Bottom Line: Powerful images strike a humane chord in an episodic fable about life in Sri Lanka.
Venice Film Festival -- Competition
VENICE -- Striking images and the suggestion that life is a series
of random events that might be repeated make "Between Two Worlds"
intriguing.
With no narrative arc, Vimukthi Jayasundara's tale of life in Sri
Lanka follows a young man who falls from the sky into the sea,
clambers onto the shore and survives dangerous encounters in a city
filled with rioting people and then in the countryside where unseen
authorities shoot on sight.
Cinematographer Channa Deshapriya and production designer Lal
Harendranath contribute to remarkably enigmatic sequences that
might prove winning at festivals and could reach sympathetic
international audiences as a cry for help for the young people of
strife-torn Sri Lanka.
The urban scenes are realistic and terrifying: Groups of men with
clubs descend on anyone found alone, gunfire and explosions are
constant, and streets are strewn with the wreckage from
mayhem.
People that the young man encounters stay with him for a while but
then disappear without explanation and are not heard from again. In
the junglelike countryside, he sees incidents that he then learns
happened a long time ago and commits acts of violence that prove
never to have happened.
He finds a woman who apparently is his sister-in-law, and when she
notices he has a damaged eye, she treats it with milk from her
breast though she hasn't given birth. A little boy tends to a
wounded bird but then climbs a tree and drops it into a large
knothole in the trunk.
When a village's well is found to be poisoned, all the young men
who have been hiding from the guns of the authorities emerge from
the forest to bale the water away. The young man joins in, and
their movements become a dance and a chant followed by a
celebration that ends when armed men on horseback swoop down on
them.
What all of it adds up to is left to the viewer, but there's no
question that while some bits are simply puzzling, there are many
arresting episodes and the film echoes as a plaintive call for
attention to the ongoing plight of the young people of Sri
Lanka.
Production: Les Films Hatari, Unlimited, Arte France Cinema,
Film Council Prods. Sri Lanka
Director-writer: Vimukthi Jayasundara
Producers: Michel Klein, Philippe Avril, Michel Reilhac, Chandana
Aluthge, Anura Silva
Director of photography: Channa Deshapriya
Production designer: Lal Harendranath
Music: Lackshman Joseph De Saram
Costume designer: Kanchana Thalpawila
Editor: Gisele Rapp-Meichler
Sales agent: Artscope
No rating, 85 minutes
Between Two Worlds -- Film Review
By Ray Bennett, September 09, 2009 03:05 ET
Bottom Line: Powerful images strike a humane chord in an episodic fable about life in Sri Lanka.
Venice Film Festival -- CompetitionVENICE -- Striking images and the suggestion that life is a series of random events that might be repeated make "Between Two Worlds" intriguing.
With no narrative arc, Vimukthi Jayasundara's tale of life in Sri Lanka follows a young man who falls from the sky into the sea, clambers onto the shore and survives dangerous encounters in a city filled with rioting people and then in the countryside where unseen authorities shoot on sight.
Cinematographer Channa Deshapriya and production designer Lal Harendranath contribute to remarkably enigmatic sequences that might prove winning at festivals and could reach sympathetic international audiences as a cry for help for the young people of strife-torn Sri Lanka.
The urban scenes are realistic and terrifying: Groups of men with clubs descend on anyone found alone, gunfire and explosions are constant, and streets are strewn with the wreckage from mayhem.
People that the young man encounters stay with him for a while but then disappear without explanation and are not heard from again. In the junglelike countryside, he sees incidents that he then learns happened a long time ago and commits acts of violence that prove never to have happened.
He finds a woman who apparently is his sister-in-law, and when she notices he has a damaged eye, she treats it with milk from her breast though she hasn't given birth. A little boy tends to a wounded bird but then climbs a tree and drops it into a large knothole in the trunk.
When a village's well is found to be poisoned, all the young men who have been hiding from the guns of the authorities emerge from the forest to bale the water away. The young man joins in, and their movements become a dance and a chant followed by a celebration that ends when armed men on horseback swoop down on them.
What all of it adds up to is left to the viewer, but there's no question that while some bits are simply puzzling, there are many arresting episodes and the film echoes as a plaintive call for attention to the ongoing plight of the young people of Sri Lanka.
Production: Les Films Hatari, Unlimited, Arte France Cinema, Film Council Prods. Sri Lanka
Director-writer: Vimukthi Jayasundara
Producers: Michel Klein, Philippe Avril, Michel Reilhac, Chandana Aluthge, Anura Silva
Director of photography: Channa Deshapriya
Production designer: Lal Harendranath
Music: Lackshman Joseph De Saram
Costume designer: Kanchana Thalpawila
Editor: Gisele Rapp-Meichler
Sales agent: Artscope
No rating, 85 minutes