- Share this article on Facebook
- Share this article on Twitter
- Share this article on Email
- Show additional share options
- Share this article on Print
- Share this article on Comment
- Share this article on Whatsapp
- Share this article on Linkedin
- Share this article on Reddit
- Share this article on Pinit
- Share this article on Tumblr
TORONTO — A mismatched-buddy road film holding one or two surprises more than such tales usually do, Mika Kaurismäki‘s Road North pairs a son with the father he never knew. Exhibiting few of the quirks associated with the Kaurismäki name but not exactly generic, its familiar pleasures should satisfy arthouse patrons; if it were in English, the story would easily have connected with a more mainstream audience.
Much of the film’s appeal comes from walrus-sized star Vesa-Matti Loiri, whose Leo Porola shambles through an airport like a man ten yards from the finish line of a marathon of gluttony. Arriving at the home of his concert pianist son (Samuli Edelmann‘s Timo), whose wife and child recently left him, Leo explains who he is — Timo has seemingly given little thought to his father’s identity or whereabouts — and convinces him to go for a day trip in a stolen Pontiac ragtop. There’s something Leo wants to show his son, but he won’t say what.
The tour stops first at the home of Timo’s sister — her existence also news to the stiff but curious young man — a visit that sets the tone for encounters in which people with every right to disdain the old man for running out on them instead greet him with amused exasperation. Loiri earns that reception, managing to find the charm in a boorish gesture like bringing a just-caught fish as a gift for a couple who aren’t expecting him (and, in fact, are busy having sex for the first time in six months).
The script, cowritten by Kaurismäki and Sami Keski-Vähälä, makes a predictable arc from small revelations to large ones, with breaks for comic mishaps and even a genuinely charming musical number. But while there’s a mission behind the trip, Kaurismäki stands at arm’s length from clichés about emotional self-discovery and learning to love that which irritates us.
The closest the film gets to sentimentality is an episode with Leo’s own mother, a senile woman who enjoys one last chance to cruise with the top down along sun-dappled Lapland roads. But then Kaurismäki takes the trio to Leo’s childhood house, which has been plowed down and replaced by a casino. For once, home has abandoned Leo instead of vice versa.
Production Company: Marianna Films Oy
Cast: Vesa-Matti Loiri, Samuli Edelmann, Mari Perankoski, Irina Björklund, Peter Franzen, Elina Knihtilä
Director-Producer: Mika Kaurismäki
Screenwriters: Sami Keski-Vähälä, Mika Kaurismäki
Director of photography: Jari Mutikainen
Production designer: Sasu Joutsi
Music: Kaihon Karavaani, Mauri Sumen
Costume designer: Riitta-Maria Vehman
Editor: Jukka Nykänen
Sales: The Yellow Affair
No rating, 112 minutes
Sign up for THR news straight to your inbox every day