There’s an awful lot of suffering on display in Unconditional, a faith-based drama that avoids overt religiosity even as it preaches tolerance and understanding. This melodrama about the reunion between a children’s book author bereft over the recent shooting death of her husband and a community activist who cares for inner-city children suffers from plot contrivances and clichéd elements. But its heart is in the right place, and the appealing lead performances by Lynn Collins and Michael Ealy provide some compensation.
Collins plays Samantha, who is seen contemplating suicide when she happens upon a car accident in which a young girl is hurt. She rushes the victim and her brother to the hospital, where she comes into contact with her old childhood friend Joe (Ealy), who after a stint in prison has devoted himself to working with “at risk” inner city kids.
Related Stories
Even as the pair resume their relationship, Samantha devotes herself to finding her husband’s killer, not finding much help from a cynical detective (Bruce McGill) who is content to just write it off an just another urban shooting. Meanwhile, Joe — a character based on a real-life figure, “Papa” Joe Bradford — struggles with his own problems, including a potentially fatal kidney disease to which he’s not paying proper attention.
Struggling with writer’s block, Samantha finds herself opening up emotionally after coming into contact with the young kids to whom Joe’s attending, and by the film’s end has even managed to single-handedly solve the mystery of her husband’s murder.
The latter plot development is the least convincing aspect of the screenplay by writer/director Brent McCorkle, which mainly traffics in familiar inspirational themes. But the message is thankfully not applied too heavily, and the central relationship between the two main characters — the history of which is delineated in a series of flashbacks to such childhood incidents as when she rescued him after a potentially deadly snakebite — is rendered in moving fashion.
Both Collins (10 Years, John Carter) and Ealy (TV’s Common Law, Sleeper Cell) deliver sensitive, understated turns, and the performances by the child actors, including Gabriella Phillips as a young mute girl and Kwesi Boakye as her protective brother, are uncommonly natural.
Opens: Sept. 21 (Harbinger Media Partners)
Cast: Lynn Collins, Michael Ealy, Bruce McGill, Kwesi Boakye, Gabriella Phillips
Director/screenwriter/editor: Brent McCorkle
Producers: Jason Atkins, J. Wesley Legg
Executive producer: Shannon Atkins
Director of photography: Michael Regalbuto
Production designer: Kay Lee
Costume designer: Jade Rain
Music: Brent McCorkle, Mark Petrie
Rated PG-13, 92 min
More from The Hollywood Reporter
-
![]()
-
![]()
-
Heat Vision
Zachary Levi Says He Doesn’t Blame Dwayne Johnson for the Nixed Post-Credits Scene in ‘Shazam! Fury of the Gods’
![]()
-
Wicked
Jeff Goldblum Confirms Role in ‘Wicked’ Movie Musical, Talks “Very Good” Witches Cynthia Erivo, Ariana Grande
![]()
-
international
How a ‘Pooh’ Slasher Flick May Have Tipped Hong Kong Towards Greater Beijing Censorship
![]()
-
Stephen Root
Owen Wilson Says Wig Did “Heavy Lifting” to Help Him Play Bob Ross-Inspired Character in ‘Paint’
![]()
