Christmas wish: Peace on Earth, in HollywoodIt was an e-mail that popped into my mailbox a few days ago. It was from a friend of mine, a talent agent. Considering how few non-press-release e-mails I get these days, I pounced on it, especially when I saw the subject — Re: Strike.
"I'm getting bored with it. Can you make it stop?" the e-mail read.
It has been a roller coaster of emotions for everybody in Hollywood this fall. The anxiety in the weeks leading up to the writers strike turned into desperation when the eleventh-hour negotiations between the guild and the studios fell through and the walkout began. Then the nervous euphoria of the first days, marked by big rallies and small victories for the strikers — like the shutdown of a couple of location shoots — turned into anguish when the work stoppage entered its second week with no talks in sight. That soon was replaced by cautious optimism when the two sides went back to the table, then more desperation when the talks broke off Friday.
But for the most part, it's been boredom, especially on the conglomerates' side.
"I'm as bored as I can be," one studio executive said.
Development execs went from a dozen back-to-back meetings a day to a couple at best. Network and studio staffers' days are filled with catching up, reading, screening and office cleaning.
At some places, there also is brainstorming for the future.
For example, 20th Century Fox TV employees are being asked to come up with ideas aimed at reinventing the business. ABC Studios is holding seminars to educate employees about other areas of the business. And while the development season is in limbo, some agencies are working on staffing strategies for whenever the season resumes.
For literary agents and writers, the boredom has been mixed with a great degree of stress and anxiety.
Five weeks into the strike, TV writers are in force majeure territory. Some of them might be losing their overall deals at this moment, but because all pacts have been suspended, they won't know it until after the end of the strike. Talk about a joy kill!
And there was the daily uncertainty about what exactly was going on at the secret talks between the WGA and the AMPTP. Every piece of news from first-, second- or fifth-hand sources was devoured; every word in the two sides' carefully crafted end-of-day statements was dissected.
All that high anxiety had been leading to increased intake of Ambien and Lunesta and probably more frequent visits to psychiatrists. So expect a lot of movie and TV pitches about therapy and depression next year, right after the big screen is hit by the onslaught of bad movies expected as a result of hastily greenlighted projects whose scripts needed more work.
Many of them will have pretty good actors in them, too. With film production gradually grinding to a halt, even small, low-budget indies that normally barely register on most actors' and agents' radars are now able to attract higher-profile talent.
With the negotiations back in the freezer, it's hard to hold out hope, especially after the two parties were so close to a point of no return.
With the holidays fast approaching, I thought it would be hard for either side to break off talks, take off for their vacation homes and become the Grinch who stole Christmas for the thousands of out-of-work crew members.
But let's not forget — 'tis the season for miracles. The first night of Hanukkah produced one: The two sides started real talks and began making progress, albeit only for one day.
Now it's Christmas' turn.
So I took that "Make it stop" e-mail and forwarded it to Santa.