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This story first appeared in the Dec. 5 issue of The Hollywood Reporter magazine.
When you stop talking about his genius and brilliance and all that, the simple thing was, he was the pleasantest person to be with. He was amiable, he was funny, he was relaxing and relaxed.
As a director, the thing about Mike is that he understood something which is often forgotten or sidelined but from a writer’s point of view is paramount. And this is that without clarity of utterance on the actor’s part, all the subtlety of interpretation and nuance counts for nothing if the audience doesn’t know what the line was. If you don’t know what is being said, the rest of the actor’s work is wasted.
Mike looked after the language; Mike looked after the utterance.
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And here’s a very small memory from The Real Thing. We were sitting in the audience during a tech rehearsal. A big stagehand walks into the middle of the stage, and he’s holding two slightly different chairs, one in each hand. He shouts, ‘Mike, which chair?’ And Mike instantaneously points and says, ‘That one!’ And the man walks away. And I’m thinking, ‘Why?’ I could never be a director; I would have no idea which chair. They didn’t seem that different to me.
Later I said to him, ‘Would you mind telling me why you chose that chair?’ And he said: ‘It didn’t matter. The important thing is to answer immediately. You can always change your mind later.’ “
Read more from THR‘s tribute to Mike Nichols:
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