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Many of the filmmakers whose work has been selected to screen at the 2012 Sundance Film Festival are “questioning the status quo of the American dream,” says festival director John Cooper. “Having babies, in a relationship, getting married — a very authentic, independent way of looking at all that stuff.”
The festival unveiled its official competition lineup Wednesday, and that always provides an occasion for independent film watchers to offer up their annual assessments of the health of the industry. But to hear Cooper tell it, the last few years of contraction and confusion have produced a solid new business.
“The independent film movement is very healthy right now,” says Cooper, in his third year as director. “It’s a good place to be. With so many financial challenges you would think it wouldn’t be, but maybe that’s that whole thing of art succeeding more when there are a lot of challenges to the world itself.”
The U.S. narrative competition consists of 16 world premieres, including So Yong Kim’s For Ellen, about a struggling musician fighting for custody of his daughter starring Paul Dano and Jena Malone; Ry Russo-Young’s Nobody Walks, which follows a New York City artist as she wreaks havoc with one family’s lives over a weeklong visit in L.A. starring John Krasinski and Rosemarie DeWitt; James Ponsoldt’s Smashed, about the effect on a young married couple when the woman decides to get sober; and Youssef Delara and Michael D. Olmos’ Filly Brown, a drama about a Mexican girl who copes with her mother’s incarceration through hip-hop music.
Actor-writer Mark Webber, who co-wrote Joshua Leonard’s 2011 Sundance premiere The Lie, will appear in two films in competition this year: Save the Date from filmmaker Michael Mohan, and The End of Love, which Webber also wrote and directed. Sheldon Candis’ Luv features an orphaned 11-year-old Baltimore boy coming to terms with the truth about his uncle, while Ava DuVernay’s Middle of Nowhere follows an African-American woman struggling to keep her identity after her husband is incarcerated.
“We are, and always have been, a festival about the filmmakers,” said Sundance Institute founder and president Robert Redford. “So what are they doing? What are they saying? They are making statements about the changing world we are living in. Some are straightforward, some novel and some offbeat but always interesting.”
Meanwhile, Antonio Campos’ intense Simon Killer, about a recent college graduate who falls in love with a Paris prostitute, could provide some provocation. (Campos is part of Borderline Films, which also produced Sean Durkin’s 2011 drama Martha Marcy May Marlene, and he had his film Afterschool at Cannes in 2008.) “That one’s going to rattle some cages,” says director of programming Trevor Groth.
Every year when the program is announced, journalists and other observers inevitably search for trends and messages in the films and filmmakers that have been selected. The most notable aspect of the festival’s 28th edition, however, may just be a surge in quality brought on by the new limitations of the business, particularly on the narrative side.
“I was very optimistic putting the program together,” says Cooper. “The films that we saw have a general quality that is better. There’s a bar that’s being raised each year from the filmmakers between themselves, knowing what they have to do to compete in the independent film world. They’re a little more exacting in their storylines and characters. That authenticity reads as interesting and fresh and makes you want to see these movies because they don’t seem like a rehash of old stories.”
The fest’s four competition categories — U.S. narrative and documentary, world narrative and documentary —include 58 total films, 48 of them world premieres and 26 from first-time filmmakers. The festival program as a whole, which includes six out-of-competition categories (those titles will be unveiled Thursday and Monday), will feature 110 feature-length films from 31 countries, including 88 world premieres. While the total number of feature-length films that will be screened is slightly down, the number of submissions rose once again, about 6 percent, from 3,812 films in 2011 to 4,042 this year (2,059 U.S.; 1,983 international).
As usual, the documentary programs cover a host of artistic, political and social issues “in a real, deep, comprehensive way,” Cooper says. Included in the U.S. doc category’s 16 world premieres are Heidi Ewing and Rachel Grady’s look at the collapse of U.S. manufacturing in Detropia; Kirby Dick’s exploration of rape in the military in The Invisible War; Eugene Jarecki’s assessment of the War on Drugs in The House I Live In; and Macky Alston’s look at an openly gay bishop in Love Free or Die: How the Bishop of New Hampshire is Changing the World.
The twelve films in the world doc section include Yung Chang’s China Heavyweight, about poor rural Chinese teenagers recruited to become Western-style boxing champions; Mads Brügger’s The Ambassador, about a white diplomat operating in Central Africa; and Omar Shargawi and Karim El Hakim’s ½ Revolution, about the back-alley dramas behind the recent Egyptian revolution.
Several years ago when Cooper took over the festival, he discarded the traditional opening-night film and replaced it with a complete mini-program that runs Thursday night, Jan. 19, and includes one film from each of the main competition categories as well as a shorts program. This year, those feature films are the U.S. narrative entry Hello I Must Be Going from director Todd Louiso and screenwriter Sarah Koskoff; the U.S. documentary entry The Queen of Versailles from director Lauren Greenfield; the world narrative entry Wish You Were Here from director Kieran Darcy-Smith, who wrote the screenplay with Felicity Price; and the world documentary entry Searching for Sugar Man from director Malik Bendjelloul.
Throughout the fest, Sundance audiences may note an unusual prevalence of films with female protagonists (especially in comedies), from both male and female directors, perhaps stoked by the recent Sundance successes of movies such as Winter’s Bone (Jennifer Lawrence, 2010) and Martha Marcy May Marlene (Elizabeth Olsen, 2011). In many cases, these new films provide potential breakout lead platforms for actors typically found in secondary parts — Lizzy Caplan in Save the Date, Olivia Thirlby in Nobody Walks and Mary Elizabeth Winstead in Smashed. “The emerging talent, the actors and actresses that we’ve brought to light in the last couple of years, that’s always exciting for us,” says Cooper.
Also (re-)emerging this year is the Racquet Club Theatre, which traditionally had shown many of the U.S. narrative competition films but was shut down for renovation last year. In January, the venue will be back in action as the MARC (Municipal Athletic Recreation Center), a reconfiguration that involved turning the theater sideways, giving it a better design, a bigger screen and more comfortable, though fewer, seats. Much of the Documentary Premieres program (which will be announced Dec. 5) will take up residence there. The re-instated venue provides some much needed breathing room for scheduling, especially since there will inevitably be more films added, shifted and dropped in the coming weeks — last year, Gus Van Sant’s Restless was pulled from the line-up not long after it was announced.
The festival’s runs January 19-29 with screenings and events in Park City, Salt Lake City, Ogden and Sundance, Utah. At the 2011 festival, Like Crazy from co-writer-director Drake Doremus won the grand jury prize for U.S. dramatic film, while the grand jury prize for U.S. documentary went to Peter D. Richardson’s How to Die in Oregon. Director Anne Sewitsky and screenwriter Ragnhild Tronvoll’s Happy, Happy from Norway won the world cinema dramatic grand jury prize, while Danfung Dennis’ Hell and Back Again won the grand jury prize for world cinema documentary.
The complete line-up follows after the break
U.S. DRAMATIC COMPETITION
Beasts of the Southern Wild/ U.S.A. (Director: Benh Zeitlin, Screenwriters: Benh Zeitlin, Lucy Alibar) — Waters gonna rise up, wild animals gonna rerun from the grave, and everything south of the levee is goin’ under, in this tale of a six year old named Hushpuppy, who lives with her daddy at the edge of the world. Cast: Quvenzhané Wallis, Dwight Henry.
The Comedy/ U.S.A. (Director: Rick Alverson, Screenwriters: Rick Alverson, Robert Donne, Colm O’Leary) — Indifferent even to the prospects of inheriting his father’s estate, Swanson whiles away his days with a group of aging Brooklyn hipsters, engaging in small acts of recreational cruelty and pacified boredom. Cast: Tim Heidecker, Eric Wareheim, Kate Lyn Sheil, Alexia Rassmusen, Gregg Turkington.
The End of Love/ U.S.A. (Director and screenwriter: Mark Webber) — A young father unravels following the loss of the mother of his child. Cast: Mark Webber, Shannyn Sossamon, Michael Cera, Jason Ritter, Amanda Seyfried, Frankie Shaw.
Filly Brown/ U.S.A. (Directors: Youssef Delara, Michael D. Olmos, Screenwriter: Youssef Delara) — A Hip Hop-driven drama about a Mexican girl who rises to fame and consciousness as she copes with the incarceration of her mother through music. Cast: Lou Diamond Phillips, Gina Rodriguez, Jenni Rivera, Edward James Olmos.
The First Time/ U.S.A. (Director and screenwriter: Jonathan Kasdan) — Two high schoolers meet at a party. Over the course of a weekend, things turn magical, romantic, complicated and funny, as they discover what it’s like to fall in love for the first time. Cast: Brittany Robertson, Dylan O’Brien, Craig Roberts, James Frecheville, Victoria Justice.
For Ellen/ U.S.A. (Director and screenwriter: So Yong Kim) — A struggling musician takes an overnight long-distance drive in order to fight his estranged wife for custody of their young daughter. Cast: Paul Dano, Jon Heder, Jena Malone, Margarita Levieva, Shay Mandigo.
Hello I Must Be Going/ U.S.A. (Director: Todd Louiso, Screenwriter: Sarah Koskoff) — Divorced, childless, demoralized and condemned to move back in with her parents at the age of 35, Amy Minsky’s prospects look bleak – until the unexpected attention of a teenage boy changes everything. Cast: Melanie Lynskey, Blythe Danner, Christopher Abbott, John Rubinstein, Julie White. DAY ONE FILM
Keep the Lights On/ U.S.A. (Director: Ira Sachs, Screenwriters: Ira Sachs, Mauricio Zacharias) —An autobiographically inspired story of a passionate long-term relationship between two men driven by addiction and secrets but bound by love and hopefulness. Cast: Thure Lindhardt, Zachary Booth, Julianne Nicholson, Souleymane Sy Savane, Paprika Steen.
LUV/ U.S.A. (Director: Sheldon Candis, Screenwriters: Sheldon Candis, Justin Wilson) — An orphaned 11-year-old boy is forced to face the unpleasant truth about his beloved uncle during one harrowing day in the streets of Baltimore. Cast: Common, Michael Rainey Jr., Dennis Haysbert, Danny Glover, Charles S. Dutton.
Middle Of Nowhere/ U.S.A. (Director and screenwriter: Ava DuVernay) — When her husband is incarcerated, an African-American woman struggles to maintain her marriage and her identity. Cast: Emayatzy Corinealdi, David Oyelowo, Omari Hardwick, Lorraine Touissant, Edwina Findley.
Nobody Walks/ U.S.A. (Director: Ry Russo-Young, Screenwriters: Lena Dunham, Ry Russo-Young) — Martine, a young artist from New York, is invited into the home of a hip, liberal LA family for a week. Her presence unravels the family’s carefully maintained status quo, and a mess of sexual and emotional entanglements ensues. Cast: John Krasinski, Olivia Thirlby, Rosemarie DeWitt, India Ennenga, Justin Kirk.
Safety Not Guaranteed/ U.S.A. (Director: Colin Trevorrow, Screenwriter: Derek Connolly) — A trio of magazine employees investigate a classified ad seeking a partner for time travel. One employee develops feelings for the paranoid but compelling loner and seeks to discover what he’s really up to. Cast: Aubrey Plaza, Mark Duplass, Jake Johnson, Karen Soni.
Save the Date/ U.S.A. (Director: Michael Mohan, Screenwriters: Jeffrey Brown, Egan Reich, Michael Mohan) — As her sister Beth prepares to get married, Sarah finds herself caught up in an intense post-breakup rebound. The two fumble through the redefined emotional landscape of modern day relationships, forced to relearn how to love and be loved. Cast: Lizzy Caplan, Alison Brie, Martin Starr, Geoffrey Arend, Mark Webber.
Simon Killer/ France, U.S.A. (Director and screenwriter: Antonio Campos) — A recent college graduate goes to Paris after breaking up with his girlfriend of 5 years. Once there, he falls in love with a young prostitute and their fateful journey begins. Cast: Brady Corbet, Mati Diop, Constance Rousseau, Michael Abiteboul, Solo.
Smashed/ U.S.A. (Director: James Ponsoldt, Screenwriters: Susan Burke, James Ponsoldt) — Kate and Charlie are a young married couple whose bond is built on a mutual love of music, laughter and… drinking. When Kate decides to get sober, her new lifestyle brings troubling issues to the surface and calls into question her relationship with Charlie. Cast: Mary Elizabeth Winstead, Aaron Paul, Octavia Spencer, Nick Offerman, Megan Mullally.
The Surrogate/ U.S.A. (Director and screenwriter: Ben Lewin) — Mark O’Brien, a 36-year-old poet and journalist with an iron lung, decides he no longer wishes to be a virgin. With the help of his therapist and the guidance of his priest, he contacts a professional sex surrogate to take him on a journey to manhood. Cast: John Hawkes, Helen Hunt, William H. Macy.
U.S. DOCUMENTARY COMPETITION
Ai Weiwei: Never Sorry / U.S.A., China (Director: Alison Klayman) — Renowned Chinese artist and activist Ai Weiwei has garnered international attention as much for his ambitious artwork as his political provocations and increasingly public clashes with the Chinese government.
The Atomic States of America/ U.S.A. (Directors: Don Argott, Sheena M. Joyce) — In 2010, the United States announced construction of the first new nuclear power plant in more than 32 years. A year later, a 9.0 magnitude earthquake struck the Fukushima Power Plant in Japan sparking a fierce debate in the U.S. over the safety and viability of nuclear power.
Chasing Ice/ U.S.A. (Director: Jeff Orlowski) — Science, spectacle and human passion mix in this stunningly cinematic portrait as National Geographic photographer James Balog captures time-lapse photography of glaciers over several years providing tangible visual evidence of climate change.
Detropia /U.S.A. (Directors: Heidi Ewing, Rachel Grady) — The woes of Detroit are emblematic of the collapse of the U.S. manufacturing base. This is the dramatic story of a city and its people who refuse to leave the building, even as the flames are rising.
Escape Fire: The Fight to Rescue American Healthcare/ U.S.A. (Directors: Matthew Heineman, Susan Froemke) — What can be done to save our broken medical system? Powerful forces are trying to maintain the status quo in a profit-driven medical industry, but a movement to bring innovative methods of prevention and healing is finally gaining ground – potentially saving the health of a nation.
Finding North/U.S.A. (Directors: Lori Silverbush, Kristi Jacobson) — A crisis of hunger looms in America and is not limited to the poverty stricken and uneducated. Can a return to policies of the 1970s save our future?
The House I Live In / U.S.A. (Director: Eugene Jarecki) — For over 40 years, the War on Drugs has accounted for 45 million arrests, made America the world’s largest jailer and damaged poor communities at home and abroad. Yet, drugs are cheaper, purer and more available today than ever. Where did we go wrong and what is the path toward healing?
How to Survive a Plague/ U.S.A. (Director: David France) — The untold story of the intensive efforts that turned AIDS into a manageable condition – and the improbable group of (mostly HIV-positive) young men and women whose amazing resilience broke through a time of rampant death and political indifference.
The Invisible War/ U.S.A. (Director: Kirby Dick) — An investigative and powerfully emotional examination of the epidemic of rape of soldiers within the U.S. military, the institutions that cover up its existence and the profound personal and social consequences that arise from it.
Love Free or Die: How the Bishop of New Hampshire is Changing the World/ U.S.A. (Director: Macky Alston) — One man whose two defining passions are in conflict: An openly gay bishop refuses to leave the Church or the man he loves.
Marina Abramovi? The Artist is Present/ U.S.A. (Director: Matthew Akers) — Marina Abramovi? prepares for a major retrospective of her work at The Museum of Modern Art in New York hoping to finally silence four decades of skeptics who proclaim: ‘But why is this art?’
Me at the Zoo/ U.S.A. (Directors: Chris Moukarbel, Valerie Veatch) — With 270 million hits to date, Chris Crocker, an uncanny young video blogger from small town Tennessee, is considered the Internet’s first rebel folk hero and at the same time one of its most controversial personalities.
The Other Dream Team/ Lithuania, U.S.A. (Director: Marius Markevicius) — The 1992 Lithuanian National Basketball Team went from the clutches of Communism to the Summer Olympics in Barcelona – a testament to the powerful role of sports as a catalyst for cultural identity.
The Queen of Versailles/ U.S.A. (Director: Lauren Greenfield) — Jackie and David were triumphantly constructing the biggest house in America – a sprawling, 90,000-square-foot palace inspired by Versailles – when their timeshare empire falters due to the economic crisis. Their rags-to-riches-to-rags story reveals the innate virtues and flaws of the American Dream. DAY ONE FILM
Slavery By Another Name / U.S.A. (Director: Sam Pollard) — As slavery came to an end with Abraham Lincoln’s Emancipation Proclamation, a new system of involuntary servitude took its place with shocking force, brutalizing, terrorizing and ultimately circumscribing the lives of hundreds of thousands of African Americans well into the 20th century.
We’re Not Broke/ U.S.A. (Directors: Karin Hayes, Victoria Bruce) — As American lawmakers slash budgets and lay off employees, leaving many people scrambling to survive, multibillion-dollar corporations are concealing colossal profits overseas to avoid paying U.S. income tax. Fed-up Americans are taking their frustration to the streets.
WORLD CINEMA DRAMATIC COMPETITION
4 Suns/ Czech Republic (Director and screenwriter: Bohdan Sláma) — Immature Fogi attempts to straighten up and accept his responsibilities as a new husband and father, as well as role model to his troubled son from a previous relationship, but finds himself unable to change his nature, leaving him to watch haplessly as his family begins to crumble. Cast: Jaroslav Plesl, A?a Geislerová, Karel Roden, Ji?í Mádl, Klára Melíšková. World Premiere
About the Pink Sky/ Japan (Director and screenwriter: Keiichi Kobayashi) — A high school girl finds a wallet full of money and tracks down its owner, leading to unexpected consequences for the girl and her friends. Cast: Ai Ikeda, Ena Koshino, Reiko Fujiwara, Tsubasa Takayama, Hakusyu Togetsuan. International Premiere
Can/ Turkey (Director and screenwriter: Rasit Celikezer) — A young married couple live happily in Istanbul, but their decision to illegally procure a child threatens their future together. Cast: Selen Ucer, Serdar Orcin, Berkan Demirbag, Erkan Avci. World Premiere
Father’s Chair (A Cadeira do Pai)/ Brazil (Director: Luciano Moura, Screenwriters: Elena Soarez, Luciano Moura) — Following the trail of his runaway teen son, Theo confronts his own identity as a son, a father and a man along the way. Cast: Wagner Moura, Lima Duarte, Mariana Lima. World Premiere
L/ Greece (Director: Babis Makridis, Screenwriters: Efthymis Filippou, Babis Makridis) — A man who lives in his car gets caught up in the undeclared war between motorcycle riders and car drivers. Cast: Aris Servetalis, Makis Papadimitriou, Lefteris Mathaios, Nota Tserniafski, Stavros Raptis. World Premiere
The Last Elvis (El Ultimo Elvis)/ Argentina (Director: Armando Bo, Screenwriters: NicolásGiacobone and Armando Bo) — A Buenos Aires Elvis impersonator who believes that he is the reincarnation of the King struggles to shake free from reality and live his musical dream. Cast: John McInerny, Griselda Siciliani, Margarita Lopez. World Premiere
Madrid, 1987/ Spain (Director and screenwriter: David Trueba) — The balance of power and desire constantly shifts during the meeting of an older journalist and a young student, of two generations completely foreign to one another. Cast:José Sacristán, María Valverde, Ramon Fontserè. International Premiere
My Brother the Devil/ United Kingdom (Director and screenwriter: Sally El Hosaini) — A pair of British Arab brothers trying to get by in gangland London learn the extraordinary courage it takes to be yourself. Cast: James Floyd, Saïd Taghmaoui, Fady Elsayed. World Premiere
Teddy Bear/ Denmark (Director: Mads Matthiesen, Screenwriters: Mads Matthiesen, Martin Pieter Zandvliet) — Dennis, a painfully shy 38-year-old bodybuilder who lives with his mother, sets off to Thailand in search of love. Cast: Kim Kold, Elsebeth Steentoft, Lamaiporn Sangmanee Hougaard, David Winters, Allan Mogensen. World Premiere
Valley of Saints/ India, U.S.A. (Director and screenwriter: Musa Syeed) — Gulzar plans to run away from the war and poverty surrounding his village in Kashmir with his best friend, but a beautiful young woman researching the dying lake leads him to contemplate a different future Cast: Gulzar Ahmad Bhat, Mohammed Afzal Sofi, Neelofar Hamid. World Premiere
Violeta Went to Heaven (Violeta se Fue a Los Cielos)/ Chile, Argentina, Brazil, Spain (Director:Andrés Wood, Screenwriters: Eliseo Altunaga, Rodrigo Bazaes, Guillermo Calderón, Andrés Wood) — A portrait of famed Chilean singer and folklorist Violeta Parra filled with her musical work, her memories, her loves and her hopes. Cast:Francisca Gavilán, Thomas Durand, Luis Machín, Gabriela Aguilera, Roberto Farías. International Premiere
Wish You Were Here/ Australia (Director: Kieran Darcy-Smith, Screenwriters: Felicity Price, Kieran Darcy-Smith) — Four friends embark on a carefree holiday, but only three return home. Who knows what happened on that fateful night? Cast: Joel Edgerton, Teresa Palmer, Felicity Price, Antony Starr. World Premiere. DAY ONE FILM
Wrong/ France (Director and screenwriter: Quentin Dupieux) — Dolph searches for his lost dog, but through encounters with a nympho pizza-delivery girl, a jogging neighbor seeking the absolute, and a mysterious righter of wrongs, he may eventually lose his mind… and his identity. Cast: Jack Plotnick, Eric Judor, Alexis Dziena, Steve Little, William Fichtner. World Premiere
Young & Wild/ Chile (Director: Marialy Rivas, Screenwriters: Marialy Rivas, Camila Gutiérrez, Pedro Peirano) — 17-year-old Daniela, raised in the bosom of a strict Evangelical family and recently unmasked as a fornicator by her shocked parents, struggles to find her own path to spiritual harmony. Cast: Alicia Rodríguez, Aline Kuppenheim, MaríaGracia Omegna, Felipe Pinto. World Premiere
WORLD CINEMA DOCUMENTARY COMPETITION
½ Revolution/ Denmark (Directors: Omar Shargawi, Karim El Hakim) — In January 2011, two filmmakers captured the reality of the Egyptian revolution as it occurred out of view from the world’s media in the alleyways and streets away from the square – and in the process were arrested by the secret police. North American Premiere
5 Broken Cameras/ Palestine, Israel, France (Directors: Emad Burnat, Guy Davidi) — A Palestinian journalist chronicles his village’s resistance to a separation barrier being erected on their land and in the process captures his young son’s lens on the world. International Premiere
The Ambassador/ Denmark (Director: Mads Brügger) — What happens when a very white European man buys his way into being a diplomat in one of Central Africa’s most failed nations? Welcome to the bizarre and hidden world of African diplomacy, where gin and tonics flow and diamond hustlers and corrupt politicians run free. North American Premiere
Big Boys Gone Bananas!*/ Sweden (Director: Fredrik Gertten) — The behind-the-scenes story of a full-scale attack on freedom of speech. When Dole set its sights on the WG Film production Bananas!* in May 2009, confusion was the method, aggression was the tactic and media control was the story. North American Premiere
China Heavyweight/ Canada, China (Director: Yung Chang) — In central China, where a coach recruits poor rural teenagers and turns them into Western-style boxing champions, the top students face dramatic choices as they graduate – should they fight for the collective good or for themselves? A metaphor for the choices everyone in the New China faces now. World Premiere
Gypsy Davy/ Israel, U.S.A., Spain (Director: Rachel Leah Jones) — How does a white boy with Alabama roots become a Flamenco guitarist in Andalusian boots? A tale of self-invention and the pursuit of happiness, regardless of the cost to others. International Premiere
The Imposter / United Kingdom (Director: Bart Layton) — In 1994 a 13-year-old boy disappears from his home in San Antonio, Texas. Three and a half years later he is found alive thousands of miles away in Spain with a shocking story of kidnap and torture. But all is not what it seems in this tale that is truly stranger than fiction. World Premiere
Indie Game: The Movie/ Canada (Directors: Lisanne Pajot, James Swirsky) — Follow the dramatic journeys of indie game developers as they create games and release those works, and themselves, to the world. World Premiere
The Law in These Parts/ Israel (Director: Ra’anan Alexandrowicz) — Israel’s 43-year military legal system in the Occupied Palestinian Territories unfolds through provocative interviews with the system’s architects and historical footage showing the enactment of these laws upon the Palestinian population. International Premiere
Payback/ Canada (Director: Jennifer Baichwal) — Based on Margaret Atwood’s best-selling book, Payback explores how debt is a central organizing principle in our lives – influencing relationships, societies, governing structures and the very fate of this planet. World Premiere
Putin’s Kiss/ Denmark (Director: Lise Birk Pedersen) — 19-year-old Marsha is a model spokesperson in a strongly nationalistic Russian youth movement that aims to protect the country from its enemies. When she starts recognizing the organization’s flaws, she must take a stand for or against it. North American Premiere
Searching for Sugar Man/ Denmark, United Kingdom (Director: Malik Bendjelloul) — Rodriguez was the greatest ‘70s US rock icon who never was. Hailed as the greatest recording artist of his generation he disappeared into oblivion – rising again from the ashes in a completely different context many miles away.World Premiere. DAY ONE FILM
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