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02-06-2023 Daily Edition February 5, 2023

Daily Edition

Grammys: Harry Styles Wins Album of the Year, Beyoncé Becomes Most Awarded Artist in Show’s History

Harry Styles’ Harry’s House found a home at the 2023 Grammys, winning album of the year on the same night Beyoncé became the most decorated artist in Grammy history. “Shit,” Styles said Sunday at the Crypto.com Arena in Los Angeles as he won the top prize. “I’ve been so, so inspired by every artist in […]

Harry Styles’ Harry’s House found a home at the 2023 Grammys, winning album of the year on the same night Beyoncé became the most decorated artist in Grammy history.

“Shit,” Styles said Sunday at the Crypto.com Arena in Los Angeles as he won the top prize. “I’ve been so, so inspired by every artist in this category with me … I listen to everyone in this category when I’m alone.”

Styles — who also won best pop vocal album — went on to say “there is no such thing as best in music” and that artists don’t make music thinking about “what is going to get us one of these [awards].”

Harry Styles accepts the Best Pop Vocal Album award for “Harry's House” onstage during the 65th GRAMMY Awards at Crypto.com Arena on February 05, 2023 in Los Angeles, California.
Harry Styles accepts the Best Pop Vocal Album award for “Harry’s House” onstage during the 65th GRAMMY Awards at Crypto.com Arena on February 05, 2023 in Los Angeles, California. JC Olivera/WireImage

“This is really, really kind. I’m so, so grateful. This doesn’t happen to people like me very often,” he continued.

Beyoncé lost the top three awards but she still had a historic night by winning 32 Grammys. She won four awards, breaking the record set by conductor Georg Solti, who won 31 awards and died in 1997. 

“I’m trying not to be too emotional and I’m trying to just receive this night,” she said as the audience cheered her on. “Thank you God. I’d like to thank my uncle Johnny, who is not here but he’s here in spirit. I’d like to thank my parents — my father, my mother — for loving me and pushing me. I’d like to thank my beautiful husband and my beautiful three children.”

Beyoncé accepts Best Dance/Electronic Music Album for “Renaissance” onstage during the 65th GRAMMY Awards at Crypto.com Arena on February 05, 2023 in Los Angeles, California.
Beyoncé accepts Best Dance/Electronic Music Album for “Renaissance” onstage during the 65th GRAMMY Awards at Crypto.com Arena on February 05, 2023 in Los Angeles, California. Kevin Mazur/Getty Images for The Recording Academy

“I’d like to thank the queer community for your love and for inventing the genre,” Beyoncé continued.

The singer’s wins included best dance/electronic album for Renaissance, best R&B song for “Cuff It,” best dance/electronic recording for “Break My Soul” and best traditional R&B performance for her groove “Plastic Off the Sofa.”

Beyoncé and Styles lost song and record of the year — and the wins by Bonnie Raitt (song) and Lizzo (record) surprised the audience, and the recipients themselves. There was similar energy when jazz singer Samara Joy was named best new artist (she also won best jazz vocal album).

Record Of The Year - Lizzo
Kevin Winter/Getty Images

Lizzo’s jaw-dropped when it was announced that her massive hit, “About Damn Time,” won record of the year.

“Umm. Huh? Lemme tell you something, me and Adele having a good time rooting for our friends. This is so unexpected,” Lizzo said. 

She went on to dedicate the award to Prince — who she performed with on the Purple One’s 2014 album Plectrumelectrum — and also thanked Beyoncé for being “the artist of our lives.”

“Beyoncé, whoa! In the fifth grade I skipped school to see you perform,” Lizzo admitted. “You changed my life.”

Bonnie Raitt won song of the year — shocking the audience and Raitt herself. She stood in her seat with her mouth wide open.

“I’m so surprised. I don’t know what to say. This is just an unreal moment. Thank you for honoring me,” said Raitt, who won for “Just Like That” and said the song was inspired by John Prine and is about “the love and grace and generosity of someone that donates their beloved’s organs to help another person else live.”

Kendrick Lamar matched Raitt’s three honors, taking home best rap album for Mr. Morale & The Big Steppers as well as best rap song and best rap performance for “The Heart Part 5.”

“First and foremost I want to thank my family for giving me the courage and vulnerability to share my truth with this album,” said Lamar. “I want to thank my fans for trusting me …. [and] thank the culture for allowing me to evolve.”

Brandi Carlile also won three honors while Adele picked up best pop solo performance for “Easy on Me.”

“I want to dedicate this to my son Angelo,” she said, holding back tears.

Bad Bunny’s top-selling and top-streaming album, Un Verano Sin Ti, won best música urbana album. It made history and was the first Latin album to compete for album of the year.

“I made this album with love and passion … [and] when you do things with love and passion, life is easier,” he said.

Bad Bunny accepts the Best Música Urbana Album for “Un Verano Sin Ti” onstage during the 65th GRAMMY Awards at Crypto.com Arena on February 05, 2023 in Los Angeles, California.
Bad Bunny accepts the Best Música Urbana Album for “Un Verano Sin Ti” onstage during the 65th GRAMMY Awards at Crypto.com Arena on February 05, 2023 in Los Angeles, California. JC Olivera/WireImage

The Puerto Rican rapper kicked off the Grammys with a festive performance full of Latin heat. It had most of the attendees out of their seats dancing, including Taylor Swift. “That album is so fire it makes Trump want to learn Spanish,” host Trevor Noah said.

The night’s hottest performance, though, was the show’s celebration of the 50th anniversary of hip-hop. It featured rap icons like Public Enemy, Grandmaster Flash, Rakim, Queen Latifah, LL Cool J and RUN-DMC, while Busta Rhymes stole the show with his performance of “Put Your Hands Where My Eyes Could See” and his speedy verse on “Look At Me Now.” Missy Elliott followed, earning loud roars from the crowd as she performed “Lose Control.”

The show’s In Memoriam segment was touching and emotional: Kacey Musgraves honored Loretta Lynn by singing “Coal Miner’s Daughter”; Sheryl Crow, Mick Fleetwood and Raitt remembered Christine McVie with “Songbird”; and Migos rapper Takeoff was honored by Quavo and worship music group Maverick City Music, who won all four awards they were nominated for.

Kim Petras and Sam Smith
Kim Petras and Sam Smith Alberto E. Rodriguez/Getty Images

Other big winners included Kim Petras and Sam Smith, who won best pop duo/group performance for “Unholy,” which they performed at the Grammys. Madonna introduced the performance. 

“Sam wanted me to accept this award because I’m the first transgender woman to win this award,” Petras said onstage, and earned a standing ovation from the crowd. “I just want to thank all of the incredible transgender legends who kicked the doors open.”

Willie Nelson won two honors but didn’t attend the show. Encanto won three awards, including best song written for visual media for the No. 1 hit “We Don’t Talk About Bruno.” The honor went to songwriter Lin-Manuel Miranda.

Dave Chappelle won best comedy album for The Closer. Other winners include Ozzy Osbourne, Rosalia, Wet Leg, Muni Long, Steve Lacy, Robert Glasper, Ashley McBryde, Carly Pearce and Swift, who won best music video for All Too Well: The Short Film. Drake — who didn’t submit his latest album for awards — won best melodic rap performance for his guest appearance on Future’s “Wait for U.” He shares the win with Future and Tems. And Viola Davis became an EGOT, capturing her first Grammy on Sunday.

This story was originally published on Feb. 5 at 1:03 p.m.

The Best and Most Outrageous Looks at the 2023 Grammys: Doja Cat, Taylor Swift and More

A week of seemingly non-stop parties climaxed Sunday night with the 2023 Grammys at L.A.’s Crypto.com Arena, and as expected, music’s biggest stars did not hold back as they embraced fearless red-carpet style. From Taylor Swift in a two-piece gown by Roberto Cavalli’s Fausto Puglisi to Harry Styles in a custom harlequin-patterned jumpsuit by Paris-based […]

A week of seemingly non-stop parties climaxed Sunday night with the 2023 Grammys at L.A.’s Crypto.com Arena, and as expected, music’s biggest stars did not hold back as they embraced fearless red-carpet style.

From Taylor Swift in a two-piece gown by Roberto Cavalli’s Fausto Puglisi to Harry Styles in a custom harlequin-patterned jumpsuit by Paris-based EgonLab and Lizzo in custom Dolce & Gabbana with a stunning opera coat, A-listers sported a wealth of unabashed fashion that has become a hallmark of this event — which frankly makes the Grammy Awards the most thrilling awards event of the season.

Oscar night may reign as the Super Bowl of fashion, but the overall tone of that event is undeniably rooted in sophistication and elegance. With the Grammys, viewers simply never know just how far nominated artists and attendees might push the boundaries of outrageous, high-wattage looks to create wow moments.

Unlike most awards shows, the Grammys have also become the event in which multiple changes by artists are now expected — not only from red carpet to performance, but sometimes just because they can, not unlike the bride who wears one gown for the ceremony, another for the reception, and still a third for the after party. It’s a valid question as to whether fashion brands are realizing a return on their investment when these multiple, expensive looks are provided free of charge.

Who sent social media into a frenzy when they stepped onto the 2023 Grammys red carpet Sunday night? Here’s a look at the musicians and stars who excelled at look-at-me chic at the 65th Annual Grammy Awards.

Beyoncé in Balmain

BEYONCE IN A CUSTOM BALMAIN
Beyonce Courtesy of talents team/Balmain

Much was made of Beyoncé getting stuck in LA traffic on the way to Crypto.com Arena, and it not only prevented Queen Bey from picking up the trophies that have vaulted her to first place as the artist with the most Grammys (32) in history — it also prevented fashion fans from enjoying a high-profile look at her three changes throughout the evening. Beyoncé was seen in the audience and accepted her record-breaking trophy wearing a Gucci gown with a silver metallic skirt, but near the show’s end, she changed into a black mirrored corset and velvet skirt custom-designed by Daniel Roseberry for Schiaparelli Haute Couture. Following the broadcast she posted a thank you to her Bey Hive on Instagram, wearing this custom look by Olivier Rousteing for Balmain, styled by Marni Senofonte.

Lizzo in Dolce & Gabbana

Lizzo
Lizzo Stewart Cook/CBS via Getty Images; Neilson Barnard/Getty Images

Lizzo quite simply killed it when she arrived in this custom look by Dolce & Gabbana, especially the silk mikado opera coat, embellished with dozens of handmade silk flowers. Her matching corset gown was embroidered with Swarovski-crystal detailing, while her crystal-detailed shoes and sheer fingerless gloves were also by the Italian label. For her performance of “About Damn Time” and “Special,” Lizzo wore a second Dolce & Gabbana look and changed into a third, a silver lamé ruched dress, when accepted her Grammy for record of the year.

Steve Lacy in Saint Laurent

Steve Lacy
Steve Lacy Stewart Cook/CBS via Getty Images

Nominated for four Grammys Sunday night, including best progressive R&B album for Gemini Rights, Steve Lacy wore head-to-toe Saint Laurent by Anthony Vaccarello, including a double-breasted tuxedo with silk SL pocket square, rhinestone and pearl Shield brooch, and the label’s Jam black and white shoes and SL 73 sunglasses.

Doja Cat in Atelier Versace

Doja Cat
Doja Cat Neilson Barnard/Getty Images

The unequivocal star of the recent haute-couture shows during Paris Fashion Week, Doja Cat did not disappoint with her Grammys choice: a custom look by Atelier Versace, a figure-hugging gown with train crafted in black vinyl and featuring a twisted shoulder strap that led to a naked back, paired with matching vinyl gloves.

Taylor Swift in Roberto Cavalli

Taylor Swift
Taylor Swift Amy Sussman/Getty Images

Roberto Cavalli creative director Fausto Puglisi paid tribute to Taylor Swift’s latest album, Midnight, with this midnight-blue two-piece silk gown, embroidered with micro-beads and Swarovski crystals. Swift paired the gown with more than $3 million in Lorraine Schwartz jewels, including a pair of oversized kite-shaped earrings crafted of more than 136 carats of natural purple sapphires, paraiba tourmalines and diamonds, and finished the look with platform sandals by Giuseppe Zanotti.

Sam Smith in Valentino

Sam Smith
Sam Smith ROBYN BECK/AFP via Getty Images

With dramatic capes and coats among the night’s biggest trends, Sam Smith — the night’s winner for best pop duo/group performance with Kim Petras for “Unholy” — opted for opulence in a voluminous red silk coat, paired with a veil-accented top hat and gloves, a custom look by Pierpaolo Piccioli for Valentino. Piccioli also outfitted Petras and Smith’s dancers, who accompanied them on the red carpet.

Shania Twain in Harris Reed

Shania Twain
Shania Twain attends the 65th GRAMMY Awards on February 05, 2023 in Los Angeles, California. (Photo by Amy Sussman/Getty Images) Amy Sussman/Getty Images

Shania Twain set the over-the-top tone early on Sunday’s red carpet, wearing a beaded satin suit and matching hat, adorned with polka dots on steroids, by London-based designer Harris Reed and worn with a corset by Agent Provocateur, shoes by Roger Vivier and diamonds by Messika. Twain changed into a skirt suit and cape by Thom Browne while presenting the award for best country solo performance, which went to Willie Nelson (Twain accepted for Nelson, who was not in attendance).

Jennifer Lopez in Gucci

Jennifer Lopez
Jennifer Lopez Phillip Faraone/Getty Images

One of the night’s early presenters, Jennifer Lopez wore a flowing sheer navy gown with lavish ruffles, beaded sleeves and seamed crystal detailing by Gucci, paired with diamond and sapphire high jewelry by Bulgari, including two high-jewelry Serpenti necklaces that totaled more than 150 carats of diamonds.

Kacey Musgraves in Valentino

Kacey Musgraves
Kacey Musgraves Amy Sussman/Getty Images

On hand to honor Loretta Lynn during Sunday night’s In Memoriam segment, Kacey Musgraves sported a trio of the night’s trends earlier on the red carpet: a lush feather cape over a jumpsuit, both in one of the night’s hot colors, pink, all from Pierpaolo Piccioli’s Pre-Fall 2023 Valentino collection. Musgraves paired the look with diamond and morganite jewelry by Nicole Rose Jewelry.

Cardi B in Gaurav Gupta

Cardi B attends the 65th GRAMMY Awards on February 05, 2023 in Los Angeles, California.
Cardi B attends the 65th GRAMMY Awards on February 05, 2023 in Los Angeles, California. Neilson Barnard/Getty Images for The Recording Academy

India-based couturier Gaurav Gupta made his Paris debut at the haute-couture collections in late January, and Cardi B noticed. Among Sunday night’s final arrivals, the rapper wowed in a look from Gupta’s Spring 2023 haute-couture collection, which explores ruminations on “the stillness of zero” and infinity via sculptural, draped designs, including Cardi B’s look in electric blue. She paired the look with Jimmy Choo’s Max platform sandals and diamonds by Messika. Before presenting the award for best rap album (to winner Kendrick Lamar), she changed into a silver metallic top and skirt from the archives of Paco Rabanne by Julien Dossena, paired with Tiffany & Co. jewels.

Harry Styles in EgonLab

Harry Styles
Harry Styles Jon Kopaloff/WireImage

The night’s winner for best pop vocal album for Harry’s House, Harry Styles eschewed his favorite Gucci for the red carpet, choosing a bespoke harlequin-patterned jumpsuit embellished with more than 250,000 Swarovski crystals by Paris-based label EgonLab. Styles changed into a Gucci suit just in time to accept his trophy, among the earliest awards presented Sunday night, and wore a third look, a fully embellished fringed, beaded jumpsuit, also by Gucci, for his performance.

Anderson .Paak in Gucci

Anderson Paak
Anderson Paak Allen J. Schaben / Los Angeles Times via Getty Images

Also wearing Sunday night Gucci was Anderson .Paak, who sported a double-breasted tuxedo in a bold, vintage-inspired floral print, paired with a tank top and ankle boots also by the Italian label.

Adele in Louis Vuitton

Adele attends the 65th GRAMMY Awards at Crypto.com Arena on February 05, 2023 in Los Angeles, California.
Adele attends the 65th GRAMMY Awards at Crypto.com Arena on February 05, 2023 in Los Angeles, California. Kevin Mazur/Getty Images for The Recording Academy

Adding to her 15 Grammys as the night’s winner of best pop solo performance for “Easy on Me,” Adele wore a custom Louis Vuitton gown in burgundy velvet with lush silk matelassé ruffles and matching burgundy velvet pumps. She finished the look with Tiffany & Co. jewels, including Schlumberger diamond earrings set in platinum and 18-karat yellow gold.

Anitta in vintage Versace

Anitta attends the 65th GRAMMY Awards on February 05, 2023 in Los Angeles, California.
Anitta attends the 65th GRAMMY Awards on February 05, 2023 in Los Angeles, California. John Shearer/Getty Images for The Recording Academy

The best new artist nominee wowed on the red carpet in a black strapless gown with ruffled train from the Versace archives. “I’m feeling really special,” the Brazilian artist noted on the red carpet of the gown, which is from Atelier Versace’s Spring 2003 collection and previously was worn by Nicole Kidman in an editorial layout. Anitta paired the dress with diamonds by Tiffany & Co., including a pendant featuring a kunzite totaling more than 12 carats and surrounded by diamonds, set in platinum.

Box Office: ‘Knock at the Cabin’ Topples ‘Avatar 2’ With $14.2M, M. Night Shyamalan’s Lowest Opening

To borrow from American football lingo, the weekend box office contest was full of interesting plays. M. Night Shyamalan’s newest movie, Knock at the Cabin, topped the domestic chart with $14.2 million from 3,643 theaters. While the psychological-tinged horror pic has bragging rights to finally being the film to topple Avatar: The Way of Water […]

To borrow from American football lingo, the weekend box office contest was full of interesting plays.

M. Night Shyamalan’s newest movie, Knock at the Cabin, topped the domestic chart with $14.2 million from 3,643 theaters. While the psychological-tinged horror pic has bragging rights to finally being the film to topple Avatar: The Way of Water from the stop spot, it is nevertheless the lowest North American opening of any film directed by Shyamalan.

Mediocre word of mouth could be a culprit. Knock at the Cabin received a C CinemaScore (that’s below the C+ assigned to the prolific writer-director’s last film, Old). Nor are exit scores on PostTrak so great. Males dominated the audience, while more than 60 percent of ticket buyers were between the ages of 18 and 24.

Overseas, the pic took in $7 million for an early global total of $21.2 million.

Knock at the Cabin follows a young girl and her parents who are taken hostage at a remote cabin by a group of diabolical strangers who demand they make an unthinkable choice in order to avert the apocalypse. Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, newcomer Kristen Cui, Abby Quinn and Rupert Grint star.

Universal is releasing Knock at the Cabin, a Blinding Edge Pictures production, in association with FilmNation Features and Wilshmore Entertainment. Shyamalan finances his own films.

In 2021, amid the pandemic, Old debuted to $17 million domestically. Shyamalan’s two previous films, 2018’s Glass and 2016’s Split, each opened to a rousing $40 million.

The weekend’s other new Hollywood studio offering, 80 for Brady, opened in second place with a pleasing $12.5 million from 3,912 locations after succeeding in winning over older consumers, and particularly older females. Nearly 80 percent of ticket buyers were 35 and older, including a massive 50 percent over 55.

From Paramount Pictures and Fifth Season, the comedy stars Lily Tomlin, Jane Fonda, Lily Tomlin and Sally Field as a group of friends who are determined to meet New England Patriots quarterback Tom Brady. The legendary football player produced and stars in the movie.

In an unprecedented move, Paramount and theater owners across the country — including the largest circuits — partnered on an initiative substantially lowering ticket prices in order to lure adult moviegoers who have been more reluctant to return to the cinema in the aftermath of the pandemic. Prices vary chain from chain.

One bummer — bitterly cold weather in parts of the Northeast hurt box office traffic in the Boston area.

80 for Brady‘s pricing plan, which will be kept in place throughout the movie’s run, was first detailed by The Hollywood Reporter. There are promising signs that the variable price boosted the film’s opening. For example, more patrons showed up to see 80 for Brady than Knock at the Cabin, or 1.3 million moviegoers compared to 1.1 million, according to EntTelligence.

The James Cameron-directed Avatar: The Way of Water fell to No. 3 in its eighth weekend of play in North America with roughly $10.8 million from 3,310 theaters to finish the weekend with a global total of $2.174 billion, not far behind Cameron’sTitanic ($2.194 billion).

Disney and 20th Century’s The Way of Water is expected to ultimately overtake Titanic to become the third top-grossing film of all time at the worldwide box office behind the original Avatar and Avengers: Endgame. Overseas, the Avatar sequel has already sailed past Titanic ($1.538 billion versus $1.535 billion), a feat it accomplished over the weekend. One wrinkle: a 3D version of Titanic is being rereleased on Feb. 10 by Disney and Paramount.

Other weekend highlights in North America included a special event showing of BTS: Yet to Come in Cinemas, which placed No. 5 with $5.1 million 1,125 theaters for a tally of $7.8 million (the concert pic opened midweek).

And Fathom’s theatrical screening of The Chosen Season 3: The Finale placed No. 9 with $3.6 million for a domestic total of $5.3 million.

Comscore is reporting that 2023 domestic box office revenue stands at $77 million through Sunday, a 53 percent gain over the same corridor last year.

‘Tár’ Named Film of the Year at London Critics’ Circle Film Awards

Todd Field’s Tár claimed the top prize at the 43rd London Critics’ Circle Film Awards on Sunday night, where it was named film of the year. Meanwhile, Cate Blanchett won actress of the year — the third time she has done so — and Field landed director of the year. Martin McDonagh’s The Banshees of Inisherin was […]

Todd Field’s Tár claimed the top prize at the 43rd London Critics’ Circle Film Awards on Sunday night, where it was named film of the year. Meanwhile, Cate Blanchett won actress of the year — the third time she has done so — and Field landed director of the year.

Martin McDonagh’s The Banshees of Inisherin was another big winner in London, winning five prizes, including the Attenborough award for British/Irish film of the year, screenwriter of the year, actor of the year for Colin Farrell, and both supporting actor and supporting actress for Barry Keoghan and Kerry Condon. Another Irish title, The Quiet Girl, won foreign-language film of the year in a tie win alongside Park Chan-wook’s noir thriller Decision to Leave. Laura Poitras’ pointed Nan Goldin film All the Beauty and the Bloodshed was named documentary of the year.

The ceremony was capped with the presentation of the Dilys Powell award for excellence in film to cinematic icon Michelle Yeoh, who was accompanied by her Everything Everywhere All at Once costar Ke Huy Quan. Danny Boyle presented the honor at the end of the night.

Also in attendance were Florence Pugh and Bill Nighy, both named British/Irish actress and actor for their body of work in 2022. Pugh was reunited at the event with her The Wonder co-stars Tom Burke and Kíla Lord Cassidy. There was also a reunion for Paul Mescal and Frankie Corio, who played father and daughter in Aftersun. Corio won the young British/Irish performer award for her role, while Paul was on hand to accept writer-director Charlotte Wells’ Philip French Award for breakthrough British/Irish filmmaker.

The technical achievement Award went to Guillermo del Toro’s Pinocchio for animation and was collected by Gregory Mann, who voiced the title character. British/Irish short film of the year was Keeran Anwar Blessie’s A Fox in the Night.

The awards were chosen by the 200-member film section of the Critics’ Circle, the U.K.’s longest-standing critics’ organization.

See the full list of 2023 winners below.

FILM OF THE YEAR
Tár

FOREIGN-LANGUAGE FILM OF THE YEAR
Decision to Leave
The Quiet Girl (An Cailín Ciúin)

DOCUMENTARY OF THE YEAR
All the Beauty and the Bloodshedlond

BRITISH/IRISH FILM OF THE YEAR
The Banshees of Inisherin

DIRECTOR OF THE YEAR sponsored by The House of Koko
Todd Field – Tár

SCREENWRITER OF THE YEAR
Martin McDonagh – The Banshees of Inisherin

ACTRESS OF THE YEAR sponsored by Nyman Libson Paul
Cate Blanchett – Tár

ACTOR OF THE YEAR sponsored by The House of Koko
Colin Farrell – The Banshees of Inisherin

SUPPORTING ACTRESS OF THE YEAR
Kerry Condon – The Banshees of Inisherin

SUPPORTING ACTOR OF THE YEAR
Barry Keoghan – The Banshees of Inisherin

BRITISH/IRISH ACTRESS OF THE YEAR for body of work
Florence Pugh – Don’t Worry Darling, Puss in Boots: The Last Wish, The Wonder 

BRITISH/IRISH ACTOR OF THE YEAR for body of work
Bill Nighy – Living

BREAKTHROUGH BRITISH/IRISH FILMMAKER sponsored by MetFilm
Charlotte Wells – Aftersun

YOUNG BRITISH/IRISH PERFORMER
Frankie Corio – Aftersun

BRITISH/IRISH SHORT FILM OF THE YEAR
A Fox in the Night – dir Keeran Anwar Blessie

TECHNICAL ACHIEVEMENT AWARD
Guillermo del Toro’s Pinocchio – Guillermo del Toro and Brian Leif Hansen, animation

DILYS POWELL AWARD FOR EXCELLENCE IN FILM
Michelle Yeoh