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VFX

Yi Zhou’s Into The Sun Inks Visual Effects Deals With FuseFX, 22Dogs

Filmmaker Yi Zhou’s recently launched L.A.-based Into the Sun Entertainment has closed deals with visual effects companies FuseFX and 22Dogs, aimed at expanded her production company, which…

Pixomondo, William F. White Partner in $30 Million Virtual Production Investment

Visual effects company Pixomondo and Canadian TV and film equipment rental business William F. White International have entered into a partnership through which they will offer LED volumes…

‘Migrants’ Named Best of Show in Siggraph’s Electronic Theater

Animated short Migrants, the story of a polar bear and her cub driven into exile due to global warming, won the best of show award from computer graphics confab Siggraph’s Electronic Theater. As…

Technicolor Unveils Restructure Plans, Sets Ambitious Goal for Feature Animation (Exclusive)

With the completion of the sale of Technicolor Post to Streamland Media earlier this month, Technicolor has stepped away from its legacy business in color and is proceeding with its next chapter…

‘Tenet’ VFX House DNEG Names Erika Burton as Exec VP of VFX and Global Head of Studios

DNEG — Christopher Nolan’s go-to visual effects house whose work on Tenet recently won an Oscar — has named Erika Burton as executive vp of VFX and global head of studios. She joined the company…

‘Tenet’ Becomes Third VFX Oscar Winner From Christopher Nolan’s Oeuvre

The director's go-to VFX house DNEG also led the effects work on Oscar winners 'Interstellar' and 'Inception.'

‘Peter Rabbit’ Legal Fight Heats Up as Sequel Set for U.S. Summer Release

After a failed settlement and a change in legal counsel, Jason Lust's dispute with Animal Logic now seeks to answer if the mention of "all other projects" in a short-form agreement includes the…

Visual Effects Society Awards: ‘The Midnight Sky’ Tops Feature Competition

Accepting the Lifetime Achievement Award, Peter Jackson reflects on making 'The Lord of the Rings.'

VES Awards: Honoree Rob Legato Reflects on ‘Titanic’ and Advances in Virtual Production

The VFX pro remembers telling Jim Cameron, “‘It's going to work.’ And I kept my fingers crossed.”

‘The Mandalorian:’ How Baby Yoda’s Visit to Corvus Came to Be

The ILM VFX team describes its latest virtual production developments, first used to make the Disney+ series' season two.

‘Zack Snyder’s Justice League’: Snyder Joins VFX Pros in New Episode of ‘Behind the Screen’

The conversation includes the new designs for Steppenwolf and Darkseid, while Snyder shares some of his favorite sequences.