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Deborah Young

More from Deborah Young

‘Wuhan Wuhan’: Film Review | Hot Docs 2021

Award-winning documentarian Yung Chang takes an inside look at the city where COVID-19 emerged.

‘Cliff Walkers’: Film Review

Zhang Yimou’s first spy thriller sends an ace team of Communist agents into the WW2 Japanese stronghold of Manchukuo.

‘Ballad of a White Cow’: Film Review | Berlin 2021

The widow of a man wrongfully executed for murder seeks justice in all the wrong places in Behtash Sanaeeha and Maryam Moghaddam’s Iranian drama.

‘Natural Light’: Film Review | Berlin 2021

Hungarian soldiers in World War II patrol the icy forests of Ukraine in Denes Nagy’s feature bow.

‘Fabian — Going to the Dogs’: Film Review | Berlin 2021

Tom Schilling, Albrecht Schuch and Saskia Rosendahl play young friends in Berlin between the wars in Dominik Graf’s dramatic coming-of-ager.

‘Memory Box’: Film Review | Berlin 2021

Lebanese filmmakers Joana Hadjithomas and Khalil Joreige explore the importance of personal and historical memory in a drama bouncing between Montreal and Beirut.

‘Hive’: Film Review | Sundance 2021

A Kosovo war widow fights her patriarchal village for an independent life in this Sundance prizewinner.

‘President’: Film Review | Sundance 2021

The evidence of voting fraud during Zimbabwe’s 2018 election piles up in Camilla Nielsson’s documentary.

‘Jallikattu’: Film Review

A rampaging buffalo transforms men into beasts in India’s Oscar submission from Lijo Jose Pellissery.

‘Lost Course’: Film Review

Hong Kong documaker Jill Li takes a good long look at a grassroots democracy movement in China in 'Lost Course,' taking its European bow at IDFA.

‘Funny Boy’: Film Review

'Funny Boy', Canada’s Oscar entry for best international feature, is a gay coming-of-ager set in the lead-up to the civil war in Sri Lanka, directed by Deepa Mehta ('Water').

‘The Real Thing’ (‘Honki no Shirushi’): Film Review | Tokyo 2020

Award-winning Japanese director Koji Fukada brings 'The Real Thing' ('Honki no Shirushi'), a romantic TV drama, to the screen in a four-hour cut.