The Hollywood Reporter

The actor explains why he wishes quiet scenes got more respect from awards voters, and talks about his evolution as a dramatic actor from 'Breaking Bad' to 'Better Call Saul.'

Did you know Facebook Watch was about to premiere a beauty queen comedy starring Catherine Zeta-Jones? Probably not!

Netflix's drug-war drama moves the action to Mexico and resets its cat-and-mouse game with Diego Luna and Michael Peña as leads, while maintaining its structure and intensity.

Netflix aims for its own version of 'The Hills' with this heavily contrived look at making it in the music industry in Los Angeles.

Michael Douglas and Alan Arkin are stellar in Chuck Lorre's frequently successful Netflix attempt to blend jokes about getting old with serious reflections on aging.

In addition to all of the serious races on the 2018 ballot, THR chief TV critic Daniel Fienberg wishes he could vote on episodic running times, excessive onscreen darkness and bringing Halle Berry and Kyle Chandler back to TV.

Kevin Williamson's CBS All Access drama boasts an attractive cast and an interesting idea in transposing fairy tales to a modern context, but it doesn't do enough with its fun premise.

Daniel Fienberg and Tim Goodman lament broadcast mediocrities, celebrate under-the-radar cable/streaming gems and ponder whether stars really matter on the small screen.

Thanks to Robin Wright and new additions Diane Lane and Greg Kinnear, the final season of Netflix's drama doesn't miss Kevin Spacey, but it struggles to move past Frank Underwood.

Kiernan Shipka is a solid witching teen and, after 10 episodes, her new Netflix series finds its footing — but there's a lot to get through before then.

Laura Ricciardi and Moira Demos return to Netflix, delving into Steven Avery and Brendan Dassey's ongoing search for justice.

ABC's new police procedural is basically a Nathan Fillion delivery system.