- Share this article on Facebook
- Share this article on Twitter
- Share this article on Email
- Show additional share options
- Share this article on Print
- Share this article on Comment
- Share this article on Whatsapp
- Share this article on Linkedin
- Share this article on Reddit
- Share this article on Pinit
- Share this article on Tumblr
After departing from tradition to embrace studio pictures with its nominations last year, the Gotham Awards on Monday returned to its roots, tapping only indie and specialty films for their annual kudos.
In doing so, it tried another walk down the line between awards-season relevance and indie bona fides.
The Gothams, which are run by industry group IFP, handed out best feature noms to the New York-centric (Noah Baumbach’s “Margot at the Wedding” and Killer Films/Weinstein Co.’s “I’m Not There”) and the specialty divisions (Fox Searchlight’s “The Namesake” and Paramount Vantage’s “Into the Wild”).
But notably, it gave the most noms to an ultra-indie, Craig Zobel’s music-world satire “Great World of Sound.” In addition to best feature, the movie also landed breakthrough director and breakthrough actor spots. (Zobel shared the former with Lee Isaac Chung, Stephane Gauger, Julia Loktev and David Von Ancken; Kene Holliday was nominated for the latter along with Emile Hirsch, Ellen Page, Jess Weixler and Luisa Williams.)
The nomination slate returns the Gothams to a path some say it had abandoned last year, when it nominated two studio films, Warners’ “The Departed” and Sony’s “Marie Antoinette,” for best feature.
By any measure, the size of the nominated movies this year were much smaller. Last year, the top three grossers on the best feature ballot earned a collective $154 million. Of this year’s three best feature noms that have been released so far, the take has been just $18 million. (With $18,000, “World” was responsible for roughly 0.1% of that.)
As the first awards ceremony of the season, the Gothams have tried to position themselves as an awards program that can set the agenda for the coming months while also including movies that won’t get recognition from other quarters. The balance hasn’t always been easy.
The choices announced Monday divided players in the biz — based largely, it seemed, on whether those players had nominated films. While many said it reflected the proper ethos of inclusion, others say it represented an overcorrection.
“It seems like they got such a backlash from last year that they went too far the other way,” said an executive at one studio.
Supporters of the choices, however, said the Gothams are upholding primary values. “There isn’t a mission exactly, but there is a spirit and a deeply felt philosophy,” ThinkFilm U.S. chief Mark Urman said. “The Gothams specifically have to pay some attention to the achievements that others won’t pay attention to.”
In a sense, the Gothams are in a no-win situation: When they choose higher-profile movies that could help establish them as a bigger player, they’re criticized for losing their way; when they don’t, they’re criticized for being provincial.
Still, it was noteworthy that two of the biggest New York distributors — Focus and Miramax, which have as many as seven awards contenders this year between them — landed just one Gotham nomination, a best ensemble cast nom for Focus’ “Talk to Me.” (“Before the Devil Knows You’re Dead,” “The Last Winter,” “Margot at the Wedding” and “The Savages” round out the list in that category.)
Paramount Vantage led all nominees with four; IFC First Take, Magnolia and Searchlight each had three.
The Gothams do have a tendency to signal, if not create, awards candidates. While their effect on voting for national awards is modest, last year’s big winner, “Half Nelson,” went on to garner a best actor Oscar nomination for Ryan Gosling.
And in a season that has gotten extremely crowded with prestige films, awards-campaign experts say the smallest push could mean the difference between a movie getting on or falling off the map.
One candidate that could get a jump-start from the Gothams this year is Todd Haynes’ unconventional Bob Dylan biopic “I’m Not There,” which is being released by the Weinstein Co., which also earned a nom for the Michael Moore docu “Sicko.” (The other documentary nominees include “The Devil Came on Horseback,” “Taxi to the Dark Side” and the Sony Pictures Classics releases “Jimmy Carter: Man From Plains” and “My Kid Could Paint That.”)
Defenders of last year’s choices pointed out that, for all the criticism, the Gothams’ nomination of “Departed” accurately foreshadowed the Academy’s best picture winner.
The Gotham Awards will be presented Nov. 27 at Brooklyn’s Steiner Studios. Film critic Roger Ebert and production designer Mark Friedberg (“Across the Universe,” “The Darjeeling Limited”) will receive Gotham tributes, along with Mira Nair, Javier Bardem, Mayor Michael Bloomberg and IFC’s Jonathan Sehring.
Also Monday, the Gothams announced the noms for Best Film Not Playing at a Theater Near You, given to the best movie without distribution. They are “August the First,” “Frownland,” “Loren Cass,” “Mississippi Chicken” and “Off the Grid: Life on the Mesa.”
Sign up for THR news straight to your inbox every day