"Sons of Cuba"
Bottom Line: Debut film on Cuba's child boxers a delicate balance of drama, politics and entertainment.
ROME -- Winner of Best Documentary at the Rome Film Festival,
Andrew Lang's "Sons of Cuba," about young Cuban boxers at the
prestigious Havana Boxing Academy, is a knockout debut. Affecting
and entertaining, it has all the makings of an arthouse hit after
it winds up a successful festival run. Television pick-ups and DVD
sales will help it receive greater visibility.
Comparisons to "Hoop Dreams" are inevitable, not only because
Cubans are to boxing what Americans are to basketball -- they have
dominated the Olympics for over 25 years. For that matter, the
economic conditions that produce the sports' stars are
similar.
More than just a film about the quintessential poor man's sport in
an impoverished country, "Sons of Cuba" offers a rare glimpse at a
closed society. Lang used his unprecedented access to a Cuban state
institution to paint an emotionally charged yet balanced portrait
of sacrifice, social hardship and political indoctrination.
Shot in 2006, the film follows three boys at the Academy as they
prepare for the 2006 National Boxing Championship of Under-12's,
which provides the film's dramatic arc. Their training is grueling
and resources scarce at the legendary boarding school, whose boxing
hopefuls are all black.
The boys wake up at 4 a.m. to a meager breakfast before training,
going to classes and training again in the afternoon. They use old
tires for punching bags. When they need to drop weight before
competitions, they crawl under wooden steps to sit in a
"sauna."
The boys, who are allowed to see their families once a week, are
taught they are the torch-bearers of the Fidel Castro's Revolution,
often repeating his words to psych themselves up: "Fatherland or
death, we will win!"
But they're also kids. The tension and pressure for victory leads
to frequent tears, just one of the many contradictions that makes
this documentary heartbreaking and thought provoking.
The filmmakers were handed additional subplots on a silver platter
when, in 2006, Fidel Castro ceded power as Cuba's longtime leader
and three of the country's top boxers (all gold medalists at the
2004 Athens Olympics) defected to the U.S.
"Sons of Cuba" wisely offers no external political commentary,
letting situations speak for themselves. The Academy coach calls
his youngsters "comrades," children still hold school shows
identical to those in Eastern Europe of decades ago and an
invitation to walk in the May Day Parade is a great honor.
Venue -- Rome Film Festival
Production companies: Windfall Films, Sons of Cuba Ltd.
Director: Andrew Lang
Producers: Lang, Francine Heywood, Laura Giles, Mandy Chang
Directors of photography: Lang, Domingo Triana Machin
Music: Jack Ketch
Editor: Simon Rose
Sales: ro*co films international
No rating, 90 minutes
Sons of Cuba -- Film Review
By Natasha Senjanovic, November 03, 2009 05:33 ET
"Sons of Cuba"
Bottom Line: Debut film on Cuba's child boxers a delicate balance of drama, politics and entertainment.
ROME -- Winner of Best Documentary at the Rome Film Festival, Andrew Lang's "Sons of Cuba," about young Cuban boxers at the prestigious Havana Boxing Academy, is a knockout debut. Affecting and entertaining, it has all the makings of an arthouse hit after it winds up a successful festival run. Television pick-ups and DVD sales will help it receive greater visibility.
Comparisons to "Hoop Dreams" are inevitable, not only because Cubans are to boxing what Americans are to basketball -- they have dominated the Olympics for over 25 years. For that matter, the economic conditions that produce the sports' stars are similar.
More than just a film about the quintessential poor man's sport in an impoverished country, "Sons of Cuba" offers a rare glimpse at a closed society. Lang used his unprecedented access to a Cuban state institution to paint an emotionally charged yet balanced portrait of sacrifice, social hardship and political indoctrination.
Shot in 2006, the film follows three boys at the Academy as they prepare for the 2006 National Boxing Championship of Under-12's, which provides the film's dramatic arc. Their training is grueling and resources scarce at the legendary boarding school, whose boxing hopefuls are all black.
The boys wake up at 4 a.m. to a meager breakfast before training, going to classes and training again in the afternoon. They use old tires for punching bags. When they need to drop weight before competitions, they crawl under wooden steps to sit in a "sauna."
The boys, who are allowed to see their families once a week, are taught they are the torch-bearers of the Fidel Castro's Revolution, often repeating his words to psych themselves up: "Fatherland or death, we will win!"
But they're also kids. The tension and pressure for victory leads to frequent tears, just one of the many contradictions that makes this documentary heartbreaking and thought provoking.
The filmmakers were handed additional subplots on a silver platter when, in 2006, Fidel Castro ceded power as Cuba's longtime leader and three of the country's top boxers (all gold medalists at the 2004 Athens Olympics) defected to the U.S.
"Sons of Cuba" wisely offers no external political commentary, letting situations speak for themselves. The Academy coach calls his youngsters "comrades," children still hold school shows identical to those in Eastern Europe of decades ago and an invitation to walk in the May Day Parade is a great honor.
Venue -- Rome Film Festival
Production companies: Windfall Films, Sons of Cuba Ltd.
Director: Andrew Lang
Producers: Lang, Francine Heywood, Laura Giles, Mandy Chang
Directors of photography: Lang, Domingo Triana Machin
Music: Jack Ketch
Editor: Simon Rose
Sales: ro*co films international
No rating, 90 minutes