'Turn Me On, Goddammit!' (Fa Meg Pa, For Faen!): Film Review
Norwegian writer-director Jannicke Systad Jacobsen makes a fine debut with this teen dramedy that also features a real find in newcomer Helene Bergsholm.
ROME — It’s no easy task to make a compelling movie about a small-town Norwegian girl and her chronic masturbation problems, but writer-director Jannicke Systad Jacobsen manages to do just that with her aptly titled debut feature, Turn Me On, Goddammit! (Fa Meg Pa, For Faen!). Winner of the screenplay award at the Tribeca Film Festival, this deadpan teen dramedy features a fine lead performance from newcomer Helene Bergsholm, and despite its low-budget production values, has its heart – and hand – in the right place.
Continuing its fest run in Rome after stops at Tribeca, Zurich and Stockholm, Goddammit! has already sold to several overseas territories, including to New Yorker Films in the U.S. It was released in Norway mid-August to critical and box-office acclaim, topping the local charts along with the homegrown thriller, Headhunters.
Based on a novel by Olaug Nilssen, the film is set in the remote mountain village of Skoddenheim, whose population (per on-screen appearances) seems to be about 12. The shy and gorgeous Alma (Bergsholm) is one of a few teen townies trying to get whatever kicks they can out of the place, which provides them with an adequate supply of beer and hash, but not much else.
In Alma’s case, such kicks consist of pleasuring herself while fantasizing about handsome young neighbor, Artur (Matias Myren), as well as about anyone else who crosses her path, including a phone sex operator and her boss at the nearby supermarket (where she makes special use of a roll of coins from the cash register). Yet when Alma has an extremely awkward sexual run-in with Artur during a party, the event winds up turning her into the town outcast, kicking off an adolescent rebellion that won’t stop until the truth comes out.
With a straight-faced comic sensibility that recalls the work of fellow Nordic filmmaker Aki Kaurismaki, Jacobsen manages to mine both humor and tenderness out of situations, which would be excruciating for any teenager, wherever they live. And while all of Skoddenheim seems worried that “there’s something abnormal about Alma,” it’s clear she’s experiencing the same growing pains as her peers but is just more honest about them, more in touch with them, than they are.
Although it’s well-observed and acted, Goddammit is not without the usual tics present in many an indie debut, including witty voiceovers, constant pop music, quirky photomontages and other such winks at the camera. These, along with shaky HD cinematography, take some of the pleasure away from what’s otherwise a heartwarming, occasionally hilarious portrayal of one girl’s quest for satisfaction.
Venue: Rome Film Festival
Production companies: Motlys AS
Cast: Helene Bergsholm, Matias Myren, Malin Bjorhovde, Beate Stofring
Director/screenwriter: Jannicke Systad Jacobsen
Based on a novel by: Olaug Nilssen
Producer: Brede Hovland
Director of photography: Marianne Bakke
Production designer: Sunniva Rostad
Music: Ginge Anvik
Costume designer: Marianne Bakke
Editor: Zaklina Stojcevska
Sales: Celsius Entertainment
No rating, 75 minutes