Bottom Line: Patrick Swayze's work elevates an otherwise ordinary hour.
Those who tune in to the premiere of "The Beast" for purely macabre
reasons (i.e., looking to get a glimpse of a man wasting away
before their eyes) will come away disappointed. Patrick Swayze may
be battling pancreatic cancer, but you wouldn't know it to observe
the actor's powerful performance as a loose-cannon undercover FBI
agent in what is otherwise a fairly standard-issue cop drama.
As for that bracing performance by Swayze, forget about "Dirty
Dancing" and "Ghost" and think Dirty Harry. Playing a fed who is
out of control, his performancehere is edgy, disturbing and
all-involving. Even at its most contrived, "The Beast" works far
better than last year's homegrown A&E hour "The Cleaner," with
Benjamin Bratt.
Swayze's manic, seemingly suicidal Charles Barker has just taken on
a handpicked new partner with the colorful name of Ellis Dove
(Travis Fimmel of the short-lived 2003 WB series "Tarzan"), whom
Barker takes great pleasure in hazing. This instantly turns Dove
into a nervous wreck and wreaks havoc on his dating life.
Then there are the FBI internal affairs folks who enlist Dove to
clandestinely rein in Barker -- whom they "suspect" might have gone
rogue.
This is where the series seems to suffer: there's no real ambiguity
as to what's up with Barker. He's actually using a missile launcher
to try to entrap the bad guys. Barker seems to be so undercover
that he doesn't even know where the covers are anymore. And that
leaves the audience feeling a little uneasy and confused.
"Beast" has a far grittier feel and look than one would suspect
from a show starring Swayze -- not to mention one on A&E. The
action often is energetic and intriguing but is sometimes brought
down by Fimmel's uneven performance. The rest of the supporting
cast acquits itself well, and Swayze manages to bring the words of
scribes Vincent Angell and William L. Rotko to menacing life.
Again, there is nothing terribly special about the execution of the
drama or its premise in the opening pair of episodes.
What's unmistakable is the killer work of the star. May the man
somehow beat the odds and fight defiantly on.
Airdate: 10-11 p.m. Thursday, Jan. 15 (A&E)
Cast: Patrick Swayze, Travis Fimmel, Larry Gilliard Jr., Brette
Taylor, Lindsay Pulsipher, Kevin J. O'Connor
Production: Sony Pictures Television and A&E Network
Executive producers: Steven Pearl, Allan Loeb, Cory Concoff,
Michael Dinner, Vincent Angell, William L. Rotko, John Romano
Producers: J.P. Moranville, Wendy West
Associate producer: Guin McPherson
Writers: Vincent Angell, William L. Rotko
Director: Michael Dinner
Directors of photography: Edward J. Pei, Roy H. Wagner
Production designers: Marek Dobrowolski, Gary N. Baugh
Costume designer: Susan Kaufman
Editors: John Duffy, Bill Johnson
Music: W.G. Snuffy Walden
Casting: Felicia Fasano, Claire Simon
The Beast -- TV Review
By Ray Richmond, January 12, 2009 06:22 ET
Bottom Line: Patrick Swayze's work elevates an otherwise ordinary hour.
Those who tune in to the premiere of "The Beast" for purely macabre reasons (i.e., looking to get a glimpse of a man wasting away before their eyes) will come away disappointed. Patrick Swayze may be battling pancreatic cancer, but you wouldn't know it to observe the actor's powerful performance as a loose-cannon undercover FBI agent in what is otherwise a fairly standard-issue cop drama.
As for that bracing performance by Swayze, forget about "Dirty Dancing" and "Ghost" and think Dirty Harry. Playing a fed who is out of control, his performancehere is edgy, disturbing and all-involving. Even at its most contrived, "The Beast" works far better than last year's homegrown A&E hour "The Cleaner," with Benjamin Bratt.
Swayze's manic, seemingly suicidal Charles Barker has just taken on a handpicked new partner with the colorful name of Ellis Dove (Travis Fimmel of the short-lived 2003 WB series "Tarzan"), whom Barker takes great pleasure in hazing. This instantly turns Dove into a nervous wreck and wreaks havoc on his dating life.
Then there are the FBI internal affairs folks who enlist Dove to clandestinely rein in Barker -- whom they "suspect" might have gone rogue.
This is where the series seems to suffer: there's no real ambiguity as to what's up with Barker. He's actually using a missile launcher to try to entrap the bad guys. Barker seems to be so undercover that he doesn't even know where the covers are anymore. And that leaves the audience feeling a little uneasy and confused.
"Beast" has a far grittier feel and look than one would suspect from a show starring Swayze -- not to mention one on A&E. The action often is energetic and intriguing but is sometimes brought down by Fimmel's uneven performance. The rest of the supporting cast acquits itself well, and Swayze manages to bring the words of scribes Vincent Angell and William L. Rotko to menacing life.
Again, there is nothing terribly special about the execution of the drama or its premise in the opening pair of episodes.
What's unmistakable is the killer work of the star. May the man somehow beat the odds and fight defiantly on.
Airdate: 10-11 p.m. Thursday, Jan. 15 (A&E)
Cast: Patrick Swayze, Travis Fimmel, Larry Gilliard Jr., Brette Taylor, Lindsay Pulsipher, Kevin J. O'Connor
Production: Sony Pictures Television and A&E Network
Executive producers: Steven Pearl, Allan Loeb, Cory Concoff, Michael Dinner, Vincent Angell, William L. Rotko, John Romano
Producers: J.P. Moranville, Wendy West
Associate producer: Guin McPherson
Writers: Vincent Angell, William L. Rotko
Director: Michael Dinner
Directors of photography: Edward J. Pei, Roy H. Wagner
Production designers: Marek Dobrowolski, Gary N. Baugh
Costume designer: Susan Kaufman
Editors: John Duffy, Bill Johnson
Music: W.G. Snuffy Walden
Casting: Felicia Fasano, Claire Simon