Magnolia Hires National Film Board of Canada Exec to Head Up International Sales
Los Angeles-based Christina Rogers has left the Canadian public producer to replace Laird Adamson at the U.S. distribution outfit.
TORONTO -- Christina Rogers has left the National Film Board of Canada to head up international sales at Magnolia Pictures.
A spokeswoman for Canada’s public producer confirmed Tuesday that Los Angeles-based Rogers will be replaced on an interim basis by Chanelle Routhier, the NFB’s manager of sales and market development, while a replacement is found.
Rogers has replaced Laird Adamson, who joined Bravado, the merchandising and licensing division of Universal Music Group, in September as head of international after working at Magnolia for six years.
Recent NFB feature documentaries sold widely into the world market include Sarah Polley’s Stories We Tell, Yung Chang’s The Fruit Hunters and Jennifer Baichwal’s Payback.
News of Rogers’ departure from the NFB for Magnolia was first reported in Realscreen.
THR's Daily Must Feeds
-
Billboard Music Awards Winners List
-
Bradley Cooper On Why He Left 'Jane Got A Gun'
-
Zoe Saldana & Marion Cotillard: 'Blood Ties' Cannes Premiere
-
Justin Bieber Booed While Accepting Award
-
Jay-Z Says Beyonce is Not Pregnant
-
The Final Word On Daft Punk's Album
-
Oh, Drake Is Also in 'Anchorman 2'
-
Robin Wright’s Film Takes ‘Craziest Movie at Cannes’ Honors
In This Week's Magazine
- MOST SHARED
- MOST POPULAR
- 1
Cannes: Philippines Cinema Comes to the Fore
- 2
'Grey's Anatomy' Boss Shonda Rhimes: Callie 'Isn't a Victim'
- 3
'Pretty Little Liars' Recruits Rumer Willis for Season 4 (Exclusive)
- 4
Cannes Crime Spree Continues With More Burglaries, Physical Attacks
- 5
The 25 Best Film Schools Rankings
- 6
Zod Threatens Earth in Menacing 'Man of Steel' Trailer' (Video)
- 7
'How I Met Your Mother' Reveals the Mother (Video)
- 8
Cannes: 'Nymphomaniac' Producer Reveals Graphics Are Used in 'Groundbreaking' Sex Scenes
- 9
'American Idol' Alum Allison Iraheta is Married
- 10
Behind the Candelabra: Cannes Review


