Bottom Line: Amusing black comedy about an avenging wife features a strong cast directed by Cheryl Hines.
You could call "Serious Moonlight," snappily written by the late
actress-writer-director Adrienne Shelly, a five-and-dime "War of
the Roses." This is meant as a compliment, as the film, like its
similarly themed forebear "The Waitress," is a rollicking, nasty
ride into the disintegration of a marriage pairing spoiled, upscale
spouses. Helped by kind reviews, the film should pull in upscale
art house patrons. And "Waitress" fans too will be
well-served.
Not just a frivolous jousting match, "Moonlight" has its serious
side as an intelligent peephole into the psychological and sexual
dynamics that can drive a once loving, loyal couple to the edge of
criminality.
Meg Ryan is terrific as high-powered Manhattan lawyer Louise, who,
visiting a day early the country house she and husband Ian (Timothy
Hutton) share, discovers the premises strewn with lovely flower
pedals. This, she soon learns after a startled Ian arrives, is in
anticipation of his young mistress, Sara (Kristen Bell), whom he
expects to whisk off to Paris the next day. Not a nice farewell
gesture to his wife of 13 years.
Maybe we've seen Louise before, in characters played by Diane
Keaton, Meryl Streep and others, but Ryan makes Louise a ballsy,
believable bitch to behold. Upon her discovery, Louise takes action
by duct-taping Ian and holding him prisoner in the house, hoping
he'll come to his senses. The back-and-forth that ensues isn't just
a war of the sexes but a war of wills as Ian tries to talk his way
out of a bad situation and Louise holds firm, even baking the
cookies Ian adores.
What sends the plot further spinning is the arrival of
opportunistic, lowlife landscaper Todd (Justin Long), who quickly
takes advantage of the situation by tying up all parties so he and
his cronies can trash the premises and party. Also late to the
scene and tied up in the bathroom with the sparring spouses is
Sara, who expects a romantic country prelude to the escape to
Paris.
Hutton shines as the roving, besieged husband who learns in a
heartbeat that hell hath no fury like a woman scorned, and Bell
does honorably with her all-too-familiar hot female spoiler
character.
In her feature directing debut, Cheryl Hines ("Curb Your
Enthusiasm") oversees a handsome production and moves the story
vigorously.
With its single locale and few characters, the film easily could
have worked as a play. Some situations, like a falling pot
rendering Ian unconscious, strain credibility. But overall,
"Moonlight" is a nuttily engaging tale of betrayal and, perhaps,
redemption.
Screened: Saturday, April 25
Production: Night & Day Pictures, All for A Films
Cast: Meg Ryan, Timothy Hutton, Kristen Bell, Justin Long
Director: Cheryl Hines
Screenwriter: Adrienne Shelly
Producers: Andy Ostroy, Michael Roiff
Executive producers: Cliff Chenfeld, David Graff, Dan Katcher, Todd
King, Rick Milenthal, Dawn Porter, Isabel Rose, Todd Stein
Director of photography: Nancy Schreiber
Production designer: Cecil Gentry
Music: Andrew Hollander
Costume designer: Ariyela Wald-Cohain
Editor: Steven Rasch
No rating, 84 minutes
Serious Moonlight -- Film Review
By Doris Toumarkine, May 05, 2009 05:36 ET
Bottom Line: Amusing black comedy about an avenging wife features a strong cast directed by Cheryl Hines.
You could call "Serious Moonlight," snappily written by the late actress-writer-director Adrienne Shelly, a five-and-dime "War of the Roses." This is meant as a compliment, as the film, like its similarly themed forebear "The Waitress," is a rollicking, nasty ride into the disintegration of a marriage pairing spoiled, upscale spouses. Helped by kind reviews, the film should pull in upscale art house patrons. And "Waitress" fans too will be well-served.
Not just a frivolous jousting match, "Moonlight" has its serious side as an intelligent peephole into the psychological and sexual dynamics that can drive a once loving, loyal couple to the edge of criminality.
Meg Ryan is terrific as high-powered Manhattan lawyer Louise, who, visiting a day early the country house she and husband Ian (Timothy Hutton) share, discovers the premises strewn with lovely flower pedals. This, she soon learns after a startled Ian arrives, is in anticipation of his young mistress, Sara (Kristen Bell), whom he expects to whisk off to Paris the next day. Not a nice farewell gesture to his wife of 13 years.
Maybe we've seen Louise before, in characters played by Diane Keaton, Meryl Streep and others, but Ryan makes Louise a ballsy, believable bitch to behold. Upon her discovery, Louise takes action by duct-taping Ian and holding him prisoner in the house, hoping he'll come to his senses. The back-and-forth that ensues isn't just a war of the sexes but a war of wills as Ian tries to talk his way out of a bad situation and Louise holds firm, even baking the cookies Ian adores.
What sends the plot further spinning is the arrival of opportunistic, lowlife landscaper Todd (Justin Long), who quickly takes advantage of the situation by tying up all parties so he and his cronies can trash the premises and party. Also late to the scene and tied up in the bathroom with the sparring spouses is Sara, who expects a romantic country prelude to the escape to Paris.
Hutton shines as the roving, besieged husband who learns in a heartbeat that hell hath no fury like a woman scorned, and Bell does honorably with her all-too-familiar hot female spoiler character.
In her feature directing debut, Cheryl Hines ("Curb Your Enthusiasm") oversees a handsome production and moves the story vigorously.
With its single locale and few characters, the film easily could have worked as a play. Some situations, like a falling pot rendering Ian unconscious, strain credibility. But overall, "Moonlight" is a nuttily engaging tale of betrayal and, perhaps, redemption.
Screened: Saturday, April 25
Production: Night & Day Pictures, All for A Films
Cast: Meg Ryan, Timothy Hutton, Kristen Bell, Justin Long
Director: Cheryl Hines
Screenwriter: Adrienne Shelly
Producers: Andy Ostroy, Michael Roiff
Executive producers: Cliff Chenfeld, David Graff, Dan Katcher, Todd King, Rick Milenthal, Dawn Porter, Isabel Rose, Todd Stein
Director of photography: Nancy Schreiber
Production designer: Cecil Gentry
Music: Andrew Hollander
Costume designer: Ariyela Wald-Cohain
Editor: Steven Rasch
No rating, 84 minutes