Bob Weinstein Wants Back Into Hollywood. Here's Why Hollywood Shouldn't Let Him
Those getting into business with the new company of a man who enabled Harvey Weinstein's alleged crimes are making a grave mistake, writes Hollywood Reporter executive editor Stephen Galloway.
Hollywood Should Follow 'South Park' and Stand Up to Tyrants
The entertainment industry has a duty not only to stand behind Trey Parker and Matt Stone, but to follow their lead, writes Hollywood Reporter executive editor Stephen Galloway.
The Fascinating Gossip in Hollywood Legends' Letters
A new book, 'Letters From Hollywood,' collects the judgments, gossip and predictions in telegrams and handwritten notes from industry notables.
In Defense of 'Joker' and Its Repulsive Violence
Todd Phillips' bravura work dares to confront the things we're most afraid to see.
Malcolm Gladwell's New Book Falls Victim to the Big Idea
'Talking to Strangers', the celebrated New Yorker writer's first book in six years, is stuffed full of the facts and factoids the author is famed for but it doesn't trade in the business of truth, writes the Hollywood Reporter's executive editor Stephen Galloway.
Why Nobody in Hollywood Has Any Friends
Transience is the very essence of the entertainment business, unpredictability its warp and weft.
Les Moonves, Kevin Tsujihara and the Art of Hollywood Self-Sabotage
Even before the #MeToo era, there was a long tradition of Tinseltown executives destroying their own careers.
As Annapurna Teeters, Why Are So Many Rooting for Megan Ellison to Fail?
The Oracle heiress' Annapurna Pictures faces financial headwinds, but the producer behind such films as 'Vice,' 'The Master' and 'Booksmart' should be praised for her increasingly rare commitment to quality.
The Vanishing $200 Million Blockbuster
In an increasingly stratified box office landscape dominated by Disney, not a single film this year so far has topped out between $200 million to $300 million domestically.
Leo, Brad, Dwayne and the Return of the Movie Star
DiCaprio and Pitt bring emotional resonance to 'Once Upon a Time in Hollywood' and Johnson elevates flimsy material in 'Hobbs & Shaw.' But are these anomalies? asks Hollywood Reporter executive editor Stephen Galloway.
