Film Review: New in Town
An unsatisfying pairing of the usually likable Renee Zellweger and Harry Connick Jr., this forced first English-language feature by Danish director Jonas Elmer ("Nynne") feels off from the first frame and only veers further off the comedic course as it stumbles along. Expect a chilly reception from discerning audiences.
Zellweger, who has previously demonstrated a talent for physical comedy in "Nurse Betty" and the Bridget Jones films, can't quite decide what to make of Lucy Hill, a cold fish-out-of-water Miami exec who is transferred to her company's small-town Minnesota plant with orders to downsize.
After an awkward start with the chipper denizens of New Ulm (played by frosty Winnipeg, Manitoba), Lucy learns to make the best of a bad situation with a little romantic encouragement from the factory's respected union leader, Ted (a bearded Connick).
Leading up to the inevitable tapioca pudding fight, the film, penned by Kenneth Rance and C. Jay Cox, is crammed so full of precious "you gotcha's" and "okey-doke's" that it plays like a dinner theater production of "Fargo."
It doesn't help that Elmer's plan of attack is to treat every would-be funny moment with the same tight close-ups and awkward pauses, no doubt anticipating the peals of laughter that fail to materialize.
And, try as they may to generate something resembling warmth and charm in their sketchy characters, Zellweger and Connick fail to set off convincing sparks.
Production-wise, the harsh climate has been convincingly captured by cinematographer Chris Seager ("The Girl in the Cafe"), but all that gritty naturalism doesn't always portray its cast in the most flattering light.
Opens: Friday, Jan. 30 (Lionsgate)
Production: Gold Circle Films, Edmonds Entertainment Group, Epidemic Pictures, The Safran Co.
Cast: Renee Zellweger, Harry Connick Jr., J.K. Simmons
Director: Jonas Elmer
Screenwriters: Kenneth Rance, C. Jay Cox
Executive producers: Scott Niemeyer, Norm Waitt
Producers: Paul Brooks, Darryl Taja, Tracey Edmonds, Peter Safran
Director of photography: Chris Seager
Production designer: Dan Davis
Music: John Swihart
Costume designers: Darena Snowe, Lee Harper
Editor: Troy Takiki
Rated PG, 96 minutes