My Life as a Zucchini
Euro Animated Films Offer “Darker” Art House Alternative to Hollywood, Exec Says
Mathias Noschis of London film marketing firm Alphapanda says animated films like 'Vincent' and 'My Life as a Zucchini' have global appeal.
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‘My Life as a Zucchini’ Director Developing Two Projects
Aardman co-founder Peter Lord also participated on an animation directors panel Wednesday at FMX in Stuttgart, Germany.
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‘Zootopia’ Oscar Win: “Tolerance is More Powerful Than The Fear of the Other”
"The message of this film is hope."
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Oscars: How Animators Brought an Optimistic Bunny and a Muscular Demigod to Life
The filmmakers behind all the nominees — from 'Zootopia' to 'Moana' — reveal what they most enjoy about their job and the secrets behind their star characters.
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Annie Awards Preview: What to Know About the Animation Community’s Big Night
'Zootopia' and 'Kubo and the Two Strings' are among the contenders for best animated feature.
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Oscars: Indies ‘My Life as a Zucchini,’ ‘The Red Turtle’ Make the Cut in a Crowded Animated Feature Race
They're nominated alongside 'Zootopia,' 'Moana' and 'Kubo and the Two Strings.'
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Winter Snowscapes, as Created by 4 Hollywood Production Designers
The designers behind ‘Fantastic Beasts,’ ‘Manchester by the Sea,’ ‘My Life As a Zucchini’ and ‘Zootopia’ describe their snow scenes.
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Will Forte, Ellen Page Join ‘My Life as a Zucchini’ English Language Voice Cast
Nick Offerman and Amy Sedaris also sign on to the project.
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Oscars: Nine Films Advance in Foreign-Language Race
Germany's 'Toni Erdmann' made the cut, but Frances' 'Elle' failed to secure a slot.
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Golden Globes: Animated Feature Nominees Discuss Audience Responses
"I don’t think audiences were expecting to see this in an animated film," director Byron Howard says of how 'Zootopia' addresses discrimination.
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GKIDS Acquires ‘My Entire High School Sinking Into the Sea’
The comedy from graphic novelist Dash Shaw is scheduled for a spring 2017 release.
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‘My Life as a Zucchini’: How a Swiss Stop-Motion Animated Film Became a Major Awards Contender
Claude Barras' film, set in a foster care center, presents a kid's-eye view of the world — but the director refuses to patronize his pint-size protagonists.
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