- Share this article on Facebook
- Share this article on Twitter
- Share this article on Email
- Show additional share options
- Share this article on Print
- Share this article on Comment
- Share this article on Whatsapp
- Share this article on Linkedin
- Share this article on Reddit
- Share this article on Pinit
- Share this article on Tumblr
Lee’s sci-fi action thriller film for Skydance features Smith as an elite assassin who is pursued by younger clone of himself and also stars Clive Owen, Mary Elizabeth Winstead and Benedict Wong.
“If you are a director, you are lucky to work with Will Smith, and with new technology, I got two,” Lee said of their first collaboration, adding that Smith is a “surprisingly good actor. … His performance is exquisite. We had to peel the layers of his experience, to the innocence of his [younger self] in the performance. It’s something I have never experienced before.”
Speaking in a prerecorded video message, Smith said the film is “an exploration of what one’s younger self can teach you. I’m 50, and [at 23] I wouldn’t have been ready to take on this role. … It’s relatable characters with some great action.”
The actor added that making the film was “really insane, but with guidance and collaboration with Ang Lee, we have done something that has never been done before.”
Gemini Man is being made incorporating a cutting-edge high frame rate of 120fps (frames per second), with 4K, 3D, high dynamic range (HDR) and immersive sound. The pic is set for an Oct. 11 release.
The director of Crouching Tiger, Hidden Dragon and Life of Pi made Gemini Man using what he learned from his 2016 experimental film Billy Lynn’s Long Halftime Walk. The movie’s Oscar-winning cinematographer Dion Beebe (Memoirs of a Geisha) shot the movie using new models of the lightweight ARRI Alexa M camera, modified by ARRI to photograph 120fps at 3.2K resolution, on a 3D rig.
Peter Jackson’s Weta Digital created the performance-captured CG young Smith. All of the VFX in the effects-heavy film were rendered with the format in mind.
Lee and his team built a postproduction base in New York to accommodate the advanced formats. Lee’s longtime editor, Oscar-nominated Tim Squyres, is again cutting the film on an Avid. And the New York setup also includes a dual Christie projector system and a Baselight color grading system from Filmlight, along with all of the supporting technologies needed for the advanced workflow, with development led by Ben Gervais.
When Billy Lynn‘s Long Halftime Walk opened, there were only a handful of theaters capable of showing the movie as it was intended. For Gemini Man, it looks like audiences will have options, as the film will be released in 2D and 3D at today’s standard 24fps.
There are select existing theater installations — including those equipped with certain laser projectors from Christie and Cinionic (Barco), Dolby Vision systems or Samsung Onyx LED auditoriums — that could display another version of Gemini Man, such as one in 2D at 120fps or 3D at 60fps. Sources tell The Hollywood Reporter that test footage is already available and various manufacturers and exhibitors are working with the studio to determine the best route for release.
In a key development at CinemaCon, China’s Huaxia Film Distribution, projector maker Christie and cinema tech firm GDC on Wednesday signed a deal aimed at developing a cinema system with the ability to produce and project movies at 120fps per eye, along with 4K, 3D, high dynamic range (HDR), a wide color gamut (WCG) and immersive sound. The first projection systems of this joint development, which use Christie dual RGB laser projectors and GDC’s new media servers, will launch in August with 100 auditoriums using RealD 3D systems and Ultimate screens in China, Hong Kong, Macao and Taiwan, so this group could also have a small installed base to display the full format in time for Gemini Man‘s theatrical release.
Sign up for THR news straight to your inbox every day
San Sebastian International Film Festival
They Cloned Tyrone