Roger Daltrey performing earlier this year (Getty)
Bottom Line: The Who singer provided a tasty if occasionally ragged treat for his fans with this intimate solo show.
Roger Daltrey has dubbed his current solo jaunt the "Use It or Lose
It" tour, but his show Friday night at the Nokia demonstrated that
sometimes you can use it and lose it as well. The 65-year-old(!)
Who singer had some vocal difficulties as his lengthy performance
progressed, which he partly blamed on the cloud of marijuana smoke
emanating from the audience.
As he put it at the end of the evening, it was "a hard show but a
good one." Daltrey was in a rather prickly mood, complaining
vociferously about the venue's acoustics, the heat and the constant
hubbub that led him at several points to loudly berate the
audience.
Still, it's likely that no one in the crowd was regretful about
having had the opportunity to see the legendary rock singer in an
intimate setting, performing many numbers that he doesn't have the
chance to sing on the Who tours.
"This is not a Who show," the singer declared at the beginning,
before adding "I'm Townshend's biggest fan, and his sparring
partner."
The set list for the generous, nearly two-hour show was well
chosen. There were plenty of Who favorites for the fans, including
the lead-off "Who Are You" as well as "Baba O'Riley," "The Real
Me," "Behind Blue Eyes," "I Can See for Miles" and a bluesy "My
Generation." But he also took the opportunity to perform such
relative rarities as "Tattoo," "Blue Red and Grey" and "Pictures of
Lily," as well as the crowd-pleasing "Squeeze Box."
Another standout that never makes Who set lists was "Going Mobile,"
with the vocals strongly handled by Pete's brother Simon Townshend,
an integral part of the terrific five-piece band.
Daltrey clearly relished the opportunity to stretch out his
repertoire, singing solo hits ("Days of Light," "Who's Gonna Walk
on Water," "Without Your Love"), loving covers ("Born on the
Bayou," a Johnny Cash medley), and Celtic-flavored arrangements of
a couple of numbers from the obscure "Largo" album, including Taj
Mahal's "Freedom Ride."
He was also in a decidedly chatty mood, somewhat to the show's
detriment. Part of the reason for the crowd's restlessness was his
overly long song introductions, which, although obviously
heartfelt, were more appropriate for a "VH1 Storytellers" episode
than a packed club and which severely dragged down the evening's
pacing.
By the end of the show, his voice was clearly shot. But despite his
vocal problems, Daltrey delivered a memorable performance that made
one all the more excited about the next Who tour, whenever it might
be.
The four-piece band Paper Zoo delivered a strong opening set that
was more than appropriate for the occasion in its canny blending of
rock, pop and psychedelia that recalled any number of '60s- and
'70s-era bands.
Venue: Nokia Theatre, New York (Friday, Nov. 20)
Roger Daltrey -- Concert Review
By Frank Scheck, November 22, 2009 02:23 ET
Roger Daltrey performing earlier this year (Getty)
Bottom Line: The Who singer provided a tasty if occasionally ragged treat for his fans with this intimate solo show.
Roger Daltrey has dubbed his current solo jaunt the "Use It or Lose It" tour, but his show Friday night at the Nokia demonstrated that sometimes you can use it and lose it as well. The 65-year-old(!) Who singer had some vocal difficulties as his lengthy performance progressed, which he partly blamed on the cloud of marijuana smoke emanating from the audience.
As he put it at the end of the evening, it was "a hard show but a good one." Daltrey was in a rather prickly mood, complaining vociferously about the venue's acoustics, the heat and the constant hubbub that led him at several points to loudly berate the audience.
Still, it's likely that no one in the crowd was regretful about having had the opportunity to see the legendary rock singer in an intimate setting, performing many numbers that he doesn't have the chance to sing on the Who tours.
"This is not a Who show," the singer declared at the beginning, before adding "I'm Townshend's biggest fan, and his sparring partner."
The set list for the generous, nearly two-hour show was well chosen. There were plenty of Who favorites for the fans, including the lead-off "Who Are You" as well as "Baba O'Riley," "The Real Me," "Behind Blue Eyes," "I Can See for Miles" and a bluesy "My Generation." But he also took the opportunity to perform such relative rarities as "Tattoo," "Blue Red and Grey" and "Pictures of Lily," as well as the crowd-pleasing "Squeeze Box."
Another standout that never makes Who set lists was "Going Mobile," with the vocals strongly handled by Pete's brother Simon Townshend, an integral part of the terrific five-piece band.
Daltrey clearly relished the opportunity to stretch out his repertoire, singing solo hits ("Days of Light," "Who's Gonna Walk on Water," "Without Your Love"), loving covers ("Born on the Bayou," a Johnny Cash medley), and Celtic-flavored arrangements of a couple of numbers from the obscure "Largo" album, including Taj Mahal's "Freedom Ride."
He was also in a decidedly chatty mood, somewhat to the show's detriment. Part of the reason for the crowd's restlessness was his overly long song introductions, which, although obviously heartfelt, were more appropriate for a "VH1 Storytellers" episode than a packed club and which severely dragged down the evening's pacing.
By the end of the show, his voice was clearly shot. But despite his vocal problems, Daltrey delivered a memorable performance that made one all the more excited about the next Who tour, whenever it might be.
The four-piece band Paper Zoo delivered a strong opening set that was more than appropriate for the occasion in its canny blending of rock, pop and psychedelia that recalled any number of '60s- and '70s-era bands.
Venue: Nokia Theatre, New York (Friday, Nov. 20)