Oscars: The Hollywood Reporter's Guide to the Actor Categories
The two movies that remain the big unknowns of this awards season (they have yet to screen) are Martin Scorsese's The Wolf of Wall Street and David O. Russell's American Hustle. But giving them the benefit of high expectations, the movies, which revolve around plenty of funny money, could boost several thespians into the acting categories. Hustle, inspired by the Abscam bribery scandal of the 1970s, will showcase the work of Christian Bale and Amy Adams, with support from Jennifer Lawrence, Bradley Cooper and Jeremy Renner. And Wolf of Wall Street, also based on a true story but set in the '80s, when freewheeling "Masters of the Universe" ruled, could give Leonardo DiCaprio a chance to grab his fourth Oscar nomination and Jonah Hill his second.
Then there are the actors asked to bring the past to life. Chiwetel Ejiofor, as a free man sold into slavery, anchors 12 Years a Slave, which presents plenty of suffering (from Lupita Nyong'o) and villainy (from Michael Fassbender and Sarah Paulson). Continuing the story of the African-American experience, Forest Whitaker quietly bears witness to historic upheavals in Lee Daniels' The Butler -- with able assists from Oprah Winfrey and David Oyelowo. Harrison Ford disappears into a character part as Dodgers GM Branch Rickey, who champions Jackie Robinson in 42. The focus shifts to South Africa in Mandela: Long Walk to Freedom, with Idris Elba as the towering Nelson Mandela and Naomie Harris as his former wife Winnie. And World War II shows up in The Book Thief, with Sophie Nelisse as a girl in wartime Germany and Geoffrey Rush as her adoptive father.
Love, in all its varieties, always gives a performer the opportunity to pull out all the stops. That's certainly true for Adele Exarchopoulos, the young French actress who conveys all the raptures of young love -- of the Sapphic variety -- in Blue Is the Warmest Color. How love matures, and sometimes sours, is demonstrated in Before Midnight: Julie Delpy and Ethan Hawke, who have portrayed the same characters in two previous films, appear as a couple locked in marital battle. In Enough Said, Julia Louis-Dreyfus, a game but insecure divorced Angeleno, confronts the possibility of taking a second chance at love when she meets up with James Gandolfini, who in a bittersweet valedictory performance proves that even if he isn't the man of her dreams, he may be the man she needs.
Things are even more complicated for Kate Winslet, who in Labor Day plays another divorced mom, but one who finds herself harboring Josh Brolin's escaped convict. And love takes quirkier turns in Her, in which Joaquin Phoenix falls for the voice of his computer's operating system, a heard-but-unseen Scarlett Johansson, and in The Secret Life of Walter Mitty, where Ben Stiller's crush on Kristen Wiig spurs him to break out of his humdrum life.
Robert Redford and Sandra Bullock certainly didn't have to worry about any other actor stepping on their lines: Redford has nearly no dialogue as the unnamed seafarer he portrays in All Is Lost goes about trying to survive when his sailboat is incapacitated in the middle of the Indian Ocean. In Gravity, Bullock is left to try to make her way back to Earth on her own after the International Space Station is lost in a barrage of killer space junk. On the other hand, both actors had to command the screen all by their lonesome, but that challenge is just the sort of acting showcase that commands attention -- when Tom Hanks pulled a similar stunt in 2000's Cast Away, he scored an Oscar nomination. And though Mark Wahlberg, playing Navy SEAL Marcus Luttrell, starts out as part of a four-man team charged with taking out a Taliban leader in Afghanistan in Lone Survivor, before his movie ends -- as its title telegraphs -- Wahlberg, too, becomes something of a party of one.
SONG AND DANCE
There's no full-blown musical a la Les Mis to test the vocal cords of this year's contenders, but that doesn't mean a couple of movies don't carry a tune. Saving Mr. Banks offers an insider's look at the creation of the songs for Mary Poppins: In one affecting scene, Tom Hanks' Walt Disney hears "Feed the Birds" -- said to be the mogul's favorite song -- for the first time, and in another, Emma Thompson's P.L. Travers drops her starchy reserve to join in the chorus of "Let's Go Fly a Kite." Meanwhile, Inside Llewyn Davis offers a different side of the '60s as Oscar Isaac plays a struggling Greenwich Village folk singer, guitar at the ready.