Italy Box Office: 'Jupiter Ascending' Opens in Fourth, 'Birdman' in Sixth Spot

Birdman Mag Still - H 2014
Courtesy of Fox Searchlight

Birdman Mag Still - H 2014

'Night at the Museum 3' stays in the top spot, but 'American Sniper' dominates the year-to-date results.

Night at the Museum: Secret of the Tomb starring Ben Stiller stayed on top of the Italian box office in its second week in the country with a $1.8 million haul.

Stiller is a popular figure in Italy, having recently come through Rome to meet with mayor Ignazio Marino. According to Marino, Stiller will shoot Zoolander 2, the sequel to his popular fashion model comedy, using both Roman exteriors and the city’s Cinecitta Studios.

Read more Italy 2014 in Review: Hollywood's Comeback and George Clooney's Wedding

Jupiter Ascending failed to woo Italian audiences, premiering at number four behind local film Italiano Medio and French film Qu’est-ce qu’on a fait au bon dieu? The latest release from the Wachowskis brought in only $1.1 million in its opening weekend in Italy.

Angelina Jolie’s Unbroken faired well in its second week in release, taking $1.02 million to grab the fifth spot.

Despite heavy Oscar buzz and its Venice opening last year, Birdman couldn’t topple Unbroken, debuting in the number six spot with $938,000.

The Theory of Everything continued to ride its awards-season buzz, bringing in $694,000 and reachinb the number eight position. It’s still well behind fellow U.K. Oscar contender The Imitation Game, which has taken in $8.9 million for the year in Italy, compared to The Theory of Everything’s $5.6 million.

Read more Italy Box Office: 'American Sniper' Beats 'Exodus,' Stays on Top

Nothing can touch Clint Eastwood in Italy, however, as American Sniper has already brought in $21.1 million for the year. That has  broken the revenue for last year’s top movie in Italy, Angelina Jolie’s Maleficent, which had brought in $19.1 million.

So far, Italian box-office numbers are looking up for 2015 to-date after a lackluster 2014. But with the continued decline of the Euro’s value, that may not mean as much for Hollywood’s distributors.