heroes and brag about it.
The film will do very well in parts of the world where soccer is king and among those who share its anti-British and anti-American sentiments. General sports fans will be disappointed by how little actual game footage there is with many goals shown but no information about when or where.
Kusturica joins Maradona in his view that handling the ball was poetic justice for all the sins of the colonial English and lets him ramble on about his love for Fidel Castro and hatred of George Bush.
The film includes footage of social protest in South America and the Balkans and there are five cartoons targeting such hated enemies as Margaret Thatcher and Ronald Reagan accompanied by the Sex Pistols' track "God Save the Queen," to what end it's not entirely clear.
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