Toronto 2012: Mitchell Akselrad to Adapt the Short 'The Gate' for Big Screen (Exclusive)
Matt Westrup, who directed the original short, is producing the film for Wayfare.
Wayfare Entertainment has tapped Mitchell Akselrad to adapt the acclaimed short The Gate for the big screen.
The New York-based company is financing and producing the project.
Matt Westrup, who directed the original short, is producing alongside Spencer Friend. Wayfare’s Ben Browning and Sarah Shepard also are producing. Michael Maher will executive produce.
Wayfare’s upcoming slate includes the David Slade-helmed Villain and an adaptation of Neil Gaiman’s best-selling fantasy novel The Graveyard Book for Disney. The company is also in post-production on Sebastian Cordero’s The Europa Report, starring Sharlto Copley.
Akselrad’s screenplay credits include Agent, which is being developed by New Regency, and The Turn, which was sold to AMC.
He is repped by CAA and Fourth Floor.
THR's Daily Must Feeds
-
Emma Roberts Joins 'American Horror Story: Coven'
-
The Lesson Zach Braff Taught Woody Allen
-
Jessica Chastain & Zachary Quinto: 'All is Lost' Cannes Premiere
-
Ken Jeong's 'Hangover' Pay: $5 Million
-
Teen Choice Awards 2013 Nominations Revealed
-
Robert Redford Wows At Cannes Film Festival With 'All Is Lost'
-
Mitch Hurwitz Explains His 'Arrested Development' Rules
-
Metallica’s Lars Ulrich on the Band’s New Movie
In This Week's Magazine
- MOST SHARED
- MOST POPULAR
- 1
'S.W.A.T.' Star Steve Forrest Dies at 87
- 2
Hollywood's Notable Deaths of 2013
- 3
From Flappers to Rappers: 'The Great Gatsby' Music Supervisor Breaks Down the Film's Soundtrack
- 4
The Immigrant: Cannes Review
- 5
Google's Eric Schmidt Says Hollywood's 'Storytelling Wins' in 'The New Digital Age'
- 6
'American Horror Story' Star Joins 'X-Men: Days of Future Past'
- 7
CBS Shareholders Accuse '60 Minutes' of Anti-Semitism
- 8
'Arrested Development' Stars' Surprising Salaries Revealed (Exclusive)
- 9
Power Lawyers: How 'Star Wars' Nerds Sold Lucasfilm to Disney
- 10
Blue Is the Warmest Color: Cannes Review


