"Paranormal Activity"
Bottom Line: Effective jolts await in this ultra-low-budget haunted-house tale, but audiences will need extraordinary patience.
Hoping to catch lightning in a bottle (or the ghost in the
machine), Paramount Pictures has been treading carefully with its
release of "Paranormal Activity," a pickup from Slamdance 2008
whose ridiculously low budget of $15,000 and cinema-verite approach
to the supernatural evoke that ultimate sleeper success, "The Blair
Witch Project." The movie's utter lack of production value has
mandated an unconventional word-of-mouth strategy that incorporates
midnight debut screenings in 13 college towns and a website
competition to determine which parts of the country will get it
next.
It's a smart move, since much of "Paranormal" is as exciting as the
outtakes from a particularly dull episode of "Big Brother." Careful
handling is a must for the picture to capitalize on its strength --
an incremental sense of dread that leads to some genuine jolts in
the final half-hour. Those shocks should generate an avid cult
following, but writer-director Oren Peli's housebound horror tale
is unlikely to cast a massive boxoffice spell like the "Blair
Witch" phenomenon.
The setup is as elemental as can be. Young middle-class San Diego
couple Micah (Micah Sloat) and Katie (Katie Featherston) are being
spooked by strange noises in their new home. Eager for answers,
Micah decides to set up night-vision camera equipment in their
bedroom, in addition to his own roving camcorder. (As in "Blair
Witch," all the action is purportedly found footage from this
amateur shoot.)
We soon learn that Katie has a history of otherworldly encounters,
dating to a tragic incident from her childhood. The couple calls in
an ineffectual psychic, and Micah tempts the spirit world with an
Ouija board, but their after-dark visitations just get louder and
more terrifying, culminating in one particularly momentous
night.
The most effective sequences stem from the time-coded bedroom
surveillance footage (always speeded up to the moments when doors
open by themselves and shadows climb the walls). The banality of
the couple's day-to-day existence when they're not hearing
unwelcome guests enhances the sense of realism, but it can be
awfully trying for viewers who just want to get to the good stuff
already.
Sloat and Featherston have a laid-back naturalism that serves the
premise well. Sloat is just smug enough that we kind of welcome the
hell that awaits him.
"Paranormal" ultimately does deliver in a way that "Blair Witch"
never did, but its achingly slow buildup is a test not just of an
audience's patience but the power of hype surrounding the latest
alternative scary movie.
Opens: Friday, Sept. 25 (Paramount Pictures)
Production: Blumhouse Prods.
Cast: Micah Sloat, Katie Featherston, Mark Fredrichs, Amber
Armstrong, Ashley Palmer, Tim Piper, Randy McDowell
Director,screenwriter, director of photography, editor: Oren
Peli
Producers: Oren Peli, Jason Blum
Executive producer: Steven Schneider
Rated R, 96 minutes
Paranormal Activity -- Film Review
By Kevin Lally, September 24, 2009 04:57 ET
"Paranormal Activity"
Bottom Line: Effective jolts await in this ultra-low-budget haunted-house tale, but audiences will need extraordinary patience.
Hoping to catch lightning in a bottle (or the ghost in the machine), Paramount Pictures has been treading carefully with its release of "Paranormal Activity," a pickup from Slamdance 2008 whose ridiculously low budget of $15,000 and cinema-verite approach to the supernatural evoke that ultimate sleeper success, "The Blair Witch Project." The movie's utter lack of production value has mandated an unconventional word-of-mouth strategy that incorporates midnight debut screenings in 13 college towns and a website competition to determine which parts of the country will get it next.
It's a smart move, since much of "Paranormal" is as exciting as the outtakes from a particularly dull episode of "Big Brother." Careful handling is a must for the picture to capitalize on its strength -- an incremental sense of dread that leads to some genuine jolts in the final half-hour. Those shocks should generate an avid cult following, but writer-director Oren Peli's housebound horror tale is unlikely to cast a massive boxoffice spell like the "Blair Witch" phenomenon.
The setup is as elemental as can be. Young middle-class San Diego couple Micah (Micah Sloat) and Katie (Katie Featherston) are being spooked by strange noises in their new home. Eager for answers, Micah decides to set up night-vision camera equipment in their bedroom, in addition to his own roving camcorder. (As in "Blair Witch," all the action is purportedly found footage from this amateur shoot.)
We soon learn that Katie has a history of otherworldly encounters, dating to a tragic incident from her childhood. The couple calls in an ineffectual psychic, and Micah tempts the spirit world with an Ouija board, but their after-dark visitations just get louder and more terrifying, culminating in one particularly momentous night.
The most effective sequences stem from the time-coded bedroom surveillance footage (always speeded up to the moments when doors open by themselves and shadows climb the walls). The banality of the couple's day-to-day existence when they're not hearing unwelcome guests enhances the sense of realism, but it can be awfully trying for viewers who just want to get to the good stuff already.
Sloat and Featherston have a laid-back naturalism that serves the premise well. Sloat is just smug enough that we kind of welcome the hell that awaits him.
"Paranormal" ultimately does deliver in a way that "Blair Witch" never did, but its achingly slow buildup is a test not just of an audience's patience but the power of hype surrounding the latest alternative scary movie.
Opens: Friday, Sept. 25 (Paramount Pictures)
Production: Blumhouse Prods.
Cast: Micah Sloat, Katie Featherston, Mark Fredrichs, Amber Armstrong, Ashley Palmer, Tim Piper, Randy McDowell
Director,screenwriter, director of photography, editor: Oren Peli
Producers: Oren Peli, Jason Blum
Executive producer: Steven Schneider
Rated R, 96 minutes