- Share this article on Facebook
- Share this article on Twitter
- Share this article on Email
- Show additional share options
- Share this article on Print
- Share this article on Comment
- Share this article on Whatsapp
- Share this article on Linkedin
- Share this article on Reddit
- Share this article on Pinit
- Share this article on Tumblr
To the many ways in which the career of Japanese auteur and action star Takeshi Kitano resembles that of Clint Eastwood, we can now add another: Both have made the increasingly obligatory geezer-comeback film. It was retired astronauts in Eastwood’s Space Cowboys; in Kitano’s Ryuzo and the Seven Henchmen, we get yakuza who hobble out onto not-so-mean-anymore streets attempting to regain their fearsome reputations. A bit sillier than it needs to be to earn the laughs it winds up getting, the likeable picture (which got a Japanese release in April) isn’t colorful enough to reach beyond the director’s established fan base here. Of those who follow Kitano, some will lament his small role onscreen.
Tatsuya Fuji (In the Realm of the Senses) is the star here, an old man who retains some Mifune-style cool despite now being dependent on his rule-following son for support. After being fooled by some small-potatoes scammers who are affiliated with a new breed of criminal (whose diversified crimes feel more like corporate strategy than mob rule), Fuji’s Ryuzo starts longing for the old days, when he and his buddies were feared throughout Tokyo.
Hanging around old haunts with another retired criminal, Ryuzo decides to have a little reunion. Kitano has fun with the introduction of each character, showing stylish faux-vintage footage of each man’s vicious exploits before cutting to the withered or buffoonish oldster he has become. Too buffoonish, in some cases: Mac, for instance, is a Steve McQueen freak played with one-joke flakiness by Toru Shinagawa; the continual bumbling of Akira Nakao‘s Mokichi makes sense only as a way of pushing the plot along.
That plot, in which Ryuzo and company form a new crime family and face off with those younger crooks, is too thin to sustain much interest, and certainly doesn’t demand a nearly two-hour running time. Kitano finds plenty of opportunities to milk his old farts’ flatulence for yuks; fresher gags are hard to come by.
Production company: Office Kitano
Cast: Tatsuya Fuji, Masaomi Kond?, Akira Nakao, T?ru Shinagawa, Beat Takeshi
Director-Screenwriter: Takeshi Kitano
Producers: Masayuki Mori, Takio Yoshida
Director of photography: Katsumi Yanagijima
Costume designer: Kazuko Kurosawa
Editors: Takeshi Kitano, Yoshinori Ota
No rating, 110 minutes
Sign up for THR news straight to your inbox every day