Box Office: 'Glass' Beating 'Miss Bala' on Slowest Super Bowl Weekend in Years
'Miss Bala' is the sole new nationwide opening opposite the big game as most studios sit on the sidelines.
Box Office: 'Glass' Shatters 'Kid Who Would Be King,' 'Serenity' With $19M
'The Kid Who Would Be King' opened to just $7.3 million, while 'Serenity' earned an even weaker $4.8 million to mark the worst opening of Anne Hathaway's career and one of the worst for Matthew McConaughey.
Box Office: 'Glass' Stays No. 1; 'Serenity,' 'Kid Who Would Be King' Bombing
'Serenity' marks the worst opening of Anne Hathaway's career and one of the worst in recent times for Matthew McConaughey; Oscar contender 'Green Book' gets a boost.
Will Audiences Tire of M. Night Shyamalan's Go-To Plot Twist?
The 'Glass' director is known for his varied endings, but many of his movies are driven by the villainization of character with disabilities.
Why 'Glass' Twist May Feel Unsatisfying
M. Night Shyamalan's conclusion to the 'Unbreakable' trilogy is something audiences are feeling conflicted about.
Why 'Glass' Is M. Night Shyamalan's Rubicon
It's a film so brazen and alienating that it has become a Rorschach Test for audiences.
'Glass': M. Night Shyamalan on an Ending He Dreamed Up Years Ago
The filmmaker admits he was nervous about how audiences would take his finale but found it did not polarize test audiences: "It was one of my highest testing movies ever."
'Glass' Was Always Building Toward This Ending
M. Night Shyamalan’s Eastrail 177 Trilogy is a translation of comic book mythology through the exploration of human pain.
How the 'Unbreakable' Trilogy Became a Toxic Version of the American Dream
With 'Glass,' M. Night Shyamalan crafts an intriguing homage to superheroes while forgetting the most important thing about them.
In Theaters This Weekend: Reviews of 'Glass,' 'An Acceptable Loss' and More
