'The Wannabe': Tribeca Review

'The Wannabe'

In Nick Sandow's latest crime drama based off actual events, Thomas (Vincent Piazza) and Rose (Patricia Arquette) embark on a drug-infused crime spree. Martin Scorsese is an executive producer. 

An inspired-by-real-events crime film that leaves a sour aftertaste

Vincent Piazza and Patricia Arquette are lovers in love with the Mob

Few films are better titled than The Wannabe, a portrait of a Bronx kid who would have done anything to be part of the mob world he knew from the movies. Writer/director Nick Sandow finds a tailor-made lead in Vincent Piazza, who both looks the part and makes sense of his character's ridiculous aspirations; with Patricia Arquette playing the girlfriend who stood by his side, the picture of debased ambition is almost too convincing to enjoy. Exec-producer Martin Scorsese's name will open some doors for this period crime film set in 1992, though moviegoers shouldn't expect the crackle of a Scorsese picture. This sourer tale has a much more limited box-office appeal, no matter how credible its vision.

Piazza plays an inspired-by-life character named Thomas, who at the outset looks like the kind of hustler who might actually get his dream of working for Gambino family boss John Gotti. Wearing a pompadour, thin moustache and crisp suits, he hangs out wherever gangsters gather and wages a one-man propaganda campaign against Sammy Gravano, the turncoat testifying in the godfather's trial.

Thomas meets Rose (Arquette) at a street fair in Gotti's Queens neighborhood while trying to catch a glimpse of the man. They're an instant couple, and though Arquette's eyes sometimes reveal that Rose knows Thomas's plans are dicey, she backs him up at every step — even doubling down in crucial scenes, with a nerviness that recalls the romantic crime spree in True Romance.

A crime spree does lay ahead, but mostly the pair gets caught up in schemes that seem promising to them (like an attempt to rig the jury at Gotti's trial, thereby winning his favor) but lead to humiliation. As he clings to these hopes and builds up a personal grudge against Curtis Sliwa, the Guardian Angels founder who spoke out loudly against Gotti, Thomas comes to look more and more like King of Comedy's Rupert Pupkin. But Sandow has too much sympathy for his hero to play his downfall for laughs; instead, the film slows down into a druggy stupor for its closing scenes, pointing its outer-borough Bonnie and Clyde toward an end no one would describe as a blaze of glory.


Production companies: Electric Entertainment, Traction Media

Cast: Vincent Piazza, Patricia Arquette, Michael Imperioli, Vincenzo Amato, Doug E. Doug, Domenick Lombardozzi

Director-Screenwriter: Nick Sandow

Producers: Lizzie Nastro, Michael Gasparro, Vincent Piazza

Executive producers: Dean Devlin, Rick Genow, Maren Olson, Martin Scorsese, Douglas R. Stone

Director of photography: Brett Pawlak

Production designer: Tommaso Ortino

Costume designer: Ciera Wells

Editor: Melody London

Music: Nathan Larson

Casting directors: Rebecca Dealy, Jessica Kelly

Sales: Traction Media, Electric Entertainment


No rating, 90 minutes