Foreign Box Office: 'Journey 2' Outpoints 'Star Wars' Reissue, Seizes No. 1 Spot Overseas

 

 

Continuing frigid weather causing traffic snarls, power outages and closed cinemas across much of Europe inhibited weekend box office on the foreign theatrical circuit as Journey 2: The Mysterious Island claimed the No. 1 spot with a relatively moderate take of $30 million.

 

The Warner Bros./New Line/Walden Media family adventure costarring Josh Hutcherson and Dwayne Johnson played at some 8,580 locations in 30 markets, including China and Russia where box office was strong. Warner’s projects the China take at 13.5 million drawn from some 2,000 sites while the Russia tally is estimated at $6.8 million from 1,021 situations.

 

Foreign gross total for Journey 2 ($79.2 million) is tracking 76% ahead of the comparable figure logged by the film’s 2008 predecessorJourney To The Center Of The Earth “at the same point in release in the same markets,” said Warners. Openings in France and Spain are due this week.

 

No. 2 on the weekend was Twentieth Century Fox’s reissue in 3D of 1999’s Star Wars: Episode I – The Phantom Menace, which collected $20.45 million from 5,083 situations in 59 markets comprising 87 countries. Biggest market was Germany where the No. 2 market ranking provided $3.9 million from 489 venues.

 

Opening No. 1 in Australia ($3 million from 209 playdates) was Screen Gems/Spyglass Entertainment’s The Vow released by Sony. (No. 1 opening was also recorded in New Zealand.) It ranks No. 5 on the weekend.

 

The amnesia-themed romantic drama costarring Rachel McAdams and Channing Tatum drew $9.6 million on the weekend overall from 1,414 screens in 20 markets.  A No. 4 U.K. debut provided $1.7 million from 319 sites.

 

No. 4 on the weekend wasSafe House, which was ushered into the international arena via Universal at 1,559 locations in 25 markets, grossing an estimated $10 million. The Relativity Media/Intrepid Pictures CIA crime thriller costarring Denzel Washington and Ryan Reynolds emerged in the No. 1 spot in eight territories.

 

Leading market was Australia ($2.9 million at 206 playdates). Spain provided a No. 1 ranking and $2.3 million from 322 sites. Safe House opens in nine markets this week including Denmark, Finland and Sweden.

 

Weekend highlights included the $11.8 million drawn by Mission: Impossible – Ghost Protocol from 4,571 sites in 47 territories, including a muscular $8.2 million registered in China at 3,000 venues. It ranks No. 3 on the weekend.

 

Sony’s The Girl With The Dragon Tattoo generated $8.2 million from 3,602 sites in 66 markets thanks to a $3 million debut at 431 spots in Japan. Sony’s Underworld: Awakening, the werewolf-versus vampire sequel starring Kate Beckinsale, bagged $8.4 million on the weekend from 3,025 situations in 63 markets, lifting the film’s overseas cume to $71 million.

 

Warner’s Sherlock Holmes: A Game of Shadows surpassed by $5 million the total foreign gross rolled up by 2009’s Sherlock Homes ($315 million) thanks to a $5.2 million weekend tally collected from 3,045 sites in 53 territories. Disney’s The Muppets drew $6.6 million overseas on the weekend playing 40 territories. A No. 2 opening in the U.K. generated $4.2 million from 534 locations. Offshore cume stands at $43.2 million.

 

Overall on the foreign circuit, the Hollywood majors recorded mixed overseas box office performances in 2012’s first month. 

 

Leading the six-studio pack is Warners, which logged an estimated $320 million in offshore b.o. during the month largely on the back of Sherlock Homes: A Game of Shadows, which grossed $310 in total as of Feb. 6 ($320 million                        through this past weekend).

 

Paramount said its January foreign box office totaled $304.4 million, up 62% over  last year’s comparable take thanks Mission: Impossible – Ghost Protocol, which drew just shy of $170 million during the month. (Through the weekend, the Tom Cruise action vehicle has grossed $446.9 million since its foreign run began Dec. 14.) 

 

Fox recorded $218.8 million, down 22% from January 2011, citing a lack of first-month releases in the key Japan market compared with some $12 million in Japan box office earned in January of last year. Biggest earner this year is Alvin and the Chipmunks: Chipwrecked, which grossed $108.6 million in January, and $194.2 million through the weekend.

 

Sony’s offshore b.o. fell 20.5% from last year to $163.6 million, with director David Fincher’s The Girl With The Dragon Tattoo the leading title, grossing $78.6 million in January. The film’s current cume is $110.3 million. 

 

Disney was off to a slow start despite the release (via DreamWorks) of Steven Spielberg’s best picture Oscar contender, War Horse. January Disney total was $78.4 million, off 69% from the $255.8 realized in January 2011.  (War Horse has grossed a total of $47.7 million offshore through the weekend.)

 

Universal’s January box office overseas was up 43% from last year (to $43.5 million) thanks to the $10 million Tower Heist, the crime caper costarring Ben Stiller and Eddie Murphy. (The film’s current cume is $70.7 million grossed since November.)

 

Fox’s The Descendants, another best-picture Oscar contender, drew $7.86 million on the weekend from 2,691 sites in 43 markets.  Cume for the George Clooney vehicle stands at $57.2 million. Fox’s Chronicle, the action-sci/fi title about highschoolers acquiring supernatural power, lifted its foreign gross total to $23.5 million thanks to a $6.1 million weekend at 2,278 situations in 35 territories.

 

Locally-produced titles seized in the No. 1 spots in four European markets on the weekend:

 

n      In the U.K., The Woman In Black, director James Watson’s horror thriller starring Daniel Radcliffe, opened via Momentum Pictures at 412 situations, drawing $4.98 million. Opener at 1,181 screens in seven markets including the U.K. provided $7.5 million.

 

n      In France, Mars Distribution’s La verite si je mens 3 (Would I Lie To You?), remained on top in its second week, grossing $7.77 million from 1,051 screens.  The comedy about a group of Parisian textile merchants has rolled up a market cume of $25.1 million.

 

n      In Italy, Medusa Films premiered director Fausto Brizzi’s 3-D sex comedy Com’e bello far l’amore  (How Nice To Make Love) at 598 sites for an opening tally of $3.25 million.

 

n      In Germany and in Austria, the phenomenally successful French comedy Intouchables continued No. 1 after six weeks, piling up a cume so far from the two markets of $42.9 million. In France, the market cume over 15 rounds is $162 million. Weekend overall at 1,564 screens in seven markets generated $7.1 million, raising Intouchable’s cume to $240.6 million.

 

TheAdam Sandler comedy Jack and Jill from Sony opened strongly in Brazil ($2.4 million drawn from 297 screens) and produced $7.9 million on the weekend overall from 2,746 sites in 63 markets.  Foreign cume stands at $51.2 million.

 

Other international cumes: The Weinstein Co.’s The Artist, $37.8 million (worldwide, $61.8 million); DreamWorks Animation’s Puss In Boots, $373.9 million (after a $4.55 million weekend at 2,763 locations in 42 markets); Universal’s Tinker Tailor Soldier Spy, $6.5 million in Australia and New Zealand via Universal; Hugo, $21.7 million in Paramount markets only; Universal’s Contraband, $8.9 million; Paramount’s The Devil Inside, $7.9 million; Fox’s The Darkest Hour, $43.5 million; and Paramount’s Young Adult, $2 million.

 

Also, Focus Features/Universal’s One Day, $43.5 million; The Weinstein Co.’s My Week With Marilyn, $7.4 million; Focus Features/Universal’s Jane Eyre, $21.3 million; Fox’s We Bought A Zoo, $24.4 million; Focus Features’ The Conspirator, $4.1 million; Universal’s Johnny English Reborn, $157.6 million; Focus Features’ The Beginners, $8.7 million; Sony’s Moneyball, $33.2 million; and Sony/Paramount’s The Adventures of Tintin: Secret of the Unicorn, $295.5 million.

 

 

 

 

 

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