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Rodrigo Prieto

Listen to The Hollywood Reporter’s Full Cinematographer Roundtable on ‘Behind the Screen’

Listen to The Hollywood Reporter's Full Cinematographer Roundtable on 'Behind the Screen,' featuring Roger Deakins, Natasha Braier, Cesar Charlone, Caleb Deschanel, Rodrigo Prieto and Robert Richardson.

“The Camera Writes”: Roger Deakins, Caleb Deschanel and the Cinematographer Roundtable

Six leading lensers — including César Charlone, Natasha Braier, Rodrigo Prieto and Robert Richardson — discuss how to shoot an eight-and-a-half-minute take, when to create a digital sun and the shots that make movie magic: "We had to be invisible."

‘Twentieth Century’ Wins Top Prize at Los Cabos Film Fest

'The Twentieth Century,' freshman filmmaker Matthew Rankin's offbeat biopic about Canada's legendary Prime Minister William Lyon Mackenzie King, on Saturday took home best picture honors at the Los Cabos Film Festival.

Martin Scorsese’s ‘The Irishman’ to Open Los Cabos Film Fest

'The Irishman,' Netflix's saga of a hitman and his mysterious association with union boss Jimmy Hoffa, will have its Latin America premiere at the Los Cabos Film Festival next month, and Robert De Niro will attend.

‘The Irishman’: Film Review | NYFF 2019

Martin Scorsese assembles a powerhouse cast headed by Robert De Niro, Al Pacino and Joe Pesci in 'The Irishman,' Netflix's saga of mob hitman Frank Sheeran and his complicated bond with union boss Jimmy Hoffa.

Oscars: ‘Silence’ Cinematographer Rodrigo Prieto on His Partnership With Martin Scorsese

Nominated for a second Oscar this year, Prieto has worked closely with the legendary director on film and TV projects.

Cinematographer Roundtable: Film vs. Digital, Working With Scorsese and Which Phone Takes the Best Pictures

Six top cinematographers from 'Silence', 'La La Land', 'Fences', 'Arrival' and more reveal the secrets that take their craft beyond "beautiful pictures" — and their off-duty camera of choice ("Yeah, I use my iPhone").

‘A Midsummer Night’s Dream’: Film Review | TIFF 2014

Julie Taymor's lauded recent New York production of William Shakespeare's joyous comedy of love and enchantment is given deluxe filmed treatment