Marilyn Monroe Estate Threatens Legal Action Over Hologram (Exclusive)
Private correspondence obtained by THR indicates a possible lawsuit that could be groundbreaking.
A concert featuring a holographic Marilyn Monroe is under legal threat by the deceased icon's estate.
Digicon Media holds a copyright on "Virtual Marilyn" and plans to feature the projected blond bombshell singing and interacting alongside live music stars. But months of correspondence obtained by The Hollywood Reporter indicates that the Monroe estate is closely watching Digicon's activities, and if the show goes on, there could be a big lawsuit.
The letters between Digicon and Paul Bost, an attorney at Sheppard Mullin who is representing the Monroe estate, provides an inside look at a developing legal controversy. The holographic Tupac Shakur performance at Coachella proved that digital resurrection of deceased celebrities could be an emerging trend, but the rights needed to pull off the spectacle are far from clear. The "Virtual Marilyn" concert is said to use the same technology as the Tupac one (observers debate whether it is technically a hologram).
First, here's a look at "Virtual Marilyn" performing "Bye Bye Baby" from Gentleman Prefer Blondes.
In December, Digicon received a cease-and-desist letter from the estate that claimed that "Virtual Marilyn" infringed upon its intellectual property and demanded a stop to the use of any marks, names, logos and designs that were based upon the identity and persona of Marilyn Monroe.
The digital studio insists that it has done something unprecedented—copyrighted a human persona—and that the statute of limitations has passed on any possible legal objection since the estate knew about what has been in development for more than fifteen years. The digital persona is also said to be completely distinguishable from the woman who died in 1962 of an apparent drug overdose.
Here is how the company first responded to the Estate's legal warning:
The above letter brought a response by Bost, who refuted the possibility that the statute of limitations had passed. In reference to the Google videos of "Virtual Marilyn," he wrote that they all appear to date from the mid-1990s, and that if "Virtual Marilyn" had some life back then, it was "limited and short-lived" and not very successful. He says there is "no evidence" that the Monroe estate was aware of the activity, and he tells a Digicon official, "You appear to want to resurrect Virtual Marilyn after 15+ years of non-use."
Bost reiterates the demand to stop exploiting Monroe's persona.
Digicon responded with a letter in January that congratulated Sheppard Mullin in getting involved with the Monroe estate, saying that the two previous law firms representing it (Gibson Dunn and Loeb and Loeb) engaged in "shenanigans in hiding and misrepresenting evidence of Ms. Monroe's true domicile in New York at the date of her death."
The reference is to court rulings in cases where Monroe's estate sought to assert violations of Monroe's personality rights against photographers who licensed for such products as T-shirts. The cases were unsuccessful because it was determined that Monroe lived in New York at the time of her death and the state doesn't have generous publicity rights for celebrities. "Monroe could not devise by will a property right she did not own at the time of her death in 1962," a judge ruled.
The January letter by Digicon to the attorney for the Monroe estate continues, "The Estate is now Judicially Stopped from claiming ANY Privacy, Publicity or related rights to name, image or likeness obtained through testamentary inheritance in New York."
But that doesn't end the dispute.
In February, Bost responded and indicates that a lawsuit likely would be premised on alleged trademark violations for causing consumer confusion and implying an endorsement or or association with Marilyn Monroe.
"Ms. Monroe was famously known as a model and actress during her lifetime," he writes. "You are wholly re-creating Ms. Monroe to serve as a model and actress."
Here's the full letter.
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