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Lili Taylor

‘The Evening Hour’: Film Review | Sundance 2020

Braden King's second feature, 'The Evening Hour,' adapts Carter Sickels' novel about a small-town opioid dealer.

‘Chambers’: TV Review

Netflix's new supernatural thriller 'Chambers,' featuring Uma Thurman and Tony Goldwyn, is full of big, crazy ideas without the attention span to do any of them justice.

‘Leatherface’: Film Review | FrightFest 2017

French directing duo Alexandre Bustillo and Julien Maury craft a respectful origin story for the long-running 'Texas Chainsaw Massacre' horror franchise with 'Leatherface.'

‘Marvin’s Room’: Theater Review

Janeane Garofalo and Lili Taylor play estranged sisters reunited by a medical emergency in the Broadway debut of Scott McPherson's 1990 seriocomedy 'Marvin's Room,' also starring Celia Weston.

Janeane Garofalo Sets Broadway Debut in ‘Marvin’s Room’

Lili Taylor and Celia Weston have also been cast in Roundabout Theatre Company's summer production of the comedy-drama by Scott McPherson.

Emmys: ‘American Crime’ Star Lili Taylor on Trusting John Ridley With Her Character

The veteran actress discusses tapping into the raw emotion of a struggling single parent and why working with a diverse cast "feels healthier."

Lili Taylor Sets ‘American Crime’ Return for Season 3

The actress was nominated for an Emmy for her work in season two.

Jake Gyllenhaal, Anthony Edwards Offer Words of Support for Military Vets

Seth Meyers and Adam Driver also helped raise money for mental healthcare for those who served in Iraq and Afghanistan

The Library: Theater Review

Steven Soderbergh directs Chloe Moretz as a school-shooting survivor in Scott Z. Burns' drama about distortions of truth in the stunned aftermath of tragedy.

Lili Taylor, Jennifer Westfeldt to Join ‘The Library’

The actresses will join Chloe Grace Moretz in Steven Soderbergh's off-Broadway production of the new play by Scott Z. Burns at New York's Public Theater, opening in April.

The Cold Lands: Berlin Review

Lili Taylor co-stars in writer-director Tom Gilroy's sophomore feature, which premiered in Berlin's Generation section.