A Rubberband Is an Unlikely Instrument: Film Review
Matt Boyd's documentary concerns a bohemian Brooklyn couple coping with personal and financial pressures.
A Rubberband Is an Unlikely Instrument, and it also makes for less-than-compelling subject matter in Matt Boyd’s overlong and aimless documentary. This cinema verite-style portrait of a bohemian Brooklyn couple struggling to cope with familial and financial pressures is as self-indulgent as the painful sounding “music” that its central figure makes in the bowels of the New York City subway system.
Said music is produced by eccentric musician Walter Baker on a stretched-out giant rubberband that makes squealing noises that probably only sound bearable when compared to the screeching of the nearby subway cars. When he’s not playing underground, Baker also is an aspiring guitarist and composer, though apparently not a very successful one. He lives in a small apartment in Brooklyn’s Greenpoint neighborhood with his poet/musician wife Andrea and their 12-year-old son Sidney.
Having hit middle age, the couple has become increasingly concerned with their financial future. Andrea in particular registers unhappiness and anxiety over their insecure lifestyle, which includes driving around the city looking for old furniture they can sell. Their increasingly contentious discussions fill much of the film’s running time, at least when the filmmaker isn’t concentrating on arty landscape shots that seem to go on forever.
Speaking of going on forever, that’s an apt description of this 135-minute opus, which strives for a meditative quality but instead proves simply monotonous. The film briefly springs to life in the scenes in which Walter visits his elderly parents in Texas. While the generational conflict between him and his no-nonsense, gun-loving father and gospel-singing (in a surprisingly sweet voice) mother is very much of the predictable sort, it at least provides a modicum of narrative momentum in the otherwise numbing proceedings.
Opens Friday, Dec. 8 (Factory 25)
Production: Found Pictures, Show Cobra Fils, Nomadic Independence Pictures
Director/director of photography: Matt Boyd
Producers: Matt Boyd, Ryan Zacarias, Brooke Bernard, Brent Stewart, Michael Carter
Executive producer: Jason Ross
Editors: Matt Boyd, Michael Carter
Composer: Walter Baker
Not rated, 135 min.
- More Than a Feeling: The Importance (and Necessity) of Pixar's Inside Out
- A 'Bachelor' Casting Call Is Pretty Much Like Being In Vegas, And NOT In A Good Way
- Carrie Underwood Covers Wiz Khalifa's 'See You Again' Like A Boss
- Comedian Kurt Braunohler Is Driving A Giant Butt Across The Country, Because America Needs This
- Rick and Morty Season 2 Trailer: It’s Probably Best If Morty Started Driving the Spaceship
- Stephen Colbert Filmed a 40-Minute Public-Access Show in a Random Small Town to Remind You That, Character or Not, He’s the Best
- Paul Rudd Can’t Resist a Good Fart Joke
- What’s a Good Post-Divorce Show? Your Pressing TV Questions, Answered