Roger Daltrey -- Concert Review
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The lead single from the band's forthcoming album remains faithful to the grunge terrain it mapped out in 1995.
Leave it to Kany García to write a dark song called "Feliz."
Os Mutantes' "Haih Or Amortecedor" may not be the Brazilian band's comeback since its '60s/'70s tropicalia heyday, but the set does mark its first studio recording in 35 years.
Rivers Cuomo and company continues to channel youthful nostalgia, this time through references to the movie "Titanic" and jokes about meatloaf.
Yonder Mountain String Band retains its traditional bluegrass sound on "The Show," but the Colorado-based quartet has widened its commercial appeal by incorporating elements of rock and punk.
Up-and-coming soul singer Mayer Hawthorne isn't your typical freckled face from Ann Arbor, Mich.
Hot on the heels of its 2007 debut, "Attack Decay Sustain Release," the English production pair Simian Mobile Disco return with a collaboration-heavy set that begs for dancefloor play.
Radney Foster's "Revival" reminds listeners why he's the artist that Texas, alt-country and hip mainstream country acts aspire to be.
Houston turns in a solid performance on this 11-track set.
Phish masterfully marries freedom and form on its first studio release since 2004's "Undermind."
You either love or hate Pitbull's music, and sometimes a little of both when listening to the same album.
After two-plus decades in the industry and 15 years performing with his band Spearhead, Michael Franti is breaking the Billboard Hot 100 for the first time with one of the most-requested songs at radio.
From the opening sirens and rumbling drums of the first track, "K.I.A. (Killed in Action)," Jet's third full-length album, "Shaka Rock," is a guitar-rock scorcher.
Corridos, or narrative regional Mexican songs, have mostly been the provenance of male artists.
For a band that had its commercial heyday in the mid-'90s, Collective Soul has maintained a steady touring schedule and respectable sales, despite label and personnel changes.
Madonna's latest single won't start any new trends, but it does return the singer to her dancefloor roots. "Come join the party . . .
Love and Theft's familiar sound is probably lost on the younger demographic the trio tends to attract, but that may play in the band's favor when it comes to appealing to country fans.
New York singer/songwriter Ingrid Michaelson yearns for clarity as she tiptoes through the progression of a dying love on her newest album, "Everybody," which balances melodious pop with dreamy instrumental layers and universal themes.
DJ/producer Felix Stallings Jr. freely wields a number of genres, including new wave, funk and house. As such, he can't help but make music that references each of them.
Gretchen Parlato won the prestigious 2004 Thelonious Monk International Jazz Vocals Competition, released her mildly promising self-titled debut the following year and since then has sung in supporting roles on several significant jazz releases.
Is it bop or hip-hop? Although it doesn't answer that question, Robert Glasper's third album for Blue Note Records, "Double Booked," sheds light on different sides of his prodigious talent.
Contemporary Christian singer/ songwriter Mark Schultz has a gift for taking life experiences —some joyous, others tragic—and distilling them into compelling songs.
Don't be surprised if this track takes over dancefloors as the summer ends.
Smokey Robinson has gotten heated in recent comments regarding the media's coverage of Michael Jackson's death, but on the follow-up to his 2006 standards set, "Timeless Love," Robinson couldn't sound more relaxed.
Bomba Estereo is turning plenty of heads with its song "Fuego," the exhilarating lead single from its debut album, "Blow Up."
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