How a Casey Anthony Interview Could Backfire on News Orgs
"It’s complicated any time you’re paying somebody who everybody thinks is a killer,” says one booker.
Three days after being acquitted of capital murder charges in the 2008 death of her two-year-old daughter Caylee Anthony, Casey Anthony is officially a pariah.
Representatives for Jerry Springer denied a report on Friday that the syndicated talker offered Anthony, her parents George and Cindy Anthony, and her brother Lee Anthony, $1 million for a joint interview.
Adult film purveyor Vivid Entertainment rescinded an offer to Casey Anthony to star in one of its films following a public outcry from porn fans.
Steven Hirsch, co-chairman of Vivid Entertainment, said in a statement: “It’s clear to me now… that there has been an overwhelmingly negative response to our offer and so we’ve decided to withdraw it. It has become obvious to us that Vivid fans, and people in general, want nothing to do with her and that includes a XXX movie. We want to make movies that people want to watch and we now believe that we underestimated the emotional response that people are having to the verdict. A movie starring Casey Anthony is not what people want to see.”
On Thursday, Hollywood agency Paradigm, backpedaled on representing Anthony’s defense attorney Jose Baez hours after the company announced internally that it would rep Baez in TV, film and book rights.
Nevertheless, as Anthony is due to be released from jail on July 17, bookers for the broadcast and cable networks are camped in Florida working contacts in hopes of landing interviews with Anthony and her family. But the stench of checkbook journalism and the prospect that Anthony could profit from the death of her daughter is giving news executives back in New York pause.
One executive characterized any Casey Anthony interview as “hugely complicated.”
And a booker echoed that sentiment: “It’s complicated any time you’re paying somebody who everybody thinks is a killer.”
“It’s going to be one of the biggest gets,” said another booker. “But is it worth the bad press? Sometimes it’s not.”
News organizations are already feeling the heat for the widespread practice of licensing photos and videos from interview subjects. ABC News was revealed to have paid the Anthony family $200,000 in 2008 for what a network spokesperson has described as an “extensive library of photos and home video for use by our broadcasts, platforms, affiliates and international partners.” ABC News also paid meter reader Roy Kronk, who discovered Caylee Anthony’s remains, a $15,000 photo licensing fee. But it was not for a picture of the remains, rather it was for a photo of a snake. Kronk appeared on Good Morning America. He testified that the snake distracted him when he found Caylee’s skeleton. (ABC News did not pay Baez or juror Jennifer Ford.)
Now news organizations routinely disclose on-air if they’ve paid a licensing fee. And the practice has become so derided, that they take pains to disclose when they haven’t paid. Today host Ann Curry noted as much during her interview with Octomom Nadya Suleman on Friday.
News organizations dealings with Anthony, say industry observers, must be squeaky clean if they hope to preserve some semblance of journalistic integrity and also land what is sure to be a ratings bonanza. But Anthony, who is clearly estranged from her family and has no resources to speak of, has little incentive to grant a free interview.
“She’s got no interest in granting a regular news interview,” says television news analyst Andrew Tyndall. “She’s only got interest in granting a promotional interview, which is remunerative. Of course, news organizations should sit her down and say, ‘What’s your theory of what happened to your daughter?’ But that’s a news interview. There’s no prospect of an actual journalistic interview being done here, where real journalistic questions are asked and answered and we actually gain some insight into the circumstances of this case.
“Journalists, for their own self-preservation,” adds Tyndall, “should go a million miles away from this because there’s no information, just sensation.”