Film Review: The Good, the Bad, the Weird

June 18, 2008 Costing not just a few dollars more than Serge Leone's spaghetti Westerns, Korean genre-twisting auteur Kim Jee-woon's $17 million homage to Leone's tour de force "The Good, The Bad, The Ugly" is a make-or-break venture that, given the precarious status of the Korean film business at the moment, could influence prospects of Korean mega-bucks film investments. Notwithstanding such pressure, the direction shows no signs of fluster, resulting in a jaunty, happy-go-lucky adventure that packs a fistful of dynamite in the spectacular showdown. Unveiled at Cannes Out of Competition, key producer CJ Entertainment claimed it sold to selective European territories and reported more post-fest sales worldwide.

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