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After three decades, Warner Bros. has successfully resurrected its Superman franchise with Zack Snyder‘s darker, more violent take on the marquee superhero.
Man of Steel, directed by Snyder and produced by Christopher Nolan, debuted to $113.1 million over Father’s Day weekend in North America and to $71.6 million from 24 markets overseas for a total opening of $196.7 million. That includes the $12 million grossed Thursday night from special Walmart screenings in the U.S., which puts the domestic take at $125.1 million.
Man of Steel eclipsed previous June record-holder Toy Story 3, which debuted to $110.3 million in June 2010. All told, grosses for Father’s Day weekend were up a staggering 51 percent over last year, with Man of Steel capturing 60 percent of the market.
“The movie is a perfect blend of a superhero who reaches not only the fanboy audience, but the family audience as well, with great results from both,” said WB president of domestic distribution Dan Fellman.
Man of Steel is a notable win for WB and Legendary Pictures, which co-financed the $225 million tentpole. In 2006, WB and Legendary’s Superman Returns did okay business at the box office, but not enough to mark a new chapter for the franchise.
Man of Steel opened exactly 30 years after Superman III, the third entry in the wildly popular Christopher Reeve franchise. There was one more title in that series, Superman IV: The Quest for Peace, although it fell flat at the box office in summer 1987.
This time out, British star Henry Cavill stars as Clark Kent, aka Superman, which sees his character trying to hide his superpowers and live a normal life on Earth. Amy Adams stars as Lois Lane and Michael Shannon takes on the role of the menacing General Zod. Russell Crowe, Kevin Costner and Diane Lane also star.
David S. Goyer penned the script based on a story he crafted with Nolan. Warners and Legendary turned to Nolan as a producer on the project after he successfully revived the Batman franchise with his Dark Knight trilogy. In the summer of 2005, Nolan’s Batman Begins opened to $48.7 million and had incredible staying power.
Man of Steel, while drawing mixed reviews, earned an A- CinemaScore, portending strong word of mouth. The pic skewed male (56 percent) and was fueled by older moviegoers, with 62 percent of the audience over the age of 25.
IMAX theaters did big business, taking in $13.3 million (12 percent of the total gross) to likewise score the biggest June opening of all time.
Overall, 41 percent of the revenues came from 3D screens.
Overseas, Man of Steel soared to the top of the chart in the U.K. — Cavill’s home country — and in Mexico, taking in $17.1 million and $9.8 million, respectively. It dazzled in Southeast Asia, including South Korea ($9.9 million).
In the 24 markets where it opened, Man of Steel is pacing 39 percent ahead of Nolan’s The Dark Knight, which earned $470 million offshore.
Sony’s innovative end-of-the-world comedy This Is the End finished at No. 2 on Friday at the North American box office, with a stellar five-day debut $32.8 million. The R-rated pic opened Wednesday, marking the directorial debut of Seth Rogen and Evan Goldberg, and has already made its $32 million budget back.
This Is the End stars Rogen opposite Jonah Hill, James Franco, Jay Baruchel, Danny McBride, Craig Robinson, Michael Cera and Emma Watson.
In the comedy, the actors — all playing fictional versions of themselves — meet at a star-studded party at Franco’s house when the apocalypse begins, and they’re forced to work together to survive. The film is based on a short film created by Rogen and Baruchel in 2007 titled Jay and Seth vs. the Apocalypse. Rogen and Goldberg also co-wrote the scripts for Superbad, The Green Hornet and The Watch.
“It’s just so original and so out there,” said Sony’s distribution chief Rory Bruer. “This film will be playing for weeks to come.”
Several other studios also had reason to celebrate.
Summit’s magician heist pic Now You See Me placed No. 3 in its third weekend with $10.3 million for a domestic total of $80 million.
Universal’s Fast & Furious 6 hit $636.9 million in global grosses to become the No. 1 title in the action franchise, besting the $628 million earned by Fast Five. Domestically, the action tentpole placed No. 4 in its fourth weekend with an estimated $9.4 million, pushing its North American total to $219.6 million.
Paramount and Skydance Productions’ Star Trek Into Darkness continued to enjoy strong momentum, jumping the $200 million mark at the international box office to put its worldwide at $412.2 million. The pic earned $17 million over the weekend at the foreign box office from 57 markets for a total $201.7 million — 60 percent ahead of the 2009 Star Trek and a result of Paramount’s massive international marketing campaign.
Universal took the No. 5 slot domestically with the Jason Blum-produced thriller The Purge, starring Ethan Hawke and Lena Headey. The pic grossed $8.2 million in its second outing for a cume of $51.4 million — 17 times the film’s $3 million production budget.
The news wasn’t so good for Hawke’s second film in the marketplace, Richard Linklater‘s Before Midnight, which expanded nationwide, grossing a tepid $1.5 million from 897 theaters to place No. 13.
The scenery didn’t get much better for Shawn Levy‘s Google comedy The Internship, which tumbled 60 percent in its second weekend to $7 million for a domestic total of $31 million. The 20th Century Fox film, starring Vince Vaughn and Owen Wilson, placed No. 6.
Sofia Coppola‘s The Bling Ring rung up strong business at the specialty box office as it debuted to sold out crowds in five theaters in New York and Los Angeles. The movie, from A24 Films, took in $210,000 for a location average of $42,000. It marks the director’s best opening since Lost in Translation, as well as the top location average of the weekend.
Documentary 20 Feet From Stardom also got off to a strong start, grossing $52,000 from three theaters for a location average of $17,404. Radius is distributing the film.
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