'Everybody Loves Somebody': Film Review | Palm Springs 2017

Sergio Rivero Beneitez/Pantelion
Scintillating cast sails right over a rickety rom-com script.
2/17/2017

This bilingual romantic comedy set in Los Angeles and Baja centers on a successful doctor trying to heal her personal life.

One of the crowd-pleasing world premiere films shown this year in Palm Springs is a bilingual romantic comedy, Everybody Loves Somebody, which doesn't break any new ground thematically but still manages to make an appealing addition to the rom-com genre. Pantelion Films will release it in the U.S. and should find a sympathetic audience, especially if the picture is shrewdly marketed in parts of the country with sizable Latino populations.

Clara (Karla Souza) is a successful doctor in Los Angeles but not so successful in her love life. All her dissatisfactions come to the surface when her parents, who live in Baja, decide to get married after 40 years of cohabiting without a license. Writer-director Catalina Aguilar Mastretta commented after the PSIFF screening that this part of the story was inspired by her own family background. The other details may be less autobiographical. Clara is something of a self-destructive mess, often trying to undermine the relationships of other people in her life, including her own patients. She is prone to one-night stands but seems to have an almost pathological fear of commitment.

We find out why when she attends the family shindig in Mexico and reconnects with an old flame, Daniel (Jose Maria Yazpik), who apparently broke her heart years ago when he took off on a series of globe-trotting adventures. There is clearly still a spark between the two of them, but Clara is also tentatively exploring a relationship with a resident in her medical office, Asher (Ben O'Toole), an Aussie who seems far more grounded than either Clara or Daniel.

Anyone expecting an incisive exploration of human psychology or cross-cultural conflicts will find the script pretty superficial and overly reliant on self-help bromides. Yet we get caught up in the movie all the same. Everybody may lack depth, but it often compensates with raucous humor. There's also the novelty value of seeing a movie in which most of the characters flip easily and gracefully between conversing in Spanish and English. The inviting Baja seaside settings are another enticement.

But the main reason for the movie's success is its irresistible cast. Souza manages to make us care about Clara even when she's behaving atrociously. Her sassy spirit has us rooting for her to escape her downward spiral, but there's no sentimentality in her portrayal. All the other attractive castmembers bring charm and energy to their performances. Patricia Bernal as Clara's wacky but loving mother and Tiare Scanda as her more conventional sister both make strong impressions. O'Toole is especially winning as the wise but wounded Aussie. He manages to make a convincing case for stability without ever seeming too good to be true.

The true test of a winning romantic comedy is whether it makes the audience root for the clinch between the mismatched lovers. Despite its superficiality, the film succeeds in meeting that primary goal of the genre, so it leaves the audience in a cheerful mood.

Venue: Palm Springs International Film Festival (World Cinema Now)
Distributor: Pantelion Films
Production company: Draco Films
Cast: Karla Souza, Jose Maria Yazpik, Ben O'Toole, K.C. Clyde, Tiare Scanda, Patricia Bernal, Alejandro Camacho
Director-screenwriter: Catalina Aguilar Mastretta
Producers: Francisco Gonzalez Compean, Jose Nacif, Ramiro Ruiz
Director of photography: Jon Aguirresarobe
Production designer: Sandra Cabriada
Costume designer: Gilda Navarro
Editor: Aina Calleja
Music: Victor Hernandez Stumpfhauser

Not rated, 100 minutes

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