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Standing on the big stage inside Park City’s Eccles Theatre on Saturday night, Anne Hathaway took the microphone during a brief Q&A session following the world premiere of her new film, Eileen.
After saying how honored she is to be in the cast of William Oldroyd’s film alongside Thomasin McKenzie, Shea Whigham, Marin Ireland and Owen Teague, the Oscar winner offered a polite apology if what she was about to say turned into “an annoying headline.”
Anne Hathaway at the #Sundance Q&A of the premiere of Eileen. pic.twitter.com/KEDvXv1IHB
— Chris Barrett ⛓ (@ChrisBarrett) January 22, 2023
Hopefully, she won’t find it too annoying that her comments did, in fact, turn into a story, but what she said warranted follow-up. Hathaway explained that her path toward partnering with Oldroyd on Eileen started when she saw his 2016 period piece Lady Macbeth starring Florence Pugh. “I thought it was extraordinary work. I saw a study of female complication that hit me really, really deep, and I felt like Will was a filmmaker that could be trusted to tell complicated stories, especially about females.”
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His skill meant a great deal, because Hathaway said that she “just remembered one of the very first questions I ever got asked when I started acting work, which meant, you know, when I had to do press, was, ‘Are you a good girl or a bad girl?’ I was 16, and my 16-year-old self wanted to respond with this film. Though I did not know that when I read the script, I think a part of me hoped for this exact moment.”
Based on the book of the same name by Ottessa Moshfegh and adapted by Luke Goebel, Eileen follows a peculiar young woman whose dreary life stretches on toward unending misery. In frigid 1960s Boston, Eileen (McKenzie) shuffles between her father’s emotionally haunted home and the prison where she works alongside colleagues who have ostracized her. When an intoxicating woman (Hathaway) joins the staff, Eileen is taken. Just when the possibility of a salvational friendship (or maybe more) takes hold and forms a singular glimmer in Eileen’s darkness, her newfound confidant entangles her in a shocking crime.
And what a moment it was. Audience members inside the Eccles reported hearing audible gasps when the film took dark and unexpected twists. Early response on Twitter has been overwhelmingly positive for the film, which is seeking distribution here in Park City.
See below for responses from inside tonight’s world premiere.
Shades of CAROL, but more twisted: the Ottessa Moshfegj adaptation of EILEEN. Thomas McKenzie is superb and Anne Hathaway (as a prison psychologist) seems to be channeling her inner Jessica Lang. Beautifully filmed. Audible gasps in the audience. #Sundance23 #sundance pic.twitter.com/1FfMoN9Wmq
— shinan govani (@shinangovani) January 22, 2023
EILEEN feels a lot like Carol By The Sea … Thomasin McKensie's mousy prison secretary enchanted by the bright glow of Anne Hathaway's blonde psychologist. And then it take a HARD LEFT and becomes something else altogether. Big gasps from packed #Sundance house.
— josh (@joshc) January 22, 2023
EILEEN is dynamite. Went in blind and it knocked me out. Anne Hathaway, Thomasin McKenzie, and especially Marin Ireland are all electric here. #Sundance
— Chris Evangelista (@cevangelista413) January 22, 2023
Oh my Eileen could be a THiNG in theaters.
— Gregory Ellwood – Sundance – The Playlist 🎬 (@TheGregoryE) January 22, 2023
Slow burn and then truly impressive twists. Thomasin Mackenzie kills it. Anne Hathaway’s best performance in YEARS.
Grade: B+ #Sundance pic.twitter.com/gKYfJQysIx
#Eileen star Anne Hathaway in THR's #Sundance Studio https://t.co/0MIO6MTs0T pic.twitter.com/4hR9GJm3S5
— The Hollywood Reporter (@THR) January 22, 2023
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