Gender-blind Shakespeare, a giant gorilla, Rupert Murdoch, Cher times 3 and a wealth of new plays to counter last season's shortage are on the slate.

Adam Driver, Keri Russell, Armie Hammer, Josh Charles, Daniel Radcliffe, Bobby Cannavale, Kerry Washington, Ruth Wilson, Bryan Cranston, Tatiana Maslany, Elaine May, Lucas Hedges, Annette Bening, Ethan Hawke and Paul Dano are among the names hitting Broadway this season, along with British stage titan Glenda Jackson, fresh off her Tony win for Edward Albee's Three Tall Women. 

Following last season's thin crop of new plays, debuts are lined up from Young Jean Lee, Taylor Mac, Christopher Demos-Brown, Heidi Schreck and Tarell Alvin McCraney, as well as new work from Theresa Rebeck, Richard Bean, Lucas Hnath, James Graham, Jez Butterworth, Lee Hall and Aaron Sorkin, among others.

A handful of major musicals having out-of-town tryouts will be bouncing to Broadway berths this season or next. Those include stage adaptations of the movies Beetlejuice and Moulin Rouge!; Jagged Little Pill, which takes its score and its thematic cue from the chart-topping 1995 Alanis Morissette album and features a book by Diablo Cody; Ain't Too Proud, a bio-musical tracing the rise of Motown superstars The Temptations; and the Tina Turner bio titled — what else? — Tina, a smash in London's West End, headlining a breakout performance from Adrienne Warren.

Shows expected to make the crossing from London and now in the mix for the 2019-20 season include Matthew Lopez's acclaimed two-part epic on gay love after the AIDS crisis, The Inheritance, directed by Stephen Daldry; and the gender-flipped revival of Stephen Sondheim and George Furth's Company, starring Rosalie Craig and featuring Broadway royalty Patti LuPone. Pundits also are watching to see if Conor McPherson's Girl From the North Country, a Depression-era drama set to the songs of Bob Dylan, which was a hit both in London and in its sold-out, extended U.S. premiere at the Public Theater, will confirm a long-rumored uptown move.

In the meantime, The Hollywood Reporter provides a complete roundup below, with reviews and production images of all the contenders for 2019 Tony Awards, including those that figure in the nominations and those that were shut out.

• The Boys in the Band

  Booth Theatre

  

  Mart Crowley's landmark 1968 comedy-drama about a birthday party attended by a group of pre-Stonewall gay New Yorkers has long been a divisive work in the LGBT canon, celebrated by many for representing queer lives at a time of minimal cultural visibility, and slammed by others for perpetuating the stereotype of the bitchy, self-loathing drama queen. Joe Mantello's stylish production blows the dust off a history piece still surging with wit, vitality and a restorative sense of outsiders surviving through the lifeforce of community, making the play relevant at a time when hard-won rights could all too easily be lost again. In what might have been a mere marketing gimmick but ends up as a powerful political statement, the starry ensemble is populated exclusively by out gay men, led by Jim Parsons, Zachary Quinto, Matt Bomer and Andrew Rannells.

  Previews: April 30
  Opens: May 31
  Closed: Aug. 11

• Straight White Men

  Hayes Theatre

  

  Armie Hammer, Josh Charles and Paul Schneider make their Broadway debuts in this dark identity comedy by Young Jean Lee, marking the first work by an Asian-American female playwright to be produced on Broadway. Anna D. Shapiro, a Tony winner for August: Osage County, directs the encounter of three adult brothers who gather at the home of their widowed father, played by Stephen Payne, to spend Christmas Eve, their celebrations taking a troubled turn when one of them reveals his refusal to conform to expectations. Second Stage produces the play, which was previously seen in an acclaimed 2014 run at the Public Theater, with a different cast directed by Lee.

  Previews: June 30
  Opening: July 23
  Closed: Sept. 9

• Head Over Heels

  Hudson Theatre

  

  The Go-Go's and a 17th century romance? That's the marriage cooked up by original book writer Jeff Whitty (Avenue Q), adapter James Magruder and director Michael Mayer, whose Broadway musical credits have included Hedwig and the Angry Inch, American Idiot and Spring Awakening, which won him a Tony Award in 2007. Based on Philip Sidney's prose poem The Arcadia, the musical unfolds in a kingdom ruled by a divine "beat," which is threatened by an oracle's dark prophecy, propelling the royal family through a journey of mistaken identities, secret trysts and sexual awakenings. Spencer Liff serves as choreographer, with music supervisor Tom Kitt retooling such hits as "We Got the Beat," "Vacation," "Our Lips Are Sealed" and Belinda Carlisle's "Heaven Is a Place on Earth." Gwyneth Paltrow is a producer on the show, which debuted in 2015 at the Oregon Shakespeare Festival.

  Previews: June 23
  Opening: July 26
  Closed: Jan. 6
• Gettin' the Band Back Together

  Belasco Theatre

  

  John Rando, a Tony winner for Urinetown, directs this original musical about Mitch Papadopolous, who put his dreams of being the next Bon Jovi on hold for the security of a high-paying job as a banker, only to get pink-slipped on his 40th birthday, forcing him to move back in with his mom in Sayreville, New Jersey. But when his former high school nemesis threatens to foreclose on their house, he reassembles his old musician buddies to compete in a Battle of the Bands. The feel-good show features music and lyrics by newcomer Mark Allen and a book by producer Ken Davenport and writer-performer group The Grundleshotz. It stars Mitchell Jarvis, Jay Klaitz, Manu Narayan, Paul Whitty and Sawyer Nunes as Mitch and his fellow members of Juggernaut, with Marilu Henner as Mitch's mom.

  Previews: July 19
  Opening: Aug. 13
  Closed: Sept. 16

• Pretty Woman: The Musical

  Nederlander Theatre

  

  The blockbuster 1990 romantic comedy about a Hollywood Boulevard hooker who gets rescued by a New York corporate raider and then turns around and rescues him right back made a star of Julia Roberts and pumped fresh blood into Richard Gere's career. The Cinderella update now becomes a stage musical about self-discovery starring Samantha Barks and Andy Karl, with an original score by Bryan Adams and his longtime songwriting partner Jim Vallance. The book is by Garry Marshall and J.F. Lawton — director and screenwriter of the movie, respectively — with director-choreographer Jerry Mitchell (Kinky Boots) shepherding a cast that also includes Orfeh, Eric Anderson, Jason Danieley and Ezra Knight.

  Previews: July 20
  Opening: Aug. 16

• Bernhardt/Hamlet

  American Airlines Theatre

  

  The mighty Janet McTeer, who won a 1997 lead actress Tony Award for A Doll's House, takes on the role of legendary classical stage performer Sarah Bernhardt in this new play by Theresa Rebeck, also starring Dylan Baker and Jason Butler Harner. Blending high comedy with human drama and contemporary feminist perspective, it chronicles Bernhardt's determined efforts to conquer the most ambitious role of her celebrated career, Shakespeare's Hamlet, in a lavish production that played Paris and London in 1899. Director Moritz von Steulpnagel's track record with subversive comedy (Hand to God) and farcical high jinks (Present Laughter) suggests an irreverent take on theater history. The cast also includes Matthew Saldivar, Nick Westrate, Tony Carlin, Ito Aghayere, Brittany Bradford, Aaron Costa Ganis and Triney Sandoval.

  Previews: Sept. 1
  Opening: Sept. 25
  Closed: Nov.18
• The Nap

  Samuel J. Friedman Theatre

  

  English playwright Richard Bean made a gut-busting Broadway debut in 2012 with One Man, Two Guvnors, his riotous take on Carlo Goldoni's The Servant of Two Masters, which earned a Tony for lead actor James Corden. Bean returns with this comedy thriller that debuted to positive response in 2016 in Sheffield, home of the annual World Snooker Championship. (That's a variation on pool to Americans.) It centers on a local snooker ace and his verbally challenged ex-con father, forced into various underhanded dealings to avoid charges of match fixing in a tournament that unfolds live on stage. In the U.S. premiere directed by Daniel Sullivan, those roles will be played by Ben Schnetzer and John Ellison Conlee, respectively, with a cast that also features Alexandra Billings, Johanna Day, Heather Lind, Max Gordon Moore, Bhavesh Patel, Thomas Jay Ryan and current 2018 U.S. National Snooker Champion Ahmed Aly Elsayed.

  Previews: Sept. 5
  Opening: Sept. 27
  Closed: Nov. 11

• The Lifespan of a Fact

  Studio 54

  

  A frequent presence on Broadway since winding down his Harry Potter duties, Daniel Radcliffe returns in his fourth production, starring alongside Cherry Jones and Bobby Cannavale in this unclassifiable world premiere based on the best-selling 2012 book by John D'Agata and Jim Fingal, which explores the blurred lines of what passes for truth in literary nonfiction. Cannavale plays D'Agata, a journalist commissioned by Harper's Magazine to write a piece about a teen suicide in Las Vegas, which was pulled from publication after factual errors came to light. Radcliffe plays magazine staffer Fingal, with Jones as the editor who assigns him to fact-check the story, triggering a seven-year correspondence with the writer before the essay was finally published. Leigh Silverman directs the play, which was adapted for the stage by Jeremy Kareken, David Murrell and Gordon Farrell, all three Broadway newcomers.

  Previews: Sept. 20
  Opening: Oct. 18
  Closed: Jan. 13

• The Ferryman

  Bernard B. Jacobs Theatre

  

  The 2018 Olivier Award winner for best new play, this latest modern pastoral from Jez Butterworth, author of Jerusalem, is a populous ensemble piece set in rural Northern Ireland in 1981, during the worst of The Troubles. An unexpected visitor disturbs the more routine chaos of Quinn Carney and his abundant brood when he arrives at the family's farmhouse during the autumn grain harvest. Sam Mendes also won an Olivier for his direction, as did lead actress Laura Donnelly, who accompanies the transfer with fellow original leads Paddy Considine and Genevieve O'Reilly, as well as several other veterans of the London company.

  Previews: Oct. 2
  Opening: Oct. 21
• The Waverly Gallery

  John Golden Theatre

  

  The earlier works of Kenneth Lonergan, a 2017 Oscar winner for Manchester By the Sea, have been making welcome returns on Broadway of late, starting in 2014 with This Is Our Youth and continuing last season with Lobby Hero, which marked Chris Evans' Broadway debut. Comedy legend Elaine May returns to Broadway after an absence of more than 50 years as the spirited Greenwich Village art gallery owner battling Alzheimer's in this memory play from 2000, which also stars Lonergan stage regular Michael Cera, Manchester discovery Lucas Hedges and distinguished stage vet Joan Allen. Lila Neugebauer, who has turned heads with her striking off-Broadway productions of The Wolves and Edward Albee's At Home at the Zoo, undertakes her first Broadway assignment with the humorous and poignant account of a family coming together in a time of crisis.

  Previews: Sept. 25
  Opening: Oct. 25
  Closed: Jan. 27

• Torch Song

  Hayes Theatre

  

  The landmark play that put Harvey Fierstein on the map returns in this revival first seen off-Broadway in late 2017. Michael Urie takes on the role originated by Fierstein — back when the serio-comedy was called Torch Song Trilogy and won 1983 Tony Awards for best play and best actor — of Arnold Beckoff, a love-starved gay New York drag performer navigating the highs and heartbreaks of relationships in an era long before marriage equality. The entire cast of Moises Kaufman's production will reassemble for the transfer, including Mercedes Ruehl as Arnold's domineering mother and Ward Horton as the handsome schoolteacher he helps nudge out of the closet.

  Previews: Oct. 9
  Opening: Nov. 1
  Closed: Jan. 6

• American Son

  Booth Theatre

  

  For her first major role since wrapping seven seasons as Olivia Pope on ABC's Scandal, Kerry Washington stars as a desperate mother who turns up at a Florida cop station in the middle of the night searching for her missing 18-year-old biracial son in emerging playwright Christopher Demos-Brown's intense four-character drama. Steven Pasquale plays her estranged husband, an FBI agent whose law-enforcement credentials fail to impress the tough black Miami-Dade County police lieutenant played by Eugene Lee. Jeremy Jordan completes the cast as the rookie desk officer on night duty, marking the Tony-nominated Newsies star's first nonmusical role on Broadway. Kenny Leon, a 2014 Tony winner for the revival of A Raisin in the Sun with Denzel Washington, will direct the searing account of parents dealing with their worst fears while caught up in our national racial divide.

  Previews: Oct. 6
  Opening: Nov. 4
  Closed: Jan. 27
• King Kong

  Broadway Theatre

  

  This musical spectacular — retelling the classic 1932 tale of the giant ape enchanted by an actress, transported to Manhattan and tragically killed at the top of the Empire State Building — comes to New York after five years of further development since its 2013 premiere in Melbourne, Australia. Backed by Global Creatures, the Sydney-based company behind the international arena smash Walking With Dinosaurs, the $36.5 million production features a 20-foot animatronic gorilla, with Christiani Pitts as Ann Darrow, the actress who captures the beast's heart. Playwright Jack Thorne, hot off his Tony win for Harry Potter and the Cursed Child, pens the latest version of the book, with songs by Australian musician Eddie Perfect, music by British composer Marius de Vries and direction and choreography by Drew McOnie. The long-gestating project has passed through the hands of various creative teams en route to this final iteration, making it perhaps the biggest gamble on Broadway since Spider-Man: Turn Off the Dark.

  Previews: Oct. 5
  Opening: Nov. 8

• Mike Birbiglia's The New One

  Cort Theatre

  

  The acclaimed comedic monologist moves uptown to make his Broadway debut with this latest one-man show, following its sellout off-Broadway premiere over the summer. The whip-smart observational skills that were honed in Birbiglia pieces like Sleepwalk With Me, Thank God for Jokes and My Girlfriend's Boyfriend this time are trained on his own reluctant passage from arrested youth to fatherhood and responsibility. "My goal is to make as many people laugh as possible and ideally several hundred will cry," says Birbiglia. The nine-week limited engagement is staged by the writer-performer's longtime directing collaborator, Seth Barrish. 

  Previews: Oct. 25
  Opens: Nov. 11
  Closed: Jan. 20

• The Prom

  Longacre Theatre

  

  Director-choreographer Casey Nicholaw, a Tony winner for The Book of Mormon, brings his customary razzle-dazzle to an ensemble led by Brooks Ashmanskas, Beth Leavel, Christopher Sieber and Michael Potts in this original musical comedy with a book by Bob Martin (The Drowsy Chaperone) and lyricist Chad Beguelin (Aladdin) and music by Matthew Sklar (Elf). Described as a joyous celebration of the power of love and change, the show premiered to rave reviews at the Alliance Theatre in Atlanta; it tracks the big noise that ensues when brassy Broadway stars take up the cause of a high-school student prevented from bringing her girlfriend to their small-town Indiana prom.

  Previews: Oct. 23
  Opening: Nov. 15
• The Cher Show

  Neil Simon Theatre

  

  Cher and Cher alike. Three actresses — Stephanie J. Block, Teal Wicks and Micaela Diamond — play the queen of a thousand farewell tours at different ages in this latest Broadway bio-musical. Rick Elice, who spawned a massive hit with another jukebox show, Jersey Boys, pens the book, with Jason Moore (Avenue Q on stage, Pitch Perfect on screen) directing and choreographer Christopher Gattelli in charge of reinterpreting the period dance moves. The musical traces Cher's life and 50-plus years in showbiz, from early hits like her duet with first husband Sonny Bono, "I Got You Babe," through her chart-topping comeback with "Believe," her movie successes and beyond. Legendary costumer Bob Mackie plays a key role both onstage and off, appearing as a character while also designing the eye-popping array of outrageous outfits that made Cher such a fearless red-carpet trailblazer.

  Previews: Nov. 1
  Opening: Dec. 3

• Network

  Belasco Theater

  

  After winning an Olivier Award in London for playing Howard Beale, the "mad prophet of the airwaves," Bryan Cranston will reprise the role in his return to Broadway following his Tony win in 2014 for All the Way. Ivo van Hove directs Lee Hall's stage adaptation of Paddy Chayefsky's Oscar-winning screenplay for the 1976 Sidney Lumet film, a scathingly prescient satire on television's unscrupulous hunger for ratings and the disappearing lines separating news from entertainment. Tatiana Maslany will make her Broadway debut as ambitious head of programming Diana Christensen, the part originated by Faye Dunaway on screen, while Tony Goldwyn plays the William Holden role of news division president and old-school journalist Max Schumacher. Unhinged anchors and factually questionable news colliding with trainwreck reality television now seem the perfect reflection of Trump's America.

  Previews: Nov. 10
  Opens: Dec. 6

• To Kill a Mockingbird

  Shubert Theatre

  

  Now that the legal dispute with the Harper Lee estate has been resolved, Aaron Sorkin's new stage adaptation of the author's classic 1960 novel about ingrained racism in 1930s Alabama is back on track. Tony winner Bartlett Sher, who has brought impeccable nuance both to musicals (South Pacific, The King and I) and plays (Joe Turner's Come and Gone, Awake and Sing!) directs a cast headed by Jeff Daniels as principled small-town Alabama lawyer Atticus Finch, with Celia Keenan-Bolger as his daughter Scout, Will Pullen as her brother Jem and Gideon Glick as their visiting friend Dill. The large ensemble also includes LaTanya Richardson Jackson, Gbenga Akinnagbe, Dakin Matthews, Frederick Weller, Stark Sands, Erin Wilhelmi and Phyllis Somerville.

  Previews: Nov. 1
  Opening: Dec. 13
• Choir Boy

  Samuel J. Friedman Theatre

  

  MacArthur "Genius" Grant recipient Tarell Alvin McCraney, who shared an adapted screenplay Oscar with director Barry Jenkins for Moonlight in 2017, makes his Broadway debut with this coming-of-age drama from 2012, which examines the combustible tensions that rip through a prestigious prep school for African-American boys when a gay youth is appointed leader of its gospel choir. Chuck Cooper, Austin Pendleton, Nicholas L. Ashe and gifted newcomer Jeremy Pope reprise their key roles from director Trip Cullman's critically lauded 2013 off-Broadway production of this stirring play about oppression and repression, graced by heavenly music. The cast also includes Daniel Bellomy, Jonathan Burke, Gerald Caesar, John Clay III, Caleb Eberhardt, Marcus Gladney and J. Quinton Johnson.

  Previews: Dec. 12
  Opening: Jan. 8
  Closed: March 10

• True West

  American Airlines Theatre

  

  Ethan Hawke and Paul Dano face off as the brothers who come together after a five-year estrangement in Sam Shepard's classic 1980 drama of sibling rivalry, unfolding against a mythic American landscape suspended between the California desert frontier and the seductive dream factory of Hollywood. The play has been a vehicle for a number of powerhouse actors since its premiere, among them John Malkovich, Gary Sinise, Peter Coyote, Tommy Lee Jones, Mark Rylance, Philip Seymour Hoffman and John C. Reilly, the latter two famously alternating roles in a 2000 Broadway production. This revival is staged by Brit director James Macdonald, who drew acclaim last season with his production of Lucy Kirkwood's The Children.

  Previews: Dec. 27
  Opening: Jan. 24
  Closed: March 17

• Be More Chill

  Lyceum Theatre

  

  A social media teen sensation even before its off-Broadway premiere, this fast and funny musical adaptation of Ned Vizzini’s young adult novel premiered off the radar at New Jersey’s Two River Theater in 2015. But it went on to find sleeper cult success via an original cast recording that has since been streamed more than 150 million times. Joe Iconis wrote the music and lyrics and Joe Tracz adapted the book for the show, which revolves around a sad sack high school junior (Will Roland, from Dear Evan Hansen) who suddenly acquires the cool popularity he has always desired when he ingests a pill-size supercomputer called “The Squip” (played by Jason Tam). Stephen Brackett directs, with choreography by Chase Brock.

  Previews: Feb. 13
  Opens: March 10
• Kiss Me, Kate

  Studio 54

  

  Kelli O'Hara and Will Chase lead this revival of the perennially popular show with a score by Cole Porter and book by Sam and Bella Spewack, which has the distinction of being the first-ever winner of the Tony Award for best musical in 1949. O'Hara, a 2015 Tony winner for The King and I, plays temperamental movie star Lilli Vanessi with Chase as her egotistical director-producer ex-husband Fred Graham, who lures her into starring as Kate to his Petruchio in Shakespeare's The Taming of the Shrew. The production reunites director Scott Ellis and choreographer Warren Carlyle, who collaborated on revivals of She Loves Me, On the Twentieth Century and The Mystery of Edwin Drood. The musical features such Porter standards as "Too Darn Hot," "So in Love," "Always True to You in My Fashion" and "From This Moment On."

  Previews: Feb. 14
  Opening: March 14

• Ain't Too Proud — The Life and Times of the Temptations

  Imperial Theatre

  

  Director Des McAnuff knows his way around bio-musicals celebrating the lives and careers of popular recording artists. He had a long-running hit with Jersey Boys, about Frankie Valli and the Four Seasons, and in spring 2018 he brought Summer: The Donna Summer Musical to Broadway. His new show charts the rise of Motown R&B vocal superstars The Temptations, who parlayed their signature dance moves and heavenly harmonies into 42 top 10 hits. Acclaimed playwright Dominique Morisseau, whose dramas have explored the gritty reality of her native Detroit, penned the book for the musical, which traces the storied group's rise from the Motortown streets to the Rock and Roll Hall of Fame. The show includes such hits as "My Girl," "Just My Imagination," "Get Ready," "Papa Was a Rolling Stone" and "Ball of Confusion."

  Previews: Feb. 28
  Opens: March 21

• What the Constitution Means to Me

  Helen Hayes Theatre

  

  The surprise sensation of the fall in its frequently extended off-Broadway premiere run, writer-performer Heidi Schreck’s political play proved a magnet for boldface names, from the Clintons through Jake Gyllenhaal and Sally Field to Gloria Steinem and Tony Kushner, among many others. The three-person think piece revisits Schreck’s teenage experience as a competitor on the American Legion debate circuit, dissecting the document that frames our country’s government and collecting prize money to fund her college tuition. If that sounds dry and academic, don’t be deceived. This is a uniquely personal work that’s trenchant, timely, funny and unexpectedly moving, exploring the Constitution’s real-life impact on the women in Schreck’s family, going back generations, and by extension on women’s rights past, present and future.

  Previews: March 14
  Opens: March 31
• King Lear

  Cort Theatre

  

  "Blow, winds, and crack your cheeks! Rage, blow!" Most octogenarians are thinking about retirement, catching up on reading, bingeing quality TV, maybe a little light gardening. Not Glenda Jackson. Last season, she returned to Broadway after a 30-year absence and translated her fifth Tony nomination into a long-overdue win for lead actress with her thrillingly inhabited performance as the dying protagonist of Edward Albee's Three Tall Women. The English acting royalty and two-time Oscar winner will be back in the spring to take a second gender-blind bite out of the monumental role of Shakespeare's tragic monarch, which she first tackled to enormous acclaim in 2016 at London's Old Vic. That project marked Jackson's return to the stage after 23 years as a member of Parliament for Britain's Labour Party. The Broadway revival will be an entirely new production, directed by Sam Gold, with an original score by Philip Glass and an ensemble cast that features Ruth Wilson, Elizabeth Marvel, Aisling O'Sullivan, Pedro Pascal, Jayne Houdyshell and John Douglas Thompson.

  Previews: Feb. 28
  Opening: April 4

• Oklahoma!

  Circle in the Square

  

  One of the most polarizing productions of the fall in its short, instantly sold-out run, director Daniel Fish's radically stripped-down reimagining of the classic 1943 Rodgers and Hammerstein musical draws out the dark ambiguities at the heart of this story of the American West. The transfer's choice of an in-the-round venue allows for a similar immersive staging to the show's presentation at St. Ann's Warehouse in Brooklyn. Returning cast from that engagement include Rebecca Naomi Jones, Damon Daunno, Mary Testa, Patrick Vaill and Ali Stroker, with Will Brill joining the company on Broadway.

  Previews: March 19
  Opens: April 7

• Burn This

  Hudson Theatre

  

  Fresh off six seasons of knockout work on The Americans, Keri Russell makes her Broadway debut starring opposite Adam Driver — who's been busy since his last New York stage stint with everything from Girls to the Star Wars sequel trilogy to Spike Lee's BlacKkKlansman — in Lanford Wilson's celebrated four-character drama. The smoldering story of love and raw attraction, set in gritty 1980s New York, centers on the combustible connection between two strangers brought together by an untimely death. Michael Mayer directs an ensemble rounded out by Tony nominees David Furr and Brandon Uranowitz.

  Previews: March 15
  Opens: April 16
• Hadestown

  Walter Kerr Theatre

  

  Anais Mitchell's folk-operatic retelling of the Orpheus and Eurydice myth first drew acclaim as a 2010 concept album spun out of a Vermont regional theater production. The show has been evolving, and growing a cult following, ever since in a production from innovative director Rachel Chavkin (Natasha, Pierre & the Great Comet of 1812) first seen at off-Broadway's New York Theater Workshop in 2016, then in Canada and at London's National Theatre. The latest cast is headed by Reeve Carney, Eva Noblezada, Patrick Page, Amber Gray and Andre De Shields, most of whom are expected to reprise their roles on Broadway.

  Previews: March 22
  Opens: April 17

• Hillary and Clinton

  John Golden Theatre

  

  Laurie Metcalf won back-to-back Tony Awards in the past two seasons, working with playwright Lucas Hnath on A Doll's House, Part 2 and director Joe Mantello on Edward Albee's Three Tall Women. She reunites with both, while partnering with co-star John Lithgow to play imagined versions of Hillary and Bill Clinton in Hnath's behind-the-scenes dramatization of a pivotal moment in both a political campaign and an enduring marriage. The play is set during the 2008 Democratic primaries, when HRC's opponent, Barack Obama, was gaining ground. The latter is played here by Peter Francis James, with Zak Orth as Clinton campaign manager Mark Penn.

  Previews: March 16
  Opens: April 18

• Gary: A Sequel to Titus Andronicus

  Booth Theatre

  

  The eagerly anticipated Broadway debut of visionary theater artist and MacArthur “Genius” Grant recipient Taylor Mac, whose kaleidoscopic marathon of American cultural events, A 24-Decade History of Popular Music, has drawn ecstatic reviews across the country and internationally. Treasured Broadway veterans Nathan Lane and Kristine Nielsen play lowly servants during the fall of the Roman Empire, charged with cleaning up the corpses of a country ravaged by civil war and now in the hands of madmen. Nielsen stepped up into the role originally announced for Andrea Martin after the latter sustained an injury during rehearsals, breaking four ribs. Tony winner Julie White (The Little Dog Laughed) joined the cast in the role initially slated for Nielsen, playing a midwife found among the casualties on the verge of death. Five-time Tony Award winner George C. Wolfe directs this darkly funny, highly political response to Shakespeare’s bloodiest tragedy, which features original music by Danny Elfman.

  Previews: March 11
  Opens: April 21
• All My Sons

  American Airlines Theatre

  

  Annette Bening returns to Broadway for the first time in 30 years, starring opposite Tracy Letts in Arthur Miller’s searing 1947 drama, which examines questions of morality and ethics through the prism of an American family struggling to remain intact as damning secrets emerge in the years following World War II. Bening will play Kate Keller, with Letts as her husband Joe, a self-made businessman gradually forced to deal with his grief and guilt after letting his partner take the fall for selling defective airline parts to the government during the war. Three-time Tony winner Jack O'Brien will direct an ensemble that also includes Benjamin Walker and Michael Hayden.

  Previews: April 4
  Opens: April 22

• Tootsie

  Marquis Theatre

  

  Broadway veteran and Crazy Ex-Girlfriend regular Santino Fontana steps into the shoes of Dustin Hoffman’s famous screen role, as struggling New York actor Michael Dorsey and Dorothy Michaels, the female persona he invents in his desperation to land a job. In the movie, Dorothy scored a breakout part on a daytime hospital soap, but in the meta twist of this new version she takes Broadway by storm. Scott Ellis will direct the stage musical based on the classic 1982 Sydney Pollack comedy, which features a book by Robert Horn and an original score by David Yazbek, fresh off his Tony win for The Band’s Visit. The cast also includes Lilli Cooper, Sarah Stiles, John Behlmann, Andy Grotelueschen, Julie Halston and Reg Rogers.

  Previews: March 29
  Opens: April 23

• Ink

  Samuel J. Friedman Theatre

  

  A smash hit in London, James Graham's rollicking depiction of the young Rupert Murdoch's initial assault on Fleet Street crosses the Atlantic in director Rupert Goold's hyper-kinetic production. The play chronicles the brash Australian media tycoon's first foray into British newspapers in 1969, when he banded with rogue editor Larry Lamb and a team of cynical reporters to make over failing broadsheet The Sun into a must-read daily tabloid with an unapologetically trashy popular bent. Bertie Carvel reprises his Olivier Award-winning performance as Murdoch in the New York transfer, starring opposite Jonny Lee Miller as Lamb, with an ensemble that includes David Wilson Barnes, Colin McPhillamy, Michael Siberry and Robert Stanton.

  Previews: April 2
  Opening: April 24
• Beetlejuice

  Winter Garden Theatre

  

  The classic Tim Burton supernatural comedy becomes a stage musical courtesy of writers Scott Brown and Anthony King and Australian composer Eddie Perfect, who also is represented on Broadway this season with King Kong. Stepping into the shoes of Michael Keaton’s degenerate demon and “bio-exorcist” is Alex Brightman, best known for his star-making turn in Andrew Lloyd Webber’s School of Rock. Sophia Anne Caruso, a standout in the David Bowie alt-musical Lazarus, will play morbidly obsessed Goth teen Lydia Deetz, the part originated on screen by Winona Ryder. Kerry Butler, Rob McClure, Adam Dannheisser, Leslie Kritzer, Jill Abramovitz, Danny Rutigliano and Kelvin Moon Loh round out the principal cast, with direction by Alex Timbers and choreography by Connor Gallagher.

  Previews: March
  Opens: April 25