
Black Angel - H 2013
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Thirty-five years after it screened alongside The Empire Strikes Back in 1980, fantasy short Black Angel is getting the feature-length treatment.
Roger Christian (Nostradamus, Battlefield Earth), who won an Oscar for his set decoration work on the first Star Wars (where he, among other achievements, helped design the first-ever lightsaber), is returning to write and direct the adaptation of his first-ever effort as a director.
“It’s my passion project, has been for 35, 36 years,” Christian tells The Hollywood Reporter. “I guess ‘patience is a virtue’ is a true saying.”
Originally commissioned by George Lucas, who Christian claims “hated” it, the 25-minute Black Angel — about a Crusade-era knight on a quest to defeat an evil force and free a captured maiden — was shot in Scotland on a shoestring budget of just £25,000, much of which the director claims was spent on “two big horses.”
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It never appeared on home video after its brief theatrical run, but it went on to be seen as a significant influence in subsequent fantasy films such as John Boorman’s Excaliber (1981). Adding to the overall mystery, the negatives were considered lost for three decades — only to be discovered in 2013 in Universal’s U.S. archives. The film has since screened again at various film festivals.
“It kind of happened — serendipity of the universe — as J.J. [Abrams] was about to start filming [The Force Awakens], so it became this legendary story of a lost piece of Star Wars history,” says Christian.
The feature-length version of Black Angel, which is expected to go into production later this year, will have a marginally bigger budget of “around $15 million,” says Christian, and is being backed by London-based sales and distribution banner Carnaby International. “I can make a huge epic film with that,” he adds. “I’m going down and dirty, I want the audience to smell the blood and the sweat and the tears. I’ll be doing fights in mud and rain.”
And in Rutger Hauer and John Rhys-Davies (Raiders of the Lost Ark, Lord of the Rings), Christian already has two swords-and-sandals favorites lined up for the cast, although he says more and younger castmembers will be announced later. “These kind of faces fit into this ancient world so well; they’re powerful actors and I need that,” he says.
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The eight-week shoot will take place again in Scotland, plus Hungary, Morocco and Belgium. “They’d be hurling haggis at me if I didn’t shoot in Scotland — they kind of own Black Angel.”
Backing up the production, a 45-day crowdfunding campaign has been launched on Indiegogo that is aiming to raise $100,000, offering perks including opportunities to be an extra in the film and a weeklong mentorship in postproduction with the audio department. An actual two-frame film negative from Star Wars: A New Hope given to Christian by Lucas is also up for grabs.
“It may seem a small amount, but it all helps, and I think it’s very important to build you fan base, and that’s what [crowdfunding] does,” Christian says.
Although Lucas commissioned the first short, he isn’t involved with the full-length version of Black Angel (Christian says he’s actually busier than ever since selling his Star Wars universe to Disney).
“But I sat with George for about an hour and went through the film, and he said you’re doing the right thing keeping it smaller; he said that was a very important lesson.”
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