Telluride Lineup Features 'A Dangerous Method,' 'The Descendants' and 'Shame'
Meanwhile, the fest may see some rare acquisition activity. Shame, which stars Fassbender and Carey Mulligan (who last came to Telluride with Never Let Me Go in 2010), enters Telluride ahead of its Toronto screening with no distributor. Since it's a raw drama about a sex addict that could limit its box office potential, but Fassbender’s performance is already generating excitement. Director McQueen won’t be on hand for the sneak, but he taped an introduction Monday to play before his film screens.
In another rarity, Telluride will field some genuine A-list talent this year. Star George Clooney will be present to give Descendants a low-key introduction Saturday morning, followed by a Q&A with him and Payne. Later that night, Clooney, who is making his first visit to the festival, will receive one of the festival’s annual Silver Medallion tributes (THR’s Todd McCarthy will interview the multi-hyphenate after the special presentation at the Palm Theatre).
“George would not be an obvious pick for us because he’s a superstar,” says Meyer, who notes that they tried to honor Clooney two years before, when Up in the Air had its sneak. “And yet we look at his career, and he is a great fit. He is a terrific actor. He’s often compared to Cary Grant, and that’s a really apt connection because he can be serious, romantic, comedic, intelligent. But then he’s taken it a step further and proven that he’s a really fine director who can choose material that’s very strong.”
It surely has not eluded the attention of Descendants distributor Searchlight that the 2010 actor tributee was future Oscar winner Colin Firth. Tilda Swinton will also receive a Silver Medallion tribute this year; her new film We Need to Talk About Kevin, directed by Lynne Ramsay, is part of the program.
That film had its premiere in Cannes, where Meyer and company often find projects they want to include. Michel Hazanavicius’ The Artist, Aki Kaurismaki’s Le Havre, Joseph Cedar’s Footnote, and Luc and Jean-Pierre Dardenne’s Grand Jury Prize-winning The Kid With a Bike are all screening at Telluride.
On the documentary front, fest regulars Werner Herzog (Bad Lieutenant: Port of Call New Orleans, Happy People: A Year in the Taiga) and Martin Scorsese (No Direction Home: Bob Dylan, A Letter to Elia) return with their latest nonfiction work, the execution investigation Into the Abyss: A Tale of Death, a Tale of Life and the George Harrison documentary Living in the Material World, respectively.
Also notable are some of the films that won’t be appearing in Telluride. Roman Polanski’s Carnage would have been a perfect fit for the Telluride crowd, but the New York Film Festival snagged the North American premiere of the Brooklyn-set adaptation of Yasmina Reza’s Tony Award-winning play, which is world premiering in Venice. Meyer and Co. were scheduled to see Carnage in less than 24 hours when the NYFF made its decision, which Telluride has always agreed to honor and stay away from. (NYFF’s last-minute selection of The Queen in 2006 forced Telluride to scuttle a Helen Mirren tribute.)
Most surprising is the absence of the latest Jason Reitman-Diablo Cody collaboration Young Adult, which the festival was keen on nabbing. Reitman has done well with Telluride, which launched the Oscar-winning Juno in 2007 as well as Up in the Air in 2009. Paramount, which is handling Adult, also released Air, and while the film did strong box office, its awards momentum fizzled out too early despite half a dozen nominations. The studio is bypassing the fest circuit this time for a straight Dec. 9 theatrical release for Adult, which is reportedly a very serious take on a female author who returns to her hometown in pursuit of her now-married high school sweetheart.
Then again, every year includes two or three last-minute surprises. Given the Weinstein Co.’s monumental success with Speech, which also featured high-caliber actors inhabiting British leadership in a period setting, The Iron Lady, starring Meryl Streep as Margaret Thatcher, would seem a sure thing to repeat a launch at Telluride. (The company has a Dec. 16 release scheduled.) But the film apparently isn’t quite finished. Programmers could also slip that studio’s comedy Butter, which stars Hugh Jackman and Jennifer Garner, into one of the high-visibility TBA slots on Saturday and Sunday night.
In addition to new films, Telluride is always well stocked with classics and obscurities. The 1920 German expressionist creeper From Morning to Midnight (screened with live orchestral accompaniment) and an original restored color version of Georges Melies’ A Trip to the Moon, which will screen as part of preservationist Serge Bromberg’s annual cinema carnival, made the cut this year.
Guest director Caetano Veloso (he follows Payne and Michael Ondaatje in the role) has chosen the 1960 Billy Wilder classic The Apartment and Jean-Luc Godard’s Vivre Sa Vie, from 1962, in his mini-slate. And, as usual, the fest showcases student prints, experimental shorts, interviews, panels, art exhibits and book signings.