Rulebreakers

"I never had a plan for my life," Jolie says. "I do what I want to do. And if suddenly tomorrow I couldn't do anything, I could deal with that. I'd be happy at home being a mom."
"I never had a plan for my life," Jolie says. "I do what I want to do. And if suddenly tomorrow I couldn't do anything, I could deal with that. I'd be happy at home being a mom."
Jolie has been breaking rules for so long that it's impossible to imagine her ever giving it up. And despite the 39-year-old's recent nods to conformity, there's still a flash of iconoclasm in every choice she makes.
In May, she starred in her first Disney fairy tale, Maleficent, but instead of playing the sorceress who put Sleeping Beauty to bed as a jaundiced-eyed storybook villain, Jolie turned her into a sympathetic maternal anti-hero (and the movie grossed $758 million worldwide).
Taylor Swift has a cover of her own for the Rule Breakers issue.
Director James Gunn with star Chris Pratt.
"Every rule said, 'You don't make a movie with a talking tree,' 'You don't spend this much money on a raccoon with a gun,' " says Pratt, 35. "For me, I was like, 'Oh, so this movie is going to bomb. Done. This is the end of my career.' "
The directors were photographed by Austin Hargrave on Dec. 12 at the Vista Theatre in Los Angeles.
Patricia Arquette, Ethan Hawke, Richard Linklater and Ellar Coltrane.
The Boyhood star grew up on screen.
In an industry where 12-week commitments are the norm, Patricia Arquette and Ethan Hawke did the unthinkable. They made a 12-year pledge to director Richard Linklater and his vague vision: the story of a broken family to be shot over the span of more than a decade.
Though Arquette and Hawke are being singled out for their performances by everyone from SAG to the Golden Globes, she insists that the maverick sensibility of Boyhood star Ellar Coltrane, now 20, is at the center of the film. "He has a really beautiful, gentle, powerful nature, and I don't feel like he's succumbed to any of the 'normal' social pressures of who you're supposed to be," she says. "He's very much his own person and confident about who he is."
"There are no stars; it's a huge ensemble, and it could fall totally flat on its face," recalls Hawke of his concerns when Linklater pitched his idea in 2002
"I go from one thing to the other, and sometimes I stop acting altogether," says the actor. "Sometimes I raise a kid, and sometimes I build a house in Montana."
Ten years ago, on his way to Hollywood meetings, writer-director-producer Chris Miller often would conduct phone conversations with his mill-owner father that ended in him being told to turn his car around and change clothes because "that's no way to dress for a business meeting." Miller's creative partner, Phil Lord, hails from a Cuban immigrant family in which "the phrase, 'I have my art history degree to fall back on,' would not fill any parent with confidence."
Surprisingly, one of the toughest tasks while making the movie was persuading the studio to keep the live-action segment that gives the film its heart. "It is kind of a crazy move," says Miller. "You're following characters in this Lego world, and then you're supposed to follow new characters and then go back to the old world and still care. What we told the studio was, if it didn't work, we had a backup plan. We didn't have a backup plan."
"It turns out that portraying a struggling L.A. chef in the May release Chef wasn't far afield from Jon Favreau's day job. "Being a chef and a director actually aren't that different," says the 48-year-old filmmaker. "Chefs are also very aware they are leading a team. They are teachers and leaders. The word comes from 'chief' — there's a military tradition in the culinary culture! It's definitely present in Roy's food trucks and kitchens."
Producer Wyck Godfrey with author John Green, star Shailene Woodley and producer Marty Bowen.
"A couple of years ago, my father came out as transgender to me," says Transparent showrunner Jill Soloway, 49. "For most of the phone call, I said, 'I love you, I'm proud of you, you're so brave.' And pretty much in the same instant I was like, 'This is going to be my show.' "
"Go where your heart is, not the dollar sign," says Tambor, 70. "I love getting emails saying, 'I just binge-watched the whole season!' Recently, even my doctor said, 'I watched five episodes last night.' "
The only network to launch a hit drama (How to Get Away With Murder) and a hit comedy (Black-ish) this season, ABC as led by Paul Lee has accomplished that feat while simultaneously defying DVR trends — drawing live viewers to scripted programming — and furthering its already formidable push into diversity with leads Viola Davis and Anthony Anderson on Murder and Black-ish, respectively.
Big media has been testing the YouTube waters tepidly for years, but Disney dove in headfirst when it agreed to acquire Maker Studios for nearly $1 billion in March.