MPSE Golden Reel Awards: 'Baby Driver,' 'Dunkirk' Among Sound Editors' Nominees

Each received a trio of noms in the feature categories, along with 'Blade Runner 2049' and 'The Shape of Water.'

Baby Driver, Blade Runner 2049, Dunkirk and The Shape of Water lead the feature nominations for the 65th Motion Picture Sound Editors (MPSE) Golden Reel Awards, which will be presented Feb. 18 at the Westin Bonaventure Hotel in Los Angeles.

Members of the sound editing teams on all four films were nominated in the feature categories for music score, dialogue/ADR and effects/foley. All four films are also nominated for the BAFTA for sound, alongside Star Wars: The Last Jedi, which earned one MPSE nomination, for effects/foley.

Nominated for two Golden Reel awards apiece in the feature categories are Coco (animated feature and musical) and War for the Planet of the Apes (dialogue/ADR and effects/foley).

During the ceremony, Kathryn Bigelow will receive the Filmmaker Award and John P. Fasal will be presented the Career Achievement Award.

A complete list of nominees follows.

Outstanding Achievement in Sound Editing – Feature Animation

Cars 3 (Disney)
Sound Designer: Thomas Myers
Supervising Dialogue Editor: Brian Chumney
Sound Effects Editors: EJ Holowicki, Benjamin A. Burtt
ADR Editor: Michael Silvers
Audio Artist: Anthony Defrancesco
Foley Editor: Qianbahui Yang, MPSE
Music Editor: Joe E. Rand
Foley Artists: Jana Vance, Dennie Thorpe, Geoff Vaughan
Foley Editor: Terry Eckton

Coco (Disney)
Supervising Sound Editor: J.R. Grubbs
Sound Designer: Chris Boyes
Dialogue Editors: Marshall Winn, Michael Silvers
Sound Effects Editors: Michael Silvers, Justin Doyle, Jack Whittaker
Foley Editors: Terry Eckton, Dee Selby
Foley Artists: Jana Vance, Dennie Thorpe, Geoff Vaughan

Despicable Me 3 (NBC/Universal)
Supervising Sound Editor: Dennis Leonard
Sound Designer: Tim Nielsen
Dialogue Editor: Matthew Hartman
Sound Effects Editors: Mac Smith, Andre J.H. Zweers
Foley Editors: Christopher Flick, Richard Gould
Foley Artists: John Roesch, Shelley Roden
Music Editor: Slamm Andrews

Ferdinand (20th Century Fox)
Supervising Sound Editors: Randy Thom, MPSE, Gwendoyn Whittle, MPSE
Supervising Dialogue Editor: Dmitri Makarov
Sound Designer: Jeremy Bowker
Sound Effects Editors: Leff Lefferts, Pascal Garneau, Devon Kelly, Christopher Barnett, EJ Holowicki
Foley Editors: E. Larry Oatfield, Chris Manning, Qianbaihui Yang, MPSE
ADR Editors: Jamie Branquinho, Will Ralston
Music Editor: Tom Carlson
Foley Artists: John Roesch, Shelley Roden, Scott Curtis  The Breadwinner (GKIDS)
Supervising Sound Editors: J.R. Fountain, Nelson Ferreira
Sound Effects Editors: Dashen Naidoo, Tyler Whitham
Foley Artist: John Elliot
Foley Editor: Kevin Schultz
Music Editor: Erich Stratmann

The Lego Batman Movie (Warner Brothers)
Supervising Sound Editor: Wayne Pashley, MPSE
Supervising Dialogue Editor: Rick Lisle
Sound Effects Editors: Fabian Sanjurjo, Andrew Miller, Mario Gabrieli, Jared Dwyer, Emma Mitchell, Nigel Christensen, Terry Rodman, Christopher S. Aud, MPSE, F. Hudson Miller, MPSE, Beth Bezzina
Dialogue Editors: Sonal Joshi, Derryn Pasquill, Linda Yeaney
Foley Artist: John Simpson, MPSE
Music Editor: Will Kaplan
Outstanding Achievement in Sound Editing – Feature Documentary

An Inconvenient Sequel: Truth to Power (Paramount)
Sound Designer: Kent Sparling
Sound Effects Editors: Zach Martin
Dialogue Editor: Gwendolyn Yates Whittle, MPSE
Foley Editor: Andrea Gard Foley Artist: Andrea Gard

Bill Nye: Science Guy (PBS)
Supervising Sound Editor: Peter Albrechtsen, MPSE
Sound Design: Peter Albrechtsen, MPSE
Sound Effects Editor: Morton Groth Brandt
Dialogue Editor: Jacques Pedersen
Foley Editor: Pietu Korhonen
Foley Artist: Heikki Hossi, MPSE

Eric Clapton: Life in 12 Bars (Showtime)
Supervising Sound Editors: Andy Shelley, Steven Griffiths
Dialogue Editor: Justin Dolby
Foley Editor: Keith Partridge
Foley Artist: Barnaby Smyth

Hell on Earth: The Fall of Syria and the Rise of ISIS (National Geographic)
Supervising Sound Editor: Mary Ellen Porto, MPSE
Dialogue Editor: Michael Suarez
Foley Editor: Rachel Chancey

Icarus (Netflix)
Supervising Sound Editors: E.J. Holowicki, Chris Barnett
Supervising Music Editor: Adam Peters
Music Editor: Mikael Sandgren

In Pursuit of Silence (The Cinema Guild)
Supervising Sound Editor: Steve Bissinger
Sound Designer: Steve Bissinger
Dialogue Editor: Shaun Farley, MPSE
Sound Effects Editor: Zach Martin

Jane (National Geographic)
Supervising Sound Editors: Warren Shaw, Joshua Jackson
Sound Designers: Peter Staubli, MPSE, Odin Benitez, MPSE
Dialogue Editor: Will Digby
Foley Artist: Tara Blume
Music Editor: Suzana Peric  

Score: A Film Music Documentary (Gravitas Ventures)
Supervising Sound Editors: Kari Barber, MPSE, Peter Bawiec, MPSE
Sound Effects Editor: Kari Barber, MPSE
Dialogue Editor: Peter Bawiec, MPSE
Foley Editor: Kari Barber, MPSE
Music Editor: Peter Bawiec, MPSE
Outstanding Achievement in Sound Editing – Foreign Language Feature

BPM (Beats Per Minute) (The Orchard)
Supervising Sound Editor: Valerie Deloof
Sound Effects Editors: Maia Szymczak, Atoine Bertucci
Dialogue Editor: Agnes Ravez
Foley Artists: Pascal Chauvin, Franck Tassel

First They Killed My Father (Netflix)
Supervising Sound Editors: Glenn Freemantle, Ben Barker
Supervising Dialogue Editor: Sven Taits
Sound Designers: Glenn Freemantle, Ben Barker
Sound Effects Editors: Danny Freemantle, Rob Malone, Eilam Hoffman
ADR Editors: Rob Chen, Jens Peterson
Foley Editors: Lilly Blazewicz, Nicholas Freemantle
Foley Artists: Peter Burgiss, Jason Swanscott

The Happiest Day in the Life of Olli Maki (MUBI)
Supervising Sound Editor: Pietu Korhonen
Sound Effects Editors: Peter Albrechtsen, MPSE, Erik Bjerknes
Foley Editor: Heikki Kossi, MPSE
Foley Artist: Heikki Kossi, MPSE

Loveless (Sony)
Pictures Classics Supervising Sound Editor: Andrey Dergachev
Dialogue Editor: Alexey Kuznetsov
Sound Effects Editors: Alexey Kobzar, Sofia Matrosova
Foley Editors: Elena Starikova, Ruslan Khuseyn, Dmitriy Zuev Foley Artist: Natalia Zueva

Thelma (The Orchard)
Sound Designers: Gisle Tveito, Fredric Vogel, Peter Albrechtsen, MPSE
Sound Effects Editors: Ingar Asdahl, Therese Næss Diesen, Peder Hammerborg
Foley Editor: Yvonne Stenberg Foley Artist: Roy Fenstad

Wolf Warrior 2 (Well Go USA Entertainment / H Collective)
Supervising Sound Editor: Hayden Collow
Supervising Dialogue Editor: Chris Ward
Dialogue Editor: Martin Kwok
Sound Effects Editors: Matt Stutter, Matt Lambourn, Brent Burge, Paul Pirola, Tom Scott-Toft Foley Editor: Craig Tomlinson Music Editor: Steve Gallagher Foley Artist: James Carroll
Outstanding Achievement in Sound Editing – Music Score

Baby Driver (Sony Pictures Entertainment)
Supervising Sound Editor: Julian Slater, MPSE
Music Editor: Bradley Farmer  

Blade Runner 2049 (Warner Brothers)
Supervising Music Editor: Clint Bennett
Music Editors: Ryan Rubin, Del Spiva   

Dunkirk (Warner Brothers)
Supervising Music Editor: Alex Gibson
Music Editors: Ryan Rubin, Chris Barrett   

King Arthur: Legend of the Sword (Warner Brothers)
Supervising Music Editor: Simon Changer
Music Editor: Ben Smithers   

The Lost City of Z (Amazon Studios)
Music Editor: Katherine Gordon Miller   

The Shape of Water (Fox Searchlight)
Music Editors: Cam McLauchlin, Rob Hegedus, Dustin Harris   

Transformers: The Last Knight (Paramount Pictures)
Supervising Music Editor: Alex Gibson
Music Editors: Jeannette Surga, Jason Ruder, Brian Lawson, Sam Zeines, Daniel DiPrima, Darryl Hall, Phillip Tallman, Dane Leon   

Wonder Woman (Warner Brothers)
Music Editors: Simon Changer, J.J. George, Christopher Benstead, Gerard McCann
Outstanding Achievement in Sound Editing – Musical

Beauty and the Beast (Disney)
Supervising Music Editor: Christopher Benstead
Music Editors: Robin Morrison, Chris Brooks
Scoring Editor: Robin Baynton

Coco (Disney)
Supervising Music Editor: Stephen Davis, MPSE
Music Editor: Warren Brown

The Greatest Showman (20th Century Fox)
Supervising Music Editor: Jen Monnar
Music Editors: Jim Harrison, Jeff Carson, Peter Myles, Sheri Ozeki
Outstanding Achievement in Sound Editing – Dialogue / ADR

Baby Driver (Sony Pictures)
Supervising Sound Editor: Julian Slater, MPSE
Supervising Dialogue Editor: Dan Morgan   

Blade Runner 2049 (Warner Brothers)
Supervising Sound Editor: Mark Mangini, MPSE
Supervising Dialogue Editor: Byron Wilson
Dialogue Editor: Michael Hertlein   

Darkest Hour (Focus Features)
Supervising Sound Editors: Becki Ponting, Craig Berkey
Dialogue Editor: Michael Marroussas   

Detroit (Annapurna Pictures)
Supervising Sound Editor: Paul N.J. Ottosson
Supervising ADR Editors: Daniel Saxlid, Laura Graham
Dialogue Editor: Robert Troy   

Dunkirk (Warner Brothers)
Supervising Sound Editor: Hugo Weng
Supervising ADR Editor: David Bach
ADR Editor: Russell Farmarco   

The Shape of Water (Fox Searchlight)
Supervising Sound Editor: Nathan Robitaille, MPSE
Supervising Dialogue Editor: Nelson Ferreira
Dialogue Editor: Jill Purdy, MPSE   

Three Billboards Outside of Ebbing, Missouri (Fox Searchlight)
Supervising Sound Editor: Joakim Sundstrom
Dialogue Editor: Matthew Skelding
ADR Editor: Brian Bowles   

War for the Planet of the Apes (20th Century Fox)
Supervising Sound Editors: Douglas Murray, MPSE, Will Files
Supervising Dialogue Editor: R.J. Kizer
Vocal Editors: Kim Foscato, P.K. Hooker, Doug Jackson, Lindsay Alvarez
ADR Editors: Laura Graham, Jim Brookshire
Outstanding Achievement in Sound Editing – Effects / Foley

Baby Driver (Sony Pictures)
Supervising Sound Editor: Julian Slater, MPSE
Sound Effects Editors: Jeremy Price, Martin Cantwell, Arthur Graley, Rown Watson
Foley Editor: Peter Hanson
Foley Artists: Zoe Freed, Peter Burgis   

Blade Runner 2049 (Warner Brothers)
Supervising Sound Editor: Mark Mangini, MPSE
Sound Designer: Theo Green
Sound Effects Editors: Chris Aud, MPSE, Lee Gilmore, MPSE, Greg ten Bosch, MPSE, Charlie Campagna, MPSE, Dave Whitehead, Eliot Connors, MPSE
Foley Editor: Ezra Dweck
Foley Artists: Goro Koyama, Andy Malcolm   

Dunkirk (Warner Brothers)
Supervising Sound Editor: Richard King, MPSE Sound Effects Editors: Michael Mitchell, Randy Torres Foley Editor: Michael Dressel Foley Artists: John Roesch, MPSE, Shelley Roden, MPSE   

Logan (20th Century Fox)
Supervising Sound Editor: Donald Sylvester
Sound Designers: Wayne Lemmer, Hamilton Sterling
Sound Effects Editor: Doug Jackson Foley Editors: Matthew Harrison, John Morris
Foley Artists: John T. Cucci, MPSE, Dan O'Connell   

Star Wars: The Last Jedi (Disney)
Supervising Sound Editors: Matthew Wood, Ren Klyce Sound Designer: Ren Klyce Assistant
Sound Designer: Steve Orlando
Foley Supervisor: Frank Rinella
Sound Effects Editors: Coya Elliot, Bonnie Wild, Jon Borland
Foley Editors: Kim Patrick, Dee Selby
Foley Artists: Ronni Brown, Margie O’Malley   

The Shape of Water (Fox Searchlight)
Supervising Sound Editor: Nathan Robitaille, MPSE
Sound Effects Editors: Tyler Whitham, Dashen Naidoo, Kevin Howard, MPSE, Alex Bullick
Foley Editor: Steve Bain
Foley Artists: Pete Persaud, Gina Gyles  

Thor: Ragnarok (Disney)
Supervising Sound Editors: Shannon Mills, Daniel Laurie
Sound Designers: David Farmer, Nia Hansen
Sound Effects Editors: David Chrastka, Steve Orlando, Jeremy Bowker, Samson Neslund
Foley Editors: Kimberly Patrick, Jacob Riehle
Foley Artists: John Roesch, MPSE, Shelley Roden, MPSE   

War for the Planet of the Apes (20th Century Fox)
Supervising Sound Editors: Douglas Murray, MPSE, Will Files
Sound Effects Editors: David Grimaldi, Jack Whittaker, MPSE, Ken McGill, P.K. Hooker, Doug Jackson, Lindsay Alvarez
Foley Editors: John Morris, Matthew Harrison, Thom Brennan, Willard Overstreet
Foley Artists: Dan O'Connell, John T. Cucci, MPSE
Episodic Shortform – Music/Musical

'Stranger Things'

Courtesy of Netflix

Stranger Things, "Chapter Eight: The Mind Flayer" (Netflix) (WINNER)
Music Editor: David Klotz   

Dark, “Dark Secrets” (Netflix)
Music Editor: Lewis Morison   

Game of Thrones, “Beyond the Wall” (HBO)
Music Editor: David Klotz   

Mr. Robot, "runtime-err0r.r00" (FX Networks)
Music Editor: Ben Zale   

The Get Down, "Unfold Your Own Myth" (Netflix)
Supervising Music Editor: Jamieson Shaw
Music Editor: Jordan Ross   

The Handmaid's Tale, "Offred" (MGM Television / HULU)
Supervising Music Editor: Yuri Gorbachow, MPSE
Music Editor: Lise Beauchesne   

The Leftovers, "It's a Matt, Matt, Matt, Matt World (HBO)
Supervising Music Editor: Amber Funk, MPSE   

Twin Peaks, "Part 8" (Showtime)
Sound Designer: David Lynch
Music and Sound Editor: Dean Huley
Outstanding Achievement in Sound Editing - Episodic Short Form – Dialogue/ADR

Feud, "And the Winner Is... (The Oscars of 1963)” (FX Networks)
Supervising Sound Editor: Gary Megregian, MPSE
Dialogue Editor: Lance Wiseman

Game of Thrones, "The Spoils of War" (HBO Supervising)
Sound Editor: Tim Kimmel, MPSE
Supervising Dialogue Editor: Paul Bercovitch
Supervising ADR Editor: Tim Hands, MPSE

Halt and Catch Fire, "So It Goes" (AMC Supervising)
Sound Editor: Sue Cahill
Supervising ADR Editor: Sara Benchivega
Dialogue Editor: Jane Boegel-Koch

Orange Is the New Black, "Storm-y Weather" (Netflix Supervising Sound Editor: John Kincade Dialogue Editor: Todd Niesan, MPSE   

Stranger Things, "Chapter Eight: The Mind Flayer" (Netflix)
Supervising Sound Editor: Bradley North, MPSE
Dialogue Editor: Tiffany Griffith
ADR Editor: Bradley North, MPSE   

The Crown, "Paterfamilias" (Netflix)
Supervising Sound Editor: Lee Walpole, MPSE
Supervising ADR Editor: Kallis Shamaris
Dialogue Editor: Iain Eyre   

The Handmaid's Tale, "Offred" (MGM Television / HULU)
Supervising Sound Editors: David McCallum, Jane Tattersall, MPSE
Supervising Dialogue Editor: David McCallum
Supervising ADR Editor: Dale Sheldrake
Dialogue Editor: Brent Picket   

Vikings, “Homeland” (History Channel)
Supervising Sound Editor: Jane Tattersall, MPSE
Supervising Dialogue Editor: David McCallum
Supervising ADR Editor: Dale Sheldrake
Dialogue Editor: Claire Dobson
Outstanding Achievement in Sound Editing - Episodic Short Form – Effects / Foley

Game of Thrones, "The Spoils of War" (HBO)
Supervising Sound Editor: Tim Kimmel, MPSE
Sound Designer: Paula Fairfield, MPSE
Sound Effects Editor: Bradley Katona, MPSE
Foley Editors: Brett Voss, MPSE, John Matter
Foley Artists: Jeff Wilhoit, MPSE, Dylan Tuomy-Wilhoit

Marvel's The Punisher, "Memento Mori" (Netflix)
Supervising Sound Editor: Lauren J. Stephens, MPSE
Sound Designer: Jordan Wilby
Sound Effects Editor: Jonathan Golodner
Foley Editor: Antony Zeller, MPSE
Foley Artists: Zane D. Bruce, Lindsay Pepper

Mr. Robot, "runtime-err0r.r00" (FX Networks)
Supervising Sound Editor: Kevin Buchholz
Sound Effects Editor: Dan Kremer
Foley Editors: Randy Guth, Alex Knickerbocker, Mike Marino
Sound Editors: Andrew Morgado, Adam DeCoster, Rene Garcia
Foley Artists: Dominique Decaudain-Tabach, Pamela Kahn, MPSE

Shooter, "The Dark End of the Street" (USA Network)
Supervising Sound Editor: Mark Relyea
Sound Designer: David Barbee, MPSE
Sound Effects Editor:Russell Gorsky, MPSE
Foley Artitst: Joseph T. Sabella, Damien Smith

Stranger Things, "Chapter Eight: The Mind Flayer" (Netflix)
Supervising Sound Editor: Bradley North, MPSE
Sound Designer: Craig Hennigan
Sound Effects Editor: Jordan Wilby, MPSE
Foley Editor: Antony Zeller, MPSE
Foley Artists: Zane D. Bruce, Lindsay Pepper

Taboo, "Episode 8" (FX Networks)
Supervising Sound Editor: Lee Walpole, MPSE
Sound Effects Editors: Andy Kennedy, Saoirse Christopherson, Alex Ellerington
Foley Artist: Catherine Thomas

The Brave, “Stealth” (NBC)
Supervising Sound Editor: Jay Niremberg, MPSE
Sound Designer: Trevor Gates
Foley Editors: Benjamin Gieschin, Terry Boyd, Jr.
Foley Artists: Jody Holwadel Thomas, MPSE, Elizabeth Rainey

Vikings, "The Reckoning" (The History Channel)
Supervising Sound Editor: Jane Tattersall, MPSE
Sound Designer: Steve Madeiros
Sound Effects Editor: Brennan Mercer Foley Artists: Goro Koyama, Sandra Fox
Outstanding Achievement in Sound Editing - Episodic Long Form – Music / Musical

Descendants 2 (Disney)
Supervising Music Editor: Amber Funk, MPSE
Music Editor: Richard Brown   

Ozark (Netflix)
Music Editors: Jason Tregoe Newman, Bryant Fuhrmann   

Rebel, “Pilot” (B.E.T.)
Music Editor: Shie Rozow   

The Get Down, "Only from Exile Can We Come Home" (Netflix)
Supervising Music Editor: Jamieson Shaw   

Vikings, “The Departed” (History Channel)
Supervising Music Editor: Yuri Gorbachow, MPSE
Music Editor: Lise Beauchesne
Outstanding Achievement in Sound Editing - Episodic Long Form – Dialogue/ADR

Black Mirror, "USS Callister" (Netflix)
Supervising Sound Editor: Kenny Clark
Dialogue Editor: Michael Maroussas

Godless, "Homecoming" (Netflix)
Supervising Sound Editors: Wylie Stateman, MPSE, Eric Hoehn
Dialogue Editors: Harry Cohen, MPSE, Hector Gika, MPSE, Sylvain Lasseur, Greg Swiatlowski
ADR Editors: Leo Marcil, Jackie Zhou

Ozark, "The Toll" (Netflix)
Supervising Sound Editors: Nick Forshager, Steve Grubbs
Supervising ADR Editor: Steve Grubbs
Dialogue Editor: Todd Niesen, MPSE

The Deuce, “Pilot” (HBO)
Supervising Sound Editors: Will Ralston, MPSE
Dialogue Editor: Alexa Zimmerman
ADR Editor: Mary Ellen Porto

The Long Road Home, “Black Sunday” (National Geographic)
Supervising Sound Editors: Gregory King, Greg Brown
Dialogue Editor: Jeffrey Dyal
ADR Editor: Jim Matheny
Outstanding Achievement in Sound Editing - Episodic Long Form – Effects / Foley

Black Mirror, "USS Callister" (Netflix)
Supervising Sound Editor: Kenny Clark
Sound Effects Editor: Kenny Clark

Godless, "Homecoming" (Netflix)
Supervising Sound Editors: Wylie Stateman, MPSE, Eric Hoehn
Sound Effects Editors: Harry Cohen, MPSE, Hector Gika, MPSE, Sylvain Lasseur, Leo Marcil, Jackie Zhou

Gotham, "Destiny Calling" (Warner Brothers)
Supervising Sound Editor: George Haddad, MPSE
Sound Designer: Chad Hughes, MPSE
Sound Effects Editors: David Barbee, MPSE, George Haddad, MPSE
Foley Editor: James Howe
Foley Artists: Joey Sabella, Joanie Rowe, MPSE   

Ozark, "The Toll" (Netflix)
Supervising Sound Editors: Nick Forshager, Steve Grubbs
Sound Effects Editor: Matt Temple
Foley Editors: Jeff Cranford, Daniel Raphael   

The Long Road Home, “Black Sunday” (National Geographic)
Supervising Sound Editors: Gregory King, Greg Brown
Sound Effects Editors: Yann Delpuech, John Greasley, Dan Gamache
Foley Artist: John Sievert
Outstanding Achievement in Sound Editing – Single Presentation

Five Came Back: The Price of Victory (Netflix)
Supervising Sound Editor: Trip Brock, MPSE
Supervising Dialogue Editor: Bruce Stubblefield
Sound Effects Editors: Demetri Evdoxiadis, Raymond Park, MPSE, Zheng Jia, MPSE
Music Editor: Abhay Manusmare   

Fire Chasers: The New Chasers (Netflix)
Supervising Sound Editor: Ugo Derouard
Sound Designer: Ugo Derouard
Dialogue Editor: Mehmaz Mohabati
Sound Effects Editor: Rian Balvin   

Oasis (Amazon Studios)
Supervising Sound Editor: Lee Walpole, MPSE
Sound Designer: Andy Kennedy Sound Effects Editor: Saoirse Christopherson Supervising Dialogue Editor: Stefan Henrix Foley Editor: Philip Clement Foley Artist: Anna Wright   

The Sultan and the Saint (Unity Productions Foundation)
Supervising Sound Editor: Matt Davies, MPSE Supervising Dialogue Editor: Kevin Hill Sound Effects Editor: Rich Russey   

Superheroes Decoded (History Channel)
Supervising Sound Editor: Lewis Goldstein, Thomas Ryan
Outstanding Achievement in Sound Editing – Non-Theatrical Animation Long Form

Justice League, “Dark” (Warner Brothers)
Supervising Sound Editor: Otis Van Osten
Supervising Music Editor: Christine Luethje, MPSE
Sound Effects Editor: Carlos Sanches
Scoring Editor: Robert J. Kral   

Lego DC Super Hero Girls, “Brain Drain” (Warner Brothers)
Supervising Sound Editor: Devon Bowman
Supervising Dialogue Editor: Mark A. Keatts, MPSE
Sound Designer: Rob McIntyre
Sound Effects Editors: Lawrence Reyes, Evan Dockter, Marc Schmidt, Joel Waters, Derek Swanson, D.J. Lynch
Foley Editors: Mathew Saiz, Aran Tanchum
Dialogue Editors: David M. Cowan, Kelly Foley Downs, Patrick Foley, Michael Garcia
Foley Artist: Vincent Guisetti
Music Editor: Bijan Olia
ADR Editor: George Peters   

Teen Titans, “The Judas Contract” (Warner Brothers)
Supervising Sound Editor: Devon Bowman
Supervising Dialogue Editor: Mark A. Keatts, MPSE
Sound Designer: Rob McIntyre
Sound Effects Editors: Lawrence Reyes, Evan Dockter, Greg Hainer, D.J. Lynch
Dialogue Editors: David M. Cowan, Kelly Foley Downs, Derek Swanson, Michael Garcia   

Teenage Mutant Ninja Turtles, “Mutant Apocalypse” (Nickelodeon)
Supervising Sound Editor: Jeff Shiffman, MPSE
Dialogue Editors: Jacob Cook, Eliot Herman, MPSE
Sound Effects Editors: Brad Meyer, MPSE, Jessey Drake, MPSE
Foley Editor: Roger Pallan   

Trollhunters, "Tales of Arcadia" (Netflix)
Supervising Sound Editor: Matthew Hall
Supervising Dialogue Editor: Jason Oliver
Sound Effects Editor: Goeun Lee, MPSE, James Miller
Dialogue Editor: Carlos Sanches
Foley Editor: Aran Tanchum
Foley Artist: Vincent Guisetti
Outstanding Achievement in Sound Editing – Non-Theatrical Documentary

Becoming Bond
Supervising Sound Editors: Trip Brock, MPSE
Sound Effects Editors: Raymond Park, MPSE, Zheng Jia, MPSE
Supervising Dialogue Editor: Bruce Stubblefield
Foley Editors: Alexander Jongbloed, Alex Johnson
Foley Artist: Lorita de la Cerna  

Breaking the Day
Supervising Sound Editor: Suat O. Ayas, MPSE
Sound Designer: Suat O. Ayas, MPSE
Dialogue Editor: Justin Stark   

decanted. (Digital Cave Media)
Supervising Sound Editor: Matt Davies, MPSE
Dialogue Lead: Kevin Hill
Sound Effects Editor: Rich Bussey   

Motivation 3: The Next Generation (The Orchard)
Supervising Sound Editor: Shaun Cunningham, MPSE
Sound Effects Editor: Shaun Cunningham, MPSE   

Shot in the Dark (Netflix)
Supervising Sound Editor: Suat O. Ayas, MPSE
Sound Designer: Suat O. Ayas, MPSE
Dialogue Editor: Justin Stark
Music Editor: Suat O. Ayas, MPSE   

The Defiant Ones (HBO)
Supervising Sound Editor: Jay Nierenberg
Supervising Music Editor: Del Spiva Dialogue Editor: Tim Niesen
Sound Effects Editors: David Mann, Charles Maynes, MPSE, Brent Findley, MPSE, Steven Iba
Foley Editor: Katrina Frederick Music Editor: Nicholas Fitzgerald
Sound Designer: Chris Terhune
Foley Artist: Brandon Sanchez   

The New Radical (The Orchard)
Supervising Sound Editor: Shaun Cunningham, MPSE
Music Editor: April Tucker
Sound Effects Editors: Jonathan Bruce, Amy Barber
Outstanding Achievement in Sound Editing – Non-Theatrical Feature

Havenhurst (Brainstorm Media)
Supervising Sound Editors: Eric Lalicata, Tom Boykin
Audio Lead: Dan Snow Sound Designer: Alex Weiss
ADR Editor: Kyle Lane
Foley Editors: Leah Putlek, Ryan Maguire
Foley Artist: Tara Blume   

Imperial Dreams (Netflix)
Supervising Sound Editors: Trip Brock, MPSE, Steven Avila, MPSE
Sound Effects Editor: Raymond Park, MPSE
Dialogue Editors: Jackie Johnson, Ian Shedd
ADR Editor: Ben Whitver
Foley Editors: Terry Boyd, Matt Salib   

In Search of Fellini (AMBI Distribution)
Supervising Sound Editors: David Barber, MPSE, Ben Zarai
Dialogue Editor: David Barber, MPSE ADR Editor: Michael Kreple
Sound Designer: Ben Zarai
Foley Artists: Gonzalo "Bino" Espnoza, David Kitchens, MPSE
Foley Editor: Michael Lanoue   

Little Evil (Netflix)
Supervising Sound Editor: Mac Smith
Dialogue Editor: Brad Semenoff
Foley Editors: Luke Dunn Gielmuda, Jonathan Greber
Foley Artist: Andrew Gard
Music Editors: Chris McGeary, Angela Claverie   

Revolt (Vertical Entertainment)
Supervising Sound Editors: Ethan Biegel, Chad Hughes, MPSE
Sound Effects Editors: Chris Terhune, David Barnaby, Shaun Cunningham, MPSE
Dialogue Editor: Charles Kolander
Foley Artist: Carsten Richter   

The Babysitter (Netflix)
Supervising Sound Editor: Dror Mohar
Music Editors: Lodge Worster, Mark Ryan
Outstanding Achievement in Sound Editing – Computer Cinematic

Call of Duty: WWII (Activision)
Supervising Sound Editor: Charles Deenen, MPSE
Sound Designers: Samuel Justice, Csaba Wagner, Eric Wedemeyer, Ryan McSweeney,Don Veca, Matthew Grimm, Caleb Epps, Eddie Pacheco Audio Director: David Swenson
Sound Effects Editors: Braden Parkes, Graham Donnelly, Michael Caisley
Foley Editors: Klaus Shipman, Rustam Gimadiyev
Dialogue Editors: Emilio Lopez-Centellas, Fernando Labarthe
Music Editors: Sam Marshall, Ted Kocher

Destiny 2 (Activision)
Supervising Sound Editors: Jay Weinland, Adam Boyd, MPSE, Bryen Hensley
Audio Leads: David Henry, Evan Buehler
Sound Designers: Jesse Rope, Carsten Rojhan, Zach Thomas, Daniel Raimo, Beau Jimenez, Nick Interlandi,Tami Tomito, Bryan Celano, Daniele Carli, MPSE, Stosh Tuszynski
Foley Supervisor: Jesse Garcia, MPSE
Foley Editor: Viktor Phoenix
Foley Artists: Cory Coken, Jamie Vanadia, Dawn Fintor, Alicia Stevenson
Music Editors: Michael Salvatori, Josh Mosser, Michael Sechrist

Halo Wars 2 (Microsoft Studios)
Supervising Sound Editors: Charles Deenen, MPSE, Csaba Wagner
Sound Designers: Samuel Justice, Tim Walston Audio Director: Paul Lipson
Sound Effects Editors: Harry Cohen, MPSE, Hayden Collow, Justin Davey
Foley Editors: Braden Parkes, Rustam Gimadiyev

Halo Wars 2: Awakening the Nightmare (Microsoft Studios)
Supervising Sound Editor: Patrick Ginn
Sound Designers: Chad Bedell, Shannon Potter, Eliot Connors, MPSE
Audio Director: Paul Lipson
Sound Effects Editor: Michael
Finley Foley Artists: Jeff Wilhoit, Dylan Tuomy-Wilhoit

Star Wars: Battlefront (Electronic Arts)
Supervising Sound Editors: Charles Deenen, MPSE, Csaba Wagner
Sound Designer: Tim Walston, MPSE
Audio Director: Olivier Asselin
Sound Effects Editors: Harry Cohen, MPSE, Braden Parkes, Samuel Justice, Graham Donnelly
Foley Editor: Rustam Gimadiyev
Dialogue Editor: Johannie Gervais
Music Editor: Rodrigo Rubilar
Outstanding Achievement in Sound Editing – Computer Interactive Game

Play Call of Duty: WWII (Activision)
Audio Director: David Swenson
Audio Lead: Michael Caisley, Don Veca
Sound Designers: Ryan McSweeney, Eric Wedemeyer, Matthew Grimm, Caleb Epps, Eddie Pacheco
Dialogue Editors: Emilio Lopez-Centellas, Fernando Labarthe, Josehp Lyford, Adam Boyd, MPSE, David Natale, Jesse Garcia, Duncan Brown   

Star Wars: Battlefront II (Electronic Arts)
Audio Directors: Ben Minto, Olivier Asselin, Jeff Seamster
Audio Leads: David Jegutidse, Nathaniel Daw
Sound Designers: Terry Fairfield, Tony Prescesky, Gustav Rathsman   

Uncharted: The Lost Legacy (Sony Interactive)
Audio Director: Phillip Kovats
Sound Designers: Robert Krekel, Jeremy Rogers, Beau Jimenez, Neil Uchitel, Justin Mullens Supervising Dialogue Editor: Maged Khalil
Supervising Music Editor: Scott Hanau
Sound Effects Editors: Patrick Ginn, Eliot Connors, Joe Cavers Foley Artists: Dawn Lunsford, Alicia Stevenson
Music Editors: Andrew Buresh, Anthony Caruso, Rob Goodson, Ted Kocher, Ernest Johnson, Joel Yarger
Outstanding Achievement in Sound Editing – Special Venue

Amazon Adventure (SK Films)
Supervising Sound Editor: Peter Thillaye, MPSE
Sound Designer: Ed Douglas
Sound Effects Editor: Karol Mohr
Supervising Dialogue Editor: Steve Munro
ADR Editor: Tony Currie
Foley Artists: Goro Koyama, Andy Malcolm
Foley Editors: Jenna Dala Riva, Davi Aquino
Supervising Music Editor: John Kurlander

Carne Y Arena (Legendary Entertainment)
Supervising Sound Editors: Randy Thom, MPSE, Martín Hernandez, MPSE
Sound Designers: Kevin Bolen, Damian Kastbauer
Sound Effects Editor: Leff Lefferts
Dialogue Editor: Gwendolyn Yates Whittle, MPSE
Audio Artists: Doc Kane, Geoff Vaughan, Dusty Jermier
Audio Director: Steve Morris
ADR Editor: Brian Chumney
Foley Artists: Sean England, Shelley Roden, MPSE, John Roesch, MPSE
Foley Editors: Jason Butler, Scott Curtis

Coco VR (Disney)
Supervising Sound Editor: Tim Gedemer, MPSE
Sound Designers: Andrew Vernon, Francois LaFleur, Bryan Jerden, Christopher Boyes
Sound Effects Editors: Sam Lehmer, Justin Doyle, J.R. Grubbs, Jack Whitacker, MPSE
Dialogue Lead: Travis Prater
Dialogue Editors: Jim Schaefer, Nick Jimenez, Doc Kane, Michael Miller, Greg Crawford
ADR Editors: Howard London, Dave Wilson
Foley Editors: Blake Collins, Dee Selby
Audio Artist: Michael Semanick  

Dream Big: Engineering Our World (MacGillivray Freeman Films)
Supervising Sound Editor: Andrew De Cristofaro, MPSE
Sound Designer: Michael Payne
Foley Editor: David Stanke
Sound Effects Editor: Hector Gika, MPSE
Dialogue Editor: Laura Harris Atkinson

We, the Marines (MacGillivray Freeman Films)
Supervising Sound Editor: Andrew De Cristofaro, MPSE
Sound Effects Editors: Jay Wilkinson, Alex Knickerbocker
Dialogue Editor: Laura Harris Atkinson
Foley Artists: Alicia Stevenson, Dawn Lunsford
Outstanding Achievement in Sound Editing – Animation Short Form

Castlevania, "Witchbottle" (Netflix)
Supervising Sound Editor: Gary Falcone
Sound Designer: Paul Menichini, MPSE
Foley Editor: Roberto Roberto Dominguez Alegria
Dialogue Editors: Tom Maydeck, Mark Mercado
Foley Artist: Cynthia Merrill   

Justice League Action, "Follow That Space Cab!" (Warner Brothers)
Sound Designer: Robert Hargreaves, MPSE
Supervising Dialogue Editor: Mark Keatts
Dialogue Editor: Mike Garcia, MPSE
Foley Editor: John Hegedes   

Not Normal (EmSquared)
Supervising Sound Editors: Eric Marks, MPSE, Matt MacDonald   

Overwatch, “Honor and Glory” (Blizzard Entertainmen)
Supervising Sound Editor: Paul Menichini, MPSE
Audio Lead: Caroline Hernandez, MPSE
Sound Designers: Alexander Ephraim, Harry Cohen, MPSE
Sound Effects Editor: Keith Bilderbeck
Dialogue Editors: Issac Hammons, Cody Flick
Music Editor: Neal Acree   

Rick and Morty, “Pickle Rick” (Adult Swim)
Supervising Sound Editor: Hunter Curra
Sound Effects Editors: Kailand Reily, Andrew Twite, Joy Elett, MPSE, Jeff Halbert
Dialogue Editor: Konrad Pinon   

Tangled: The Series, “The Quest for Varian” (Disney)
Supervising Sound Editor: Otis Van Osten
Sound Effects Editors: Gerry Gonzalez, Carlos Sanches
Dialogue Editor: Jason Oliver
Foley Editor: Goeun Lee, MPSE
Music Editor: Kevin Kliesch   

The Adventure of Puss in Boots, “A Savage Place” (Netflix)
Supervising Sound Editor: Heather Olsen, MPSE
Supervising Dialogue Editor: Shawn Bohonos
Sound Designer: Heather Olsen, MPSE
Dialogue Editor: Robbi Smith, MPSE
Foley Editors: David Bonilla, MPSE, Chris Coyne
Foley Artist: John Lampinen   

Star Wars: Rebels, "Trails of the Darksaber" (Disney)
Supervising Sound Editors: David Acord, Matthew Wood
Sound Effects Editors: Bonnie Wild, Kim Patrick
Foley Editor: Frank Rinella
Foley Artist: Ronni Brown
Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award)

Don’t Think of a Pink Elephant (National Film and Television School)
Supervising Sound Designer and Editor: Mark Bailey   

Dreamweavers (Loyola Marymount University
Sound Designers: Yi Ming Zhou, Amanda Ziles   

Homegrown (National Film and Television School)
Sound Designer: Thomas Blazukas   

The Mayflower (National Film and Television School)
Supervising Sound Designer and Editor: Sam Boulton  

Poles Apart (National Film and Television School)
Supervising Sound Designer and Editor: Morgan Muse