Roger Daltrey -- Concert Review
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Honor Society wraps post-breakup angst into a cathartic, three-minute package on "Over You," the opening track from the group's just-released debut album, "Fashionably Late."
As the title suggests, Kris Kristofferson's newest album, "Closer to the Bone," is an attempt to reach new depths of vulnerability—a portrait of an old man, laid bare following his 2006 opus, "This Old Road" (which was his first recording after a 12-year hiatus).
"Home Again," the new single from Queensrÿche's powerful "American Soldier" album, could recapture the mainstream glory that the band achieved with its 1991 dream ballad, "Silent Lucidity."
What is Zero 7 without its unofficial, clear-voiced frontwoman Sia Furler, who left amicably last year to pursue a solo career? The answer: something very different yet unmistakably Zero 7.
"Tell me, tell me, tell me something I don't know," Selena Gomez sings on the final cut on her debut album, "Kiss & Tell."
An album about settling down and being a new husband and father has strong potential of being viewed by some listeners as boring.
British rock act Muse's fifth album, "The Resistance," shows growth from the band's previous releases and proves that it's primed for a global musical takeover.
Hard rock fans itching for Andrew W.K. to release a new single like his 2001 hit "Party Hard" will be sorely disappointed by the musician's fifth album, "55 Cadillac," which consists entirely of piano improvisations.
Heartbreak and hope are powerfully intertwined on the lead single from Steven Curtis Chapman's Nov. 3 release, "Beauty Will Rise."
The angry young woman who famously sang about setting kerosene fires and waiting with a loaded gun for her abusive beau has found love, and it's reflected on the diverse "Revolution."
The latest installment of the ultra-hip Green Label Sound singles series takes listeners on a trip back to the '80s.
Sean Kingston, the refreshing teenage voice behind summer 2007's ubiquitous charmer "Beautiful Girls," again draws from the pop/ rap/reggae/doo-wop vein of his self-titled debut.
This second single from McEntire's just-released Valory Music debut, "Keep On Loving You," is another strong offering.
Those who saw Conor Oberst, Jim James, M. Ward and Mike Mogis tour together under their own names in 2004 shouldn't be surprised by the seamlessness of the set's songs.
The lead single from Michael BublÉ's forthcoming album is a snappy number about the push-and-pull quest for love.
Plenty has been said about how well They Might Be Giants' playful, absurdist rock translates to kids' music—and the band's fourth offspring-focused effort is no exception.
Death Cab for Cutie might not come to mind as a natural choice for the soundtrack to "New Moon"—the second film in the "Twilight" franchise—but the Seattle-based quartet lends a deft emotional touch.
The two boys (Christopher Owens and Chet JR White) who comprise Girls manage to make sweet pop music devoid of cynicism.
"If you know me, you know I love my family, love my God," proclaims Minneapolis MC Brother Ali at the top of his third album.
NGDB has endured for five decades because of an innate sense of what its music is supposed to sound like, no matter who plays in the band.
This exquisitely designed four-disc boxed set gathers a treasure trove of rare gems, including material by pre-Big Star groups Rock City and Icewater, choice solo cuts from Chris Bell and Alex Chilton, and a variety of demos and outtakes
Mariah Carey is not only revisiting her past appearance-wise, but she's also taking her sound back to her R&B roots.
Love may be the answer on Barbra Streisand's first studio set since 2005, but the question is: How slow can you go?
Paramore's new album, "Brand New Eyes," marks its full-fledged introduction to rock's elite class.
Bon Jovi previews its new album, "The Circle" (Nov. 10), with an anthemic rocker reminiscent of the band's '80s chart successes.
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