Get THR Mobile Alerts        FREE Newsletters
Music Reviews
John Fogerty and the Los Angeles Philharmonic -- Concert Review
By Erik Pedersen, July 05, 2009 02:59 ET
Bottom Line: USA! USA! Fo-ger-ty! Fo-ger-ty!
Sousa, Bernstein, Copland, Prima ... Jackson? Yup.

The Los Angeles Philharmonic paid typically expert tribute to great American composers Thursday during the opening night of its annual 4th of July Fireworks Spectacular at the Hollywood Bowl. And conductor-ringmaster John Morris Russell said they decided it was apropos to "salute one of America's greatest performers."

"Michael Jackson energized an entire planet," he said, without hyperbole.

So after the national anthem, a march, some "West Side Story" and "Hoedown," the orchestra played a snippet from "Thriller." French horns and violins alternately subbed for the vocals. It was a delightful if fairly surreal preamble to an entirely enjoyable evening.

The Phil offered up a broad range of music made in the U.S. of A. -- ranging from marches to big band, opera to ballet, Broadway to Hollywood. But it was left to this year's special guest John Fogerty to lay down the good ol' rock 'n' roll, and he did so furiously. The one-time Creedence frontman was the perfect choice for a holiday dollop of red, white and blue.

His song choices ran the gamut of Americana. Musically, the rootsy rock made side trips to country, R&B, folk, blues, even gospel. Then there were the lyrics: "Green River" took us to a place of ropes hangin' to trees and barefoot girls dancin' in the moonlight. "Hot Rod Heart" addressed our car culture and restless spirit. "Fortunate Son" typified disgust with Vietnam and the entitled who didn't have to fight there. The title of "Blue Ridge Mountain Blues" speaks for itself.

But the American theme was solidified when Fogerty paired "Rock and Roll Girls" in a medley with "Centerfield." Couldn't have been more star-spangled if he had served it up with hot dogs and apple pie.

The run of Creedence standards and solo stuff was outstanding, but surprise highlights came with a couple of reworked classics. Fiddle and pedal steel solos countrified and electrified "Lookin' Out My Back Door," which sounded even better than the record -- honest. The same instruments permeated "Never Ending Song of Love," the Delaney & Bonnie nugget Fogerty recorded for "The Blue Ridge Rangers Rides Again," his upcoming sequel to his first post-Creedence album in 1973. He said the record will be out "any week now"; it oughta be good.

Fogerty's voice was a bit shaky during the a cappella opening of "The Midnight Special," but there were few signs of the vocal problems that plagued his 2007 L.A. show. The hair-metal guitar intro he has used for half a decade to kick-start "Keep on Chooglin' " appeared to startle many in the crowd, as it likely was meant to do. The song featured a Kenny Aronoff drum solo that led into a tremendous drum-and-harp breakdown.

For his first-ever performance with a symphony orchestra, Fogerty picked "Have You Ever Seen the Rain." Things didn't mesh during the song's dramatic intro, so it seemed at first as if the pairing was a mismatch. But work it did, though he would have been better served to leave his band in the wings.

The four-song collaboration was a bit of a tease, but the truly grand finale of "Proud Mary" had many in the all-ages crowd dancing. And somewhere, someone had to be playing air tuba. Only in America.

Venue: The Hollywood Bowl (Thursday, July 2)

Set list
LOS ANGELES PHILHARMONIC:
The Star-Spangled Banner
El Capitan
West Side Story Overture
Hoedown (From "Rodeo")
Thriller
On the Mall
Hymn to the Fallen (From "Saving Private Ryan")
God Bless America
Sing, Sing, Sing
JOHN FOGERTY:
Hey Tonight
Green River
Lookin' Out My Back Door
Hot Rod Heart
Blue Ridge Mountain Blues
Never Ending Song of Love
The Midnight Special
Keep on Chooglin'
Rock and Roll Girls/Centerfield
The Old Man Down the Road
Bad Moon Risin'
Fortunate Son
FOGERTY & L.A. PHILHARMONIC:
Have You Ever Seen the Rain
Broken Down Cowboy
Don't You Wish It Was True
Proud Mary
L.A. PHILHARMONIC:
Sousa medley: The Washington Post/Semper Fidelis/Stars and Stripes Forever
America the Beautiful
John Fogerty and the Los Angeles Philharmonic -- Concert Review
By Erik Pedersen, July 05, 2009 02:59 ET
Bottom Line: USA! USA! Fo-ger-ty! Fo-ger-ty!
Sousa, Bernstein, Copland, Prima ... Jackson? Yup.

The Los Angeles Philharmonic paid typically expert tribute to great American composers Thursday during the opening night of its annual 4th of July Fireworks Spectacular at the Hollywood Bowl. And conductor-ringmaster John Morris Russell said they decided it was apropos to "salute one of America's greatest performers."

"Michael Jackson energized an entire planet," he said, without hyperbole.

So after the national anthem, a march, some "West Side Story" and "Hoedown," the orchestra played a snippet from "Thriller." French horns and violins alternately subbed for the vocals. It was a delightful if fairly surreal preamble to an entirely enjoyable evening.

The Phil offered up a broad range of music made in the U.S. of A. -- ranging from marches to big band, opera to ballet, Broadway to Hollywood. But it was left to this year's special guest John Fogerty to lay down the good ol' rock 'n' roll, and he did so furiously. The one-time Creedence frontman was the perfect choice for a holiday dollop of red, white and blue.

His song choices ran the gamut of Americana. Musically, the rootsy rock made side trips to country, R&B, folk, blues, even gospel. Then there were the lyrics: "Green River" took us to a place of ropes hangin' to trees and barefoot girls dancin' in the moonlight. "Hot Rod Heart" addressed our car culture and restless spirit. "Fortunate Son" typified disgust with Vietnam and the entitled who didn't have to fight there. The title of "Blue Ridge Mountain Blues" speaks for itself.

But the American theme was solidified when Fogerty paired "Rock and Roll Girls" in a medley with "Centerfield." Couldn't have been more star-spangled if he had served it up with hot dogs and apple pie.

The run of Creedence standards and solo stuff was outstanding, but surprise highlights came with a couple of reworked classics. Fiddle and pedal steel solos countrified and electrified "Lookin' Out My Back Door," which sounded even better than the record -- honest. The same instruments permeated "Never Ending Song of Love," the Delaney & Bonnie nugget Fogerty recorded for "The Blue Ridge Rangers Rides Again," his upcoming sequel to his first post-Creedence album in 1973. He said the record will be out "any week now"; it oughta be good.

Fogerty's voice was a bit shaky during the a cappella opening of "The Midnight Special," but there were few signs of the vocal problems that plagued his 2007 L.A. show. The hair-metal guitar intro he has used for half a decade to kick-start "Keep on Chooglin' " appeared to startle many in the crowd, as it likely was meant to do. The song featured a Kenny Aronoff drum solo that led into a tremendous drum-and-harp breakdown.

For his first-ever performance with a symphony orchestra, Fogerty picked "Have You Ever Seen the Rain." Things didn't mesh during the song's dramatic intro, so it seemed at first as if the pairing was a mismatch. But work it did, though he would have been better served to leave his band in the wings.

The four-song collaboration was a bit of a tease, but the truly grand finale of "Proud Mary" had many in the all-ages crowd dancing. And somewhere, someone had to be playing air tuba. Only in America.

Venue: The Hollywood Bowl (Thursday, July 2)

Set list
LOS ANGELES PHILHARMONIC:
The Star-Spangled Banner
El Capitan
West Side Story Overture
Hoedown (From "Rodeo")
Thriller
On the Mall
Hymn to the Fallen (From "Saving Private Ryan")
God Bless America
Sing, Sing, Sing
JOHN FOGERTY:
Hey Tonight
Green River
Lookin' Out My Back Door
Hot Rod Heart
Blue Ridge Mountain Blues
Never Ending Song of Love
The Midnight Special
Keep on Chooglin'
Rock and Roll Girls/Centerfield
The Old Man Down the Road
Bad Moon Risin'
Fortunate Son
FOGERTY & L.A. PHILHARMONIC:
Have You Ever Seen the Rain
Broken Down Cowboy
Don't You Wish It Was True
Proud Mary
L.A. PHILHARMONIC:
Sousa medley: The Washington Post/Semper Fidelis/Stars and Stripes Forever
America the Beautiful
1 of 1 Pages
1
The Billboard Hot 100
Issue Date: 2009-11-14
This Week Last Week Title, Artist
Imprint | Catalog No. | Distributing Label
Peak
Position
Weeks
on
Chart
1 2 Whatcha Say, Jason DeRulo 
Beluga Heights DIGITAL | Warner Bros. |
1 12
2 1 Fireflies, Owl City 
Universal Republic DIGTIAL |
1 11
3 13 Empire State Of Mind, Jay-Z + Alicia Keys 
Roc Nation DIGITAL |
3 8
4 3 Down, Jay Sean Featuring Lil Wayne 
Cash Money 013306* | Universal Republic |
1 18
5 4 Party In The U.S.A., Miley Cyrus 
Hollywood DIGITAL |
2 12
Source: Billboard View Full Chart »
 


Post a Comment
Asterisk (*) is a required field.
* Username: 
Rate This Article: (1=Bad, 5=Perfect)

*Comment:
Videos
THR on DIGG
Music Reviews
Albums Reviews
  • Save Me, San Francisco
    Train frontman Pat Monahan isn't kidding when he promises toward the end of his band's fifth album, "Save Me, San Francisco," that "brick by brick, we'll get back to yesterday."
  • Duets
    The Blind Boys of Alabama have been in business for generations, but only during this decade has the enduring gospel group achieved broader recognition and acclaim.
  • Fire in My Bones: Raw, Rare & Otherworldly African-American Gospel, 1944-2007
    Most modern listeners identify African-American gospel with recordings that mix passion with professionalism, and perhaps a certain amount of studio smarts.
Singles Reviews
  • Make Me
    Janet Jackson gave her late brother, Michael, two gifts in September.
  • Breakeven
    The Script's last single, "The Man Who Can't Be Moved," failed to ignite U.S. airwaves despite its success in Europe. The group's follow-up, however, should rectify that situation.
  • Breathe
    On his heartfelt, slow-burning single "Breathe," Ryan Star extends a hand to everyone in need. "Take the world off your shoulders and put it on me," he sings, his voice clenching with veracity.
Concerts Reviews
  • U2 -- Concert Review
    Although U2's playing was typically superb, Sunday's show is unlikely to be remembered among its Southland best.
  • Depeche Mode -- Concert Review
    Depeche Mode transforms solace and introspection into a communal concert experience with their very devoted and now cross-generational fans. That's the veteran British band's greatest gift, and Sunday's first of two sold-out historic Hollywood Bowl performances lived up to their legendary status.
  • No Doubt -- Concert Review
    "Hella Good." That's the title of the futuristic funk workout No Doubt performed early in its 90-minute-plus set Wednesday at the Gibson Amphitheatre, but it also effectively summed up the quartet's performance.