Each received a trio of noms in the feature categories, along with 'Blade Runner 2049' and 'The Shape of Water.'

Baby Driver, Blade Runner 2049, Dunkirk and The Shape of Water lead the feature nominations for the 65th Motion Picture Sound Editors (MPSE) Golden Reel Awards, which will be presented Feb. 18 at the Westin Bonaventure Hotel in Los Angeles.

Members of the sound editing teams on all four films were nominated in the feature categories for music score, dialogue/ADR and effects/foley. All four films are also nominated for the BAFTA for sound, alongside Star Wars: The Last Jedi, which earned one MPSE nomination, for effects/foley.

Nominated for two Golden Reel awards apiece in the feature categories are Coco (animated feature and musical) and War for the Planet of the Apes (dialogue/ADR and effects/foley).

During the ceremony, Kathryn Bigelow will receive the Filmmaker Award and John P. Fasal will be presented the Career Achievement Award.

A complete list of nominees follows.

• Outstanding Achievement in Sound Editing – Feature Animation

  Cars 3 (Disney)
  Sound Designer: Thomas Myers
  Supervising Dialogue Editor: Brian Chumney
  Sound Effects Editors: EJ Holowicki, Benjamin A. Burtt
  ADR Editor: Michael Silvers
  Audio Artist: Anthony Defrancesco
  Foley Editor: Qianbahui Yang, MPSE
  Music Editor: Joe E. Rand
  Foley Artists: Jana Vance, Dennie Thorpe, Geoff Vaughan
  Foley Editor: Terry Eckton

  Coco (Disney)
  Supervising Sound Editor: J.R. Grubbs
  Sound Designer: Chris Boyes
  Dialogue Editors: Marshall Winn, Michael Silvers
  Sound Effects Editors: Michael Silvers, Justin Doyle, Jack Whittaker
  Foley Editors: Terry Eckton, Dee Selby
  Foley Artists: Jana Vance, Dennie Thorpe, Geoff Vaughan

  Despicable Me 3 (NBC/Universal)
  Supervising Sound Editor: Dennis Leonard
  Sound Designer: Tim Nielsen
  Dialogue Editor: Matthew Hartman
  Sound Effects Editors: Mac Smith, Andre J.H. Zweers
  Foley Editors: Christopher Flick, Richard Gould
  Foley Artists: John Roesch, Shelley Roden
  Music Editor: Slamm Andrews

  Ferdinand (20th Century Fox)
  Supervising Sound Editors: Randy Thom, MPSE, Gwendoyn Whittle, MPSE
  Supervising Dialogue Editor: Dmitri Makarov
  Sound Designer:  Jeremy Bowker
  Sound Effects Editors: Leff Lefferts, Pascal Garneau, Devon Kelly, Christopher Barnett, EJ Holowicki
  Foley Editors: E. Larry Oatfield, Chris Manning, Qianbaihui Yang, MPSE
  ADR Editors: Jamie Branquinho, Will Ralston
  Music Editor: Tom Carlson
  Foley Artists:  John Roesch, Shelley Roden, Scott Curtis? The Breadwinner (GKIDS)
  Supervising Sound Editors: J.R. Fountain, Nelson Ferreira
  Sound Effects Editors: Dashen Naidoo, Tyler Whitham
  Foley Artist: John Elliot
  Foley Editor: Kevin Schultz
  Music Editor: Erich Stratmann

  The Lego Batman Movie (Warner Brothers)
  Supervising Sound Editor: Wayne Pashley, MPSE
  Supervising Dialogue Editor: Rick Lisle
  Sound Effects Editors: Fabian Sanjurjo, Andrew Miller, Mario Gabrieli, Jared Dwyer, Emma Mitchell, Nigel Christensen, Terry Rodman, Christopher S. Aud, MPSE, F. Hudson Miller, MPSE, Beth Bezzina
  Dialogue Editors: Sonal Joshi, Derryn Pasquill, Linda Yeaney
  Foley Artist: John Simpson, MPSE
  Music Editor: Will Kaplan

• Outstanding Achievement in Sound Editing – Feature Documentary

  An Inconvenient Sequel: Truth to Power (Paramount)
  Sound Designer: Kent Sparling
  Sound Effects Editors: Zach Martin
  Dialogue Editor: Gwendolyn Yates Whittle, MPSE
  Foley Editor: Andrea Gard Foley Artist: Andrea Gard

  Bill Nye: Science Guy (PBS)
  Supervising Sound Editor: Peter Albrechtsen, MPSE
  Sound Design: Peter Albrechtsen, MPSE
  Sound Effects Editor: Morton Groth Brandt
  Dialogue Editor: Jacques Pedersen
  Foley Editor: Pietu Korhonen
  Foley Artist: Heikki Hossi, MPSE

  Eric Clapton: Life in 12 Bars (Showtime)
  Supervising Sound Editors: Andy Shelley, Steven Griffiths
  Dialogue Editor: Justin Dolby
  Foley Editor: Keith Partridge
  Foley Artist: Barnaby Smyth

  Hell on Earth: The Fall of Syria and the Rise of ISIS (National Geographic)
  Supervising Sound Editor: Mary Ellen Porto, MPSE
  Dialogue Editor: Michael Suarez
  Foley Editor: Rachel Chancey

  Icarus (Netflix)
  Supervising Sound Editors: E.J. Holowicki, Chris Barnett
  Supervising Music Editor: Adam Peters
  Music Editor: Mikael Sandgren

  In Pursuit of Silence (The Cinema Guild)
  Supervising Sound Editor: Steve Bissinger
  Sound Designer: Steve Bissinger
  Dialogue Editor: Shaun Farley, MPSE
  Sound Effects Editor: Zach Martin

  Jane (National Geographic)
  Supervising Sound Editors: Warren Shaw, Joshua Jackson
  Sound Designers: Peter Staubli, MPSE, Odin Benitez, MPSE
  Dialogue Editor: Will Digby
  Foley Artist: Tara Blume
  Music Editor: Suzana Peric ?

  Score: A Film Music Documentary (Gravitas Ventures)
  Supervising Sound Editors: Kari Barber, MPSE, Peter Bawiec, MPSE
  Sound Effects Editor: Kari Barber, MPSE
  Dialogue Editor: Peter Bawiec, MPSE
  Foley Editor: Kari Barber, MPSE
  Music Editor: Peter Bawiec, MPSE

• Outstanding Achievement in Sound Editing – Foreign Language Feature

  BPM (Beats Per Minute) (The Orchard)
  Supervising Sound Editor: Valerie Deloof
  Sound Effects Editors: Maia Szymczak, Atoine Bertucci
  Dialogue Editor: Agnes Ravez
  Foley Artists: Pascal Chauvin, Franck Tassel

  First They Killed My Father (Netflix)
  Supervising Sound Editors: Glenn Freemantle, Ben Barker
  Supervising Dialogue Editor: Sven Taits
  Sound Designers: Glenn Freemantle, Ben Barker
  Sound Effects Editors: Danny Freemantle, Rob Malone, Eilam Hoffman
  ADR Editors: Rob Chen, Jens Peterson
  Foley Editors: Lilly Blazewicz, Nicholas Freemantle
  Foley Artists: Peter Burgiss, Jason Swanscott

  The Happiest Day in the Life of Olli Maki (MUBI)
  Supervising Sound Editor: Pietu Korhonen
  Sound Effects Editors: Peter Albrechtsen, MPSE, Erik Bjerknes
  Foley Editor: Heikki Kossi, MPSE
  Foley Artist: Heikki Kossi, MPSE

  Loveless (Sony)
  Pictures Classics Supervising Sound Editor: Andrey Dergachev
  Dialogue Editor: Alexey Kuznetsov
  Sound Effects Editors: Alexey Kobzar, Sofia Matrosova
  Foley Editors: Elena Starikova, Ruslan Khuseyn, Dmitriy Zuev Foley Artist: Natalia Zueva

  Thelma (The Orchard)
  Sound Designers: Gisle Tveito, Fredric Vogel, Peter Albrechtsen, MPSE
  Sound Effects Editors: Ingar Asdahl, Therese Næss Diesen, Peder Hammerborg
  Foley Editor: Yvonne Stenberg Foley Artist: Roy Fenstad

  Wolf Warrior 2 (Well Go USA Entertainment / H Collective)
  Supervising Sound Editor: Hayden Collow
  Supervising Dialogue Editor: Chris Ward
  Dialogue Editor: Martin Kwok
  Sound Effects Editors: Matt Stutter, Matt Lambourn, Brent Burge, Paul Pirola, Tom Scott-Toft Foley Editor: Craig Tomlinson Music Editor: Steve Gallagher Foley Artist: James Carroll
• Outstanding Achievement in Sound Editing – Music Score

  Baby Driver (Sony Pictures Entertainment)
  Supervising Sound Editor: Julian Slater, MPSE
  Music Editor: Bradley Farmer ?

  Blade Runner 2049 (Warner Brothers)
  Supervising Music Editor: Clint Bennett
  Music Editors: Ryan Rubin, Del Spiva ??

  Dunkirk (Warner Brothers)
  Supervising Music Editor: Alex Gibson
  Music Editors: Ryan Rubin, Chris Barrett ??

  King Arthur: Legend of the Sword (Warner Brothers)
  Supervising Music Editor: Simon Changer
  Music Editor: Ben Smithers ??

  The Lost City of Z (Amazon Studios)
  Music Editor: Katherine Gordon Miller ??

  The Shape of Water (Fox Searchlight)
  Music Editors: Cam McLauchlin, Rob Hegedus, Dustin Harris ??

  Transformers: The Last Knight (Paramount Pictures)
  Supervising Music Editor: Alex Gibson
  Music Editors: Jeannette Surga, Jason Ruder, Brian Lawson, Sam Zeines, Daniel DiPrima, Darryl Hall, Phillip Tallman, Dane Leon ??

  Wonder Woman (Warner Brothers)
  Music Editors: Simon Changer, J.J. George, Christopher Benstead, Gerard McCann

• Outstanding Achievement in Sound Editing – Musical

  Beauty and the Beast (Disney)
  Supervising Music Editor: Christopher Benstead
  Music Editors: Robin Morrison, Chris Brooks
  Scoring Editor: Robin Baynton

  Coco (Disney)
  Supervising Music Editor: Stephen Davis, MPSE
  Music Editor: Warren Brown

  The Greatest Showman (20th Century Fox)
  Supervising Music Editor: Jen Monnar
  Music Editors: Jim Harrison, Jeff Carson, Peter Myles, Sheri Ozeki

• Outstanding Achievement in Sound Editing – Dialogue / ADR

  Baby Driver (Sony Pictures)
  Supervising Sound Editor: Julian Slater, MPSE
  Supervising Dialogue Editor: Dan Morgan ??

  Blade Runner 2049 (Warner Brothers)
  Supervising Sound Editor: Mark Mangini, MPSE
  Supervising Dialogue Editor: Byron Wilson
  Dialogue Editor: Michael Hertlein ??

  Darkest Hour (Focus Features)
  Supervising Sound Editors: Becki Ponting, Craig Berkey
  Dialogue Editor: Michael Marroussas ??

  Detroit (Annapurna Pictures)
  Supervising Sound Editor: Paul N.J. Ottosson
  Supervising ADR Editors: Daniel Saxlid, Laura Graham
  Dialogue Editor: Robert Troy ??

  Dunkirk (Warner Brothers)
  Supervising Sound Editor: Hugo Weng
  Supervising ADR Editor: David Bach
  ADR Editor: Russell Farmarco ??

  The Shape of Water (Fox Searchlight)
  Supervising Sound Editor: Nathan Robitaille, MPSE
  Supervising Dialogue Editor: Nelson Ferreira
  Dialogue Editor: Jill Purdy, MPSE ??

  Three Billboards Outside of Ebbing, Missouri (Fox Searchlight)
  Supervising Sound Editor: Joakim Sundstrom
  Dialogue Editor: Matthew Skelding
  ADR Editor: Brian Bowles ??

  War for the Planet of the Apes (20th Century Fox)
  Supervising Sound Editors: Douglas Murray, MPSE, Will Files
  Supervising Dialogue Editor: R.J. Kizer
  Vocal Editors: Kim Foscato, P.K. Hooker, Doug Jackson, Lindsay Alvarez
  ADR Editors: Laura Graham, Jim Brookshire
• Outstanding Achievement in Sound Editing – Effects / Foley

  Baby Driver (Sony Pictures)
  Supervising Sound Editor: Julian Slater, MPSE
  Sound Effects Editors: Jeremy Price, Martin Cantwell, Arthur Graley, Rown Watson
  Foley Editor: Peter Hanson
  Foley Artists: Zoe Freed, Peter Burgis ??

  Blade Runner 2049 (Warner Brothers)
  Supervising Sound Editor: Mark Mangini, MPSE
  Sound Designer: Theo Green
  Sound Effects Editors: Chris Aud, MPSE, Lee Gilmore, MPSE, Greg ten Bosch, MPSE, Charlie Campagna, MPSE, Dave Whitehead, Eliot Connors, MPSE
  Foley Editor: Ezra Dweck
  Foley Artists: Goro Koyama, Andy Malcolm ??

  Dunkirk (Warner Brothers)
  Supervising Sound Editor: Richard King, MPSE Sound Effects Editors: Michael Mitchell, Randy Torres Foley Editor: Michael Dressel Foley Artists: John Roesch, MPSE, Shelley Roden, MPSE ??

  Logan (20th Century Fox)
  Supervising Sound Editor: Donald Sylvester
  Sound Designers: Wayne Lemmer, Hamilton Sterling
  Sound Effects Editor: Doug Jackson Foley Editors: Matthew Harrison, John Morris
  Foley Artists: John T. Cucci, MPSE, Dan O'Connell ??

  Star Wars: The Last Jedi (Disney)
  Supervising Sound Editors: Matthew Wood, Ren Klyce Sound Designer: Ren Klyce Assistant
  Sound Designer: Steve Orlando
  Foley Supervisor: Frank Rinella
  Sound Effects Editors: Coya Elliot, Bonnie Wild, Jon Borland
  Foley Editors: Kim Patrick, Dee Selby
  Foley Artists: Ronni Brown, Margie O’Malley ??

  The Shape of Water (Fox Searchlight)
  Supervising Sound Editor: Nathan Robitaille, MPSE
  Sound Effects Editors: Tyler Whitham, Dashen Naidoo, Kevin Howard, MPSE, Alex Bullick
  Foley Editor: Steve Bain
  Foley Artists: Pete Persaud, Gina Gyles ?

  Thor: Ragnarok (Disney)
  Supervising Sound Editors: Shannon Mills, Daniel Laurie
  Sound Designers: David Farmer, Nia Hansen
  Sound Effects Editors: David Chrastka, Steve Orlando, Jeremy Bowker, Samson Neslund
  Foley Editors: Kimberly Patrick, Jacob Riehle
  Foley Artists: John Roesch, MPSE, Shelley Roden, MPSE ??

  War for the Planet of the Apes (20th Century Fox)
  Supervising Sound Editors: Douglas Murray, MPSE, Will Files
  Sound Effects Editors: David Grimaldi, Jack Whittaker, MPSE, Ken McGill, P.K. Hooker, Doug Jackson, Lindsay Alvarez
  Foley Editors: John Morris, Matthew Harrison, Thom Brennan, Willard Overstreet
  Foley Artists: Dan O'Connell, John T. Cucci, MPSE

• Episodic Shortform – Music/Musical

  Stranger Things, "Chapter Eight: The Mind Flayer" (Netflix) (WINNER)
  Music Editor: David Klotz ??

  Dark, “Dark Secrets” (Netflix)
  Music Editor: Lewis Morison ??

  Game of Thrones, “Beyond the Wall” (HBO)
  Music Editor: David Klotz ??

  Mr. Robot, "runtime-err0r.r00" (FX Networks)
  Music Editor: Ben Zale ??

  The Get Down, "Unfold Your Own Myth" (Netflix)
  Supervising Music Editor: Jamieson Shaw
  Music Editor: Jordan Ross ??

  The Handmaid's Tale, "Offred" (MGM Television / HULU)
  Supervising Music Editor: Yuri Gorbachow, MPSE
  Music Editor: Lise Beauchesne ??

  The Leftovers, "It's a Matt, Matt, Matt, Matt World (HBO)
  Supervising Music Editor: Amber Funk, MPSE ??

  Twin Peaks, "Part 8" (Showtime)
  Sound Designer: David Lynch
  Music and Sound Editor: Dean Huley

• Outstanding Achievement in Sound Editing - Episodic Short Form – Dialogue/ADR

  Feud, "And the Winner Is... (The Oscars of 1963)” (FX Networks)
  Supervising Sound Editor: Gary Megregian, MPSE
  Dialogue Editor: Lance Wiseman

  Game of Thrones, "The Spoils of War" (HBO Supervising)
  Sound Editor: Tim Kimmel, MPSE
  Supervising Dialogue Editor: Paul Bercovitch
  Supervising ADR Editor: Tim Hands, MPSE

  Halt and Catch Fire, "So It Goes" (AMC Supervising)
  Sound Editor: Sue Cahill
  Supervising ADR Editor: Sara Benchivega
  Dialogue Editor: Jane Boegel-Koch

  Orange Is the New Black, "Storm-y Weather" (Netflix Supervising Sound Editor: John Kincade Dialogue Editor: Todd Niesan, MPSE ??

  Stranger Things, "Chapter Eight: The Mind Flayer" (Netflix)
  Supervising Sound Editor: Bradley North, MPSE
  Dialogue Editor: Tiffany Griffith
  ADR Editor: Bradley North, MPSE ??

  The Crown, "Paterfamilias" (Netflix)
  Supervising Sound Editor: Lee Walpole, MPSE
  Supervising ADR Editor: Kallis Shamaris
  Dialogue Editor: Iain Eyre ??

  The Handmaid's Tale, "Offred" (MGM Television / HULU)
  Supervising Sound Editors: David McCallum, Jane Tattersall, MPSE
  Supervising Dialogue Editor: David McCallum
  Supervising ADR Editor: Dale Sheldrake
  Dialogue Editor: Brent Picket ??

  Vikings, “Homeland” (History Channel)
  Supervising Sound Editor: Jane Tattersall, MPSE
  Supervising Dialogue Editor: David McCallum
  Supervising ADR Editor: Dale Sheldrake
  Dialogue Editor: Claire Dobson
• Outstanding Achievement in Sound Editing - Episodic Short Form – Effects / Foley

  Game of Thrones, "The Spoils of War" (HBO)
  Supervising Sound Editor: Tim Kimmel, MPSE
  Sound Designer: Paula Fairfield, MPSE
  Sound Effects Editor: Bradley Katona, MPSE
  Foley Editors: Brett Voss, MPSE, John Matter
  Foley Artists: Jeff Wilhoit, MPSE, Dylan Tuomy-Wilhoit

  Marvel's The Punisher, "Memento Mori" (Netflix)
  Supervising Sound Editor: Lauren J. Stephens, MPSE
  Sound Designer: Jordan Wilby
  Sound Effects Editor: Jonathan Golodner
  Foley Editor: Antony Zeller, MPSE
  Foley Artists: Zane D. Bruce, Lindsay Pepper

  Mr. Robot, "runtime-err0r.r00" (FX Networks)
  Supervising Sound Editor: Kevin Buchholz
  Sound Effects Editor: Dan Kremer
  Foley Editors: Randy Guth, Alex Knickerbocker, Mike Marino
  Sound Editors: Andrew Morgado, Adam DeCoster, Rene Garcia
  Foley Artists: Dominique Decaudain-Tabach, Pamela Kahn, MPSE

  Shooter, "The Dark End of the Street" (USA Network)
  Supervising Sound Editor: Mark Relyea
  Sound Designer: David Barbee, MPSE
  Sound Effects Editor:Russell Gorsky, MPSE
  Foley Artitst: Joseph T. Sabella, Damien Smith

  Stranger Things, "Chapter Eight: The Mind Flayer" (Netflix)
  Supervising Sound Editor: Bradley North, MPSE
  Sound Designer: Craig Hennigan
  Sound Effects Editor: Jordan Wilby, MPSE
  Foley Editor: Antony Zeller, MPSE
  Foley Artists: Zane D. Bruce, Lindsay Pepper

  Taboo, "Episode 8" (FX Networks)
  Supervising Sound Editor: Lee Walpole, MPSE
  Sound Effects Editors: Andy Kennedy, Saoirse Christopherson, Alex Ellerington
  Foley Artist: Catherine Thomas

  The Brave, “Stealth” (NBC)
  Supervising Sound Editor: Jay Niremberg, MPSE
  Sound Designer: Trevor Gates
  Foley Editors: Benjamin Gieschin, Terry Boyd, Jr.
  Foley Artists: Jody Holwadel Thomas, MPSE, Elizabeth Rainey

  Vikings, "The Reckoning" (The History Channel)
  Supervising Sound Editor: Jane Tattersall, MPSE
  Sound Designer: Steve Madeiros
  Sound Effects Editor: Brennan Mercer Foley Artists: Goro Koyama, Sandra Fox

• Outstanding Achievement in Sound Editing - Episodic Long Form – Music / Musical

  Descendants 2 (Disney)
  Supervising Music Editor: Amber Funk, MPSE
  Music Editor: Richard Brown ??

  Ozark (Netflix)
  Music Editors: Jason Tregoe Newman, Bryant Fuhrmann ??

  Rebel, “Pilot” (B.E.T.)
  Music Editor: Shie Rozow ??

  The Get Down, "Only from Exile Can We Come Home" (Netflix)
  Supervising Music Editor: Jamieson Shaw ??

  Vikings, “The Departed” (History Channel)
  Supervising Music Editor: Yuri Gorbachow, MPSE
  Music Editor: Lise Beauchesne

• Outstanding Achievement in Sound Editing - Episodic Long Form – Dialogue/ADR

  Black Mirror, "USS Callister" (Netflix)
  Supervising Sound Editor: Kenny Clark
  Dialogue Editor: Michael Maroussas

  Godless, "Homecoming" (Netflix)
  Supervising Sound Editors: Wylie Stateman, MPSE, Eric Hoehn
  Dialogue Editors: Harry Cohen, MPSE, Hector Gika, MPSE, Sylvain Lasseur, Greg Swiatlowski
  ADR Editors: Leo Marcil, Jackie Zhou

  Ozark, "The Toll" (Netflix)
  Supervising Sound Editors: Nick Forshager, Steve Grubbs
  Supervising ADR Editor: Steve Grubbs
  Dialogue Editor: Todd Niesen, MPSE

  The Deuce, “Pilot” (HBO)
  Supervising Sound Editors: Will Ralston, MPSE
  Dialogue Editor: Alexa Zimmerman
  ADR Editor: Mary Ellen Porto

  The Long Road Home, “Black Sunday” (National Geographic)
  Supervising Sound Editors: Gregory King, Greg Brown
  Dialogue Editor: Jeffrey Dyal
  ADR Editor: Jim Matheny
• Outstanding Achievement in Sound Editing - Episodic Long Form – Effects / Foley

  Black Mirror, "USS Callister" (Netflix)
  Supervising Sound Editor: Kenny Clark
  Sound Effects Editor: Kenny Clark

  Godless, "Homecoming" (Netflix)
  Supervising Sound Editors: Wylie Stateman, MPSE, Eric Hoehn
  Sound Effects Editors: Harry Cohen, MPSE, Hector Gika, MPSE, Sylvain Lasseur, Leo Marcil, Jackie Zhou

  Gotham, "Destiny Calling" (Warner Brothers)
  Supervising Sound Editor: George Haddad, MPSE
  Sound Designer: Chad Hughes, MPSE
  Sound Effects Editors: David Barbee, MPSE, George Haddad, MPSE
  Foley Editor: James Howe
  Foley Artists: Joey Sabella, Joanie Rowe, MPSE ??

  Ozark, "The Toll" (Netflix)
  Supervising Sound Editors: Nick Forshager, Steve Grubbs
  Sound Effects Editor: Matt Temple
  Foley Editors: Jeff Cranford, Daniel Raphael ??

  The Long Road Home, “Black Sunday” (National Geographic)
  Supervising Sound Editors: Gregory King, Greg Brown
  Sound Effects Editors: Yann Delpuech, John Greasley, Dan Gamache
  Foley Artist: John Sievert

• Outstanding Achievement in Sound Editing – Single Presentation

  Five Came Back: The Price of Victory (Netflix)
  Supervising Sound Editor: Trip Brock, MPSE
  Supervising Dialogue Editor: Bruce Stubblefield
  Sound Effects Editors: Demetri Evdoxiadis, Raymond Park, MPSE, Zheng Jia, MPSE
  Music Editor: Abhay Manusmare ??

  Fire Chasers: The New Chasers (Netflix)
  Supervising Sound Editor: Ugo Derouard
  Sound Designer: Ugo Derouard
  Dialogue Editor: Mehmaz Mohabati
  Sound Effects Editor: Rian Balvin ??

  Oasis (Amazon Studios)
  Supervising Sound Editor: Lee Walpole, MPSE
  Sound Designer: Andy Kennedy Sound Effects Editor: Saoirse Christopherson Supervising Dialogue Editor: Stefan Henrix Foley Editor: Philip Clement Foley Artist: Anna Wright ??

  The Sultan and the Saint (Unity Productions Foundation)
  Supervising Sound Editor: Matt Davies, MPSE Supervising Dialogue Editor: Kevin Hill Sound Effects Editor: Rich Russey ??

  Superheroes Decoded (History Channel)
  Supervising Sound Editor: Lewis Goldstein, Thomas Ryan

• Outstanding Achievement in Sound Editing – Non-Theatrical Animation Long Form

  Justice League, “Dark” (Warner Brothers)
  Supervising Sound Editor: Otis Van Osten
  Supervising Music Editor: Christine Luethje, MPSE
  Sound Effects Editor: Carlos Sanches
  Scoring Editor: Robert J. Kral ??

  Lego DC Super Hero Girls, “Brain Drain” (Warner Brothers)
  Supervising Sound Editor: Devon Bowman
  Supervising Dialogue Editor: Mark A. Keatts, MPSE
  Sound Designer: Rob McIntyre
  Sound Effects Editors: Lawrence Reyes, Evan Dockter, Marc Schmidt, Joel Waters, Derek Swanson, D.J. Lynch
  Foley Editors: Mathew Saiz, Aran Tanchum
  Dialogue Editors: David M. Cowan, Kelly Foley Downs, Patrick Foley, Michael Garcia
  Foley Artist: Vincent Guisetti
  Music Editor: Bijan Olia
  ADR Editor: George Peters ??

  Teen Titans, “The Judas Contract” (Warner Brothers)
  Supervising Sound Editor: Devon Bowman
  Supervising Dialogue Editor: Mark A. Keatts, MPSE
  Sound Designer: Rob McIntyre
  Sound Effects Editors: Lawrence Reyes, Evan Dockter, Greg Hainer, D.J. Lynch
  Dialogue Editors: David M. Cowan, Kelly Foley Downs, Derek Swanson, Michael Garcia ??

  Teenage Mutant Ninja Turtles, “Mutant Apocalypse” (Nickelodeon)
  Supervising Sound Editor: Jeff Shiffman, MPSE
  Dialogue Editors: Jacob Cook, Eliot Herman, MPSE
  Sound Effects Editors: Brad Meyer, MPSE, Jessey Drake, MPSE
  Foley Editor: Roger Pallan ??

  Trollhunters, "Tales of Arcadia" (Netflix)
  Supervising Sound Editor: Matthew Hall
  Supervising Dialogue Editor: Jason Oliver
  Sound Effects Editor: Goeun Lee, MPSE, James Miller
  Dialogue Editor: Carlos Sanches
  Foley Editor: Aran Tanchum
  Foley Artist: Vincent Guisetti
• Outstanding Achievement in Sound Editing – Non-Theatrical Documentary

  Becoming Bond
  Supervising Sound Editors: Trip Brock, MPSE
  Sound Effects Editors: Raymond Park, MPSE, Zheng Jia, MPSE
  Supervising Dialogue Editor: Bruce Stubblefield
  Foley Editors: Alexander Jongbloed, Alex Johnson
  Foley Artist: Lorita de la Cerna ?

  Breaking the Day
  Supervising Sound Editor: Suat O. Ayas, MPSE
  Sound Designer: Suat O. Ayas, MPSE
  Dialogue Editor: Justin Stark ??

  decanted. (Digital Cave Media)
  Supervising Sound Editor: Matt Davies, MPSE
  Dialogue Lead: Kevin Hill
  Sound Effects Editor: Rich Bussey ??

  Motivation 3: The Next Generation (The Orchard)
  Supervising Sound Editor: Shaun Cunningham, MPSE
  Sound Effects Editor: Shaun Cunningham, MPSE ??

  Shot in the Dark (Netflix)
  Supervising Sound Editor: Suat O. Ayas, MPSE
  Sound Designer: Suat O. Ayas, MPSE
  Dialogue Editor: Justin Stark
  Music Editor: Suat O. Ayas, MPSE ??

  The Defiant Ones (HBO)
  Supervising Sound Editor: Jay Nierenberg
  Supervising Music Editor: Del Spiva Dialogue Editor: Tim Niesen
  Sound Effects Editors: David Mann, Charles Maynes, MPSE, Brent Findley, MPSE, Steven Iba
  Foley Editor: Katrina Frederick Music Editor: Nicholas Fitzgerald
  Sound Designer: Chris Terhune
  Foley Artist: Brandon Sanchez ??

  The New Radical (The Orchard)
  Supervising Sound Editor: Shaun Cunningham, MPSE
  Music Editor: April Tucker
  Sound Effects Editors: Jonathan Bruce, Amy Barber

• Outstanding Achievement in Sound Editing – Non-Theatrical Feature

  Havenhurst (Brainstorm Media)
  Supervising Sound Editors: Eric Lalicata, Tom Boykin
  Audio Lead: Dan Snow Sound Designer: Alex Weiss
  ADR Editor: Kyle Lane
  Foley Editors: Leah Putlek, Ryan Maguire
  Foley Artist: Tara Blume ??

  Imperial Dreams (Netflix)
  Supervising Sound Editors: Trip Brock, MPSE, Steven Avila, MPSE
  Sound Effects Editor: Raymond Park, MPSE
  Dialogue Editors: Jackie Johnson, Ian Shedd
  ADR Editor: Ben Whitver
  Foley Editors: Terry Boyd, Matt Salib ??

  In Search of Fellini (AMBI Distribution)
  Supervising Sound Editors: David Barber, MPSE, Ben Zarai
  Dialogue Editor: David Barber, MPSE ADR Editor: Michael Kreple
  Sound Designer: Ben Zarai
  Foley Artists: Gonzalo "Bino" Espnoza, David Kitchens, MPSE
  Foley Editor: Michael Lanoue ??

  Little Evil (Netflix)
  Supervising Sound Editor: Mac Smith
  Dialogue Editor: Brad Semenoff
  Foley Editors: Luke Dunn Gielmuda, Jonathan Greber
  Foley Artist: Andrew Gard
  Music Editors: Chris McGeary, Angela Claverie ??

  Revolt (Vertical Entertainment)
  Supervising Sound Editors: Ethan Biegel, Chad Hughes, MPSE
  Sound Effects Editors: Chris Terhune, David Barnaby, Shaun Cunningham, MPSE
  Dialogue Editor: Charles Kolander
  Foley Artist: Carsten Richter ??

  The Babysitter (Netflix)
  Supervising Sound Editor: Dror Mohar
  Music Editors: Lodge Worster, Mark Ryan

• Outstanding Achievement in Sound Editing – Computer Cinematic

  Call of Duty: WWII (Activision)
  Supervising Sound Editor: Charles Deenen, MPSE
  Sound Designers: Samuel Justice, Csaba Wagner, Eric Wedemeyer, Ryan McSweeney,Don Veca, Matthew Grimm, Caleb Epps, Eddie Pacheco Audio Director: David Swenson
  Sound Effects Editors: Braden Parkes, Graham Donnelly, Michael Caisley
  Foley Editors: Klaus Shipman, Rustam Gimadiyev
  Dialogue Editors: Emilio Lopez-Centellas, Fernando Labarthe
  Music Editors: Sam Marshall, Ted Kocher

  Destiny 2 (Activision)
  Supervising Sound Editors: Jay Weinland, Adam Boyd, MPSE, Bryen Hensley
  Audio Leads: David Henry, Evan Buehler
  Sound Designers: Jesse Rope, Carsten Rojhan, Zach Thomas, Daniel Raimo, Beau Jimenez, Nick Interlandi,Tami Tomito, Bryan Celano, Daniele Carli, MPSE, Stosh Tuszynski
  Foley Supervisor: Jesse Garcia, MPSE
  Foley Editor: Viktor Phoenix
  Foley Artists: Cory Coken, Jamie Vanadia, Dawn Fintor, Alicia Stevenson
  Music Editors: Michael Salvatori, Josh Mosser, Michael Sechrist

  Halo Wars 2 (Microsoft Studios)
  Supervising Sound Editors: Charles Deenen, MPSE, Csaba Wagner
  Sound Designers: Samuel Justice, Tim Walston Audio Director: Paul Lipson
  Sound Effects Editors: Harry Cohen, MPSE, Hayden Collow, Justin Davey
  Foley Editors: Braden Parkes, Rustam Gimadiyev

  Halo Wars 2: Awakening the Nightmare (Microsoft Studios)
  Supervising Sound Editor: Patrick Ginn
  Sound Designers: Chad Bedell, Shannon Potter, Eliot Connors, MPSE
  Audio Director: Paul Lipson
  Sound Effects Editor: Michael
  Finley Foley Artists: Jeff Wilhoit, Dylan Tuomy-Wilhoit

  Star Wars: Battlefront (Electronic Arts)
  Supervising Sound Editors: Charles Deenen, MPSE, Csaba Wagner
  Sound Designer: Tim Walston, MPSE
  Audio Director: Olivier Asselin
  Sound Effects Editors: Harry Cohen, MPSE, Braden Parkes, Samuel Justice, Graham Donnelly
  Foley Editor: Rustam Gimadiyev
  Dialogue Editor: Johannie Gervais
  Music Editor: Rodrigo Rubilar
• Outstanding Achievement in Sound Editing – Computer Interactive Game

  Play Call of Duty: WWII (Activision)
  Audio Director: David Swenson
  Audio Lead: Michael Caisley, Don Veca
  Sound Designers: Ryan McSweeney, Eric Wedemeyer, Matthew Grimm, Caleb Epps, Eddie Pacheco
  Dialogue Editors: Emilio Lopez-Centellas, Fernando Labarthe, Josehp Lyford, Adam Boyd, MPSE, David Natale, Jesse Garcia, Duncan Brown ??

  Star Wars: Battlefront II (Electronic Arts)
  Audio Directors: Ben Minto, Olivier Asselin, Jeff Seamster
  Audio Leads: David Jegutidse, Nathaniel Daw
  Sound Designers: Terry Fairfield, Tony Prescesky, Gustav Rathsman ??

  Uncharted: The Lost Legacy (Sony Interactive)
  Audio Director: Phillip Kovats
  Sound Designers: Robert Krekel, Jeremy Rogers, Beau Jimenez, Neil Uchitel, Justin Mullens Supervising Dialogue Editor: Maged Khalil
  Supervising Music Editor: Scott Hanau
  Sound Effects Editors: Patrick Ginn, Eliot Connors, Joe Cavers Foley Artists: Dawn Lunsford, Alicia Stevenson
  Music Editors: Andrew Buresh, Anthony Caruso, Rob Goodson, Ted Kocher, Ernest Johnson, Joel Yarger

• Outstanding Achievement in Sound Editing – Special Venue

  Amazon Adventure (SK Films)
  Supervising Sound Editor: Peter Thillaye, MPSE
  Sound Designer: Ed Douglas
  Sound Effects Editor: Karol Mohr
  Supervising Dialogue Editor: Steve Munro
  ADR Editor: Tony Currie
  Foley Artists: Goro Koyama, Andy Malcolm
  Foley Editors: Jenna Dala Riva, Davi Aquino
  Supervising Music Editor: John Kurlander

  Carne Y Arena (Legendary Entertainment)
  Supervising Sound Editors: Randy Thom, MPSE, Martín Hernandez, MPSE
  Sound Designers: Kevin Bolen, Damian Kastbauer
  Sound Effects Editor: Leff Lefferts
  Dialogue Editor: Gwendolyn Yates Whittle, MPSE
  Audio Artists: Doc Kane, Geoff Vaughan, Dusty Jermier
  Audio Director: Steve Morris
  ADR Editor: Brian Chumney
  Foley Artists: Sean England, Shelley Roden, MPSE, John Roesch, MPSE
  Foley Editors: Jason Butler, Scott Curtis

  Coco VR (Disney)
  Supervising Sound Editor: Tim Gedemer, MPSE
  Sound Designers: Andrew Vernon, Francois LaFleur, Bryan Jerden, Christopher Boyes
  Sound Effects Editors: Sam Lehmer, Justin Doyle, J.R. Grubbs, Jack Whitacker, MPSE
  Dialogue Lead: Travis Prater
  Dialogue Editors: Jim Schaefer, Nick Jimenez, Doc Kane, Michael Miller, Greg Crawford
  ADR Editors: Howard London, Dave Wilson
  Foley Editors: Blake Collins, Dee Selby
  Audio Artist: Michael Semanick??

  Dream Big: Engineering Our World (MacGillivray Freeman Films)
  Supervising Sound Editor: Andrew De Cristofaro, MPSE
  Sound Designer: Michael Payne
  Foley Editor: David Stanke
  Sound Effects Editor: Hector Gika, MPSE
  Dialogue Editor: Laura Harris Atkinson

  We, the Marines (MacGillivray Freeman Films)
  Supervising Sound Editor: Andrew De Cristofaro, MPSE
  Sound Effects Editors: Jay Wilkinson, Alex Knickerbocker
  Dialogue Editor: Laura Harris Atkinson
  Foley Artists: Alicia Stevenson, Dawn Lunsford

• Outstanding Achievement in Sound Editing – Animation Short Form

  Castlevania, "Witchbottle" (Netflix)
  Supervising Sound Editor: Gary Falcone
  Sound Designer: Paul Menichini, MPSE
  Foley Editor: Roberto Roberto Dominguez Alegria
  Dialogue Editors: Tom Maydeck, Mark Mercado
  Foley Artist: Cynthia Merrill ??

  Justice League Action, "Follow That Space Cab!" (Warner Brothers)
  Sound Designer: Robert Hargreaves, MPSE
  Supervising Dialogue Editor: Mark Keatts
  Dialogue Editor: Mike Garcia, MPSE
  Foley Editor: John Hegedes ??

  Not Normal (EmSquared)
  Supervising Sound Editors: Eric Marks, MPSE, Matt MacDonald ??

  Overwatch, “Honor and Glory” (Blizzard Entertainmen)
  Supervising Sound Editor: Paul Menichini, MPSE
  Audio Lead: Caroline Hernandez, MPSE
  Sound Designers: Alexander Ephraim, Harry Cohen, MPSE
  Sound Effects Editor: Keith Bilderbeck
  Dialogue Editors: Issac Hammons, Cody Flick
  Music Editor: Neal Acree ??

  Rick and Morty, “Pickle Rick” (Adult Swim)
  Supervising Sound Editor: Hunter Curra
  Sound Effects Editors: Kailand Reily, Andrew Twite, Joy Elett, MPSE, Jeff Halbert
  Dialogue Editor: Konrad Pinon ??

  Tangled: The Series, “The Quest for Varian” (Disney)
  Supervising Sound Editor: Otis Van Osten
  Sound Effects Editors: Gerry Gonzalez, Carlos Sanches
  Dialogue Editor: Jason Oliver
  Foley Editor: Goeun Lee, MPSE
  Music Editor: Kevin Kliesch ??

  The Adventure of Puss in Boots, “A Savage Place” (Netflix)
  Supervising Sound Editor: Heather Olsen, MPSE
  Supervising Dialogue Editor: Shawn Bohonos
  Sound Designer: Heather Olsen, MPSE
  Dialogue Editor: Robbi Smith, MPSE
  Foley Editors: David Bonilla, MPSE, Chris Coyne
  Foley Artist: John Lampinen ??

  Star Wars: Rebels, "Trails of the Darksaber" (Disney)
  Supervising Sound Editors: David Acord, Matthew Wood
  Sound Effects Editors: Bonnie Wild, Kim Patrick
  Foley Editor: Frank Rinella
  Foley Artist: Ronni Brown
• Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award)

  Don’t Think of a Pink Elephant (National Film and Television School)
  Supervising Sound Designer and Editor: Mark Bailey ??

  Dreamweavers (Loyola Marymount University
  Sound Designers: Yi Ming Zhou, Amanda Ziles ??

  Homegrown (National Film and Television School)
  Sound Designer: Thomas Blazukas ??

  The Mayflower (National Film and Television School)
  Supervising Sound Designer and Editor: Sam Boulton ?

  Poles Apart (National Film and Television School)
  Supervising Sound Designer and Editor: Morgan Muse