Film Review: The World Unseen
Bottom Line: A misfire about a blossoming lesbian relationship under South African apartheid
Nov 7, 2008
"The World Unseen"
Opens: Nov. 7 (Regent Releasing)
This lushly photographed, meticulously appointed period melodrama about life in 1950s South Africa is surprisingly inert in the drama department. All the passions, frustrations and longings in "The World Unseen" come across in a pro forma manner, again surprising given how troubled and infuriating life under the nearly impossible conditions of apartheid must have been for people of color. Writer-director Shamim Sarif is actually a novelist -- indeed she is adapting one of her own novels here -- so quite possibly filmmaking is not her thing. Scenes are staged awkwardly and actors look generally uncomfortable.
The hook here is that amid all the myriad race laws that exist under the Afrikaaner-dominated government, two women fall in love, an attraction that curiously unites nearly everyone in opposition to such behavior. So "The World Unseen" may gain traction in the gay and lesbian communities; otherwise the film's lifelessness make this a hard sell even in art houses.
What the film does do well is establish the institutionalized hatred and demeaning conditions for all non-whites under apartheid. A cafe within the Indian community, which serves as the story's focal point, is one place where non-whites can congregate for food, laughs and drinks. One brave white woman even hides out there from time to time.
Male figures are remote and somewhat obtuse while white male figures are all racist to the core. Some of the characters such as a black waitress feel as if there were perhaps more important figures in the novel but put in only brief appearances in the movie.
Unfortunately, there is more drama in the frequent sunsets and sunrises and the plush musical score that accompany shots of the beauteous countryside than in any of the human interaction.
Production companies: Enlightenment Productions/DO Productions
Cast: Lisa Ray, Sheetal Seth, Parvin Dabas, Nandana Sen, Grethe Fox.
Director/screenwriter: Shamim Sarif.
Based on the novel by: Shamim Sarif.
Producer: Hanan Kattan.
Executive producer: Lisa Tchenguiz-Imerman, Katherine Priestley.
Director of photography: Michael Downie.
Production designer: Tanya van Tonder.
Music: Richard Blanckford.
Costume designer: Danielle Knox.
Editor: David Martin.
Sales: Films Sales Co.
Rated PG-13, 94 minutes.
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