
In When We Leave, Sebil Kekilli plays a young mother caught between her traditional Turkish family and contemporary Germany.
Majestic Filmverleih- Share this article on Facebook
- Share this article on Twitter
- Share this article on Flipboard
- Share this article on Email
- Show additional share options
- Share this article on Linkedin
- Share this article on Pinit
- Share this article on Reddit
- Share this article on Tumblr
- Share this article on Whatsapp
- Share this article on Print
- Share this article on Comment
Told calmly but with an escalating sense of dread, the story tackles a conflict that arises in many countries when modern thinking clashes with the strict patriarchal rules of ancient cultures. It’s a universal story that will connect with audiences familiar with the struggle of expatriate families to hold on to their sense of community while their daughters aspire to independence.
Angry but clear-eyed, the film should do well at home and find a sympathetic welcome in international markets and on the festival circuit.
In an engaging performance that requires grace, thoughtfulness and outbursts of rage, Sibel Kekilli plays Umay, a young woman from a Turkish family in Germany who has married a Turkish man and gone to live in Istanbul. Having had a secret abortion because she can no longer bear her husband’s mistreatment, she takes her infant son Cem (Nizam Schiller) and goes home to Berlin.
Related Stories
Although she explains the terror of her marriage, her working class father (Settar Tanriogen) and older brother Mehmet (Tamer Yigit) insist that she must return to her husband. Even her mother (Dertya Alabora) and younger siblings tell her she’s wrong. Umay sets about establishing a new life but the perils of going against entrenched attitudes that are more ingrained that familial love soon become horrifyingly apparent.
Aladag’s sympathy is clearly with the young woman but he does not demonize her family although Yigit is allowed to froth at the mouth a bit as her pigheaded thug of an older brother. As the confused and worried parents, Tanriogen and Alabora aptly convey the sternness required of their traditions and the inner turmoil that results from living in a world they don’t understand.
Scenes between Umay and her son are managed with considerable authority so that their relationship grows increasingly meaningful as the festering hypocrisy of pious morality becomes ever more menacing and leads to a shattering outcome.
Venue: Berlin International Film Festival
Production company: Independent Artists Filmproduktion
Cast: Nizam Schiller, Settar Tanriogen, Tamer Yigit, Dertya Alabora
Director-screenwriter-producer: Feo Aladag
Producer: Zuli Aladag
Director of photography: Judith Kaufmann
Production designer: Silke Buhr
Music: Max Richter, Stephane Moucha
Costume designer: Gioia Raspe
Editor: Andrea Martens
Sales: Majestic
Not rated, 119 minutes
THR Newsletters
Sign up for THR news straight to your inbox every day